Francis Ford
27 Films
Francis Ford
27 Included Films

From Wikipedia Francis Ford (born Francis Feeney, August 14, 1881 – September 5, 1953) was a prolific film actor, writer, and director. He was the mentor and elder brother of film director John Ford. He also appeared in many of John Ford's movies, including Young Mr. Lincoln and The Quiet Man. Francis Ford was born in Portland, Maine. He was the son of John A. Feeney, who was born in the village of Spiddal, County Galway, Ireland in 1854. By 1878, John had moved to Portland, Maine and opened a saloon, at 42 Center Street, that used a false front to pose as grocery store. John opened four others in following years. After service in the infantry in the Spanish-American War, Francis left home. He drifted into the film business in New York City, working for David Horsley, Al Christie, and the Star Film Company's San Antonio operation under Gaston Méliès. He adopted the name Ford from the automobile. From San Antonio Francis began his Hollywood career working for Thomas H. Ince at Ince's Bison studio, directing and appearing in westerns. Francis Ford's younger brother, John M. Feeney, was a successful fullback and defensive tackle on a Portland High state championship football team, nicknamed "Bull". In 1914 Bull followed Francis to Hollywood, changed his name to John Ford and would eventually surpass his elder brother's considerable reputation. Francis Ford's son, Philip Ford, was also a film actor/director.
Directors: Francis Ford & Grace Cunard
Undercrank The Craving Blu-ray HD extra
Undercrank The Craving Blu-ray HD extra, 2K restoration
Also available in HD Streaming by George Eastman Museum
Directors: Francis Ford & Grace Cunard
Undercrank The Craving Blu-ray HD extra
Undercrank The Craving Blu-ray HD extra, 2K restoration
Also available in HD Streaming by George Eastman Museum
Directors: Francis Ford & John Ford
Undercrank Blu-ray, 2K scan of Eye's 35mm preservation print
Directors: Francis Ford & John Ford
Undercrank Blu-ray, 2K scan of Eye's 35mm preservation print
Director: Lloyd Ingraham
Official HD streaming from NFPF
Official HD streaming from NFPF
Director: Lloyd Ingraham
Official HD streaming from NFPF
Official HD streaming from NFPF
Director: Harry A. Pollard
Director: Harry A. Pollard
Director: Clarence Brown
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Director: Clarence Brown
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Director: James Whale
Director: James Whale
Director: Clarence Brown
Director: Clarence Brown
Director: John Ford
Director: John Ford
Director: James Whale
Unofficial DVD
Has 35mm restoration available
Director: James Whale
Unofficial DVD
Has 35mm restoration available
Director: Frank Tuttle
Director: Frank Tuttle
Director: John Ford
Director: John Ford
Director: John Ford
Warner Archive DVD (HD on iTunes)
Director: John Ford
Warner Archive DVD (HD on iTunes)
Director: William A. Wellman
Director: William A. Wellman
Director: John Ford
Criterion Blu-ray. Lobster Films Blu-ray is a newer master but with terrible encoding and brightness levels. May still be better
Criterion Blu-ray. Lobster Films Blu-ray is a newer master but with terrible encoding and brightness levels. May still be better
Director: John Ford
Criterion Blu-ray. Lobster Films Blu-ray is a newer master but with terrible encoding and brightness levels. May still be better
Criterion Blu-ray. Lobster Films Blu-ray is a newer master but with terrible encoding and brightness levels. May still be better
Director: John Ford
Director: John Ford
Kino Lorber Blu-ray suffers from the Quicktime Gamma Bug see caps
Kino Lorber Blu-ray from blah-ray:
Both the Plaion and Arrow audio tracks sound like they received little/any high- or low- frequency attenuation, but the audio on the new Kino Lorber restoration is much more detailed. It's likely that it was transferred from different (superior) analogue elements. It sounds excellent.
Kino Lorber Blu-ray suffers from the Quicktime Gamma Bug see caps
Kino Lorber Blu-ray from blah-ray:
Both the Plaion and Arrow audio tracks sound like they received little/any high- or low- frequency attenuation, but the audio on the new Kino Lorber restoration is much more detailed. It's likely that it was transferred from different (superior) analogue elements. It sounds excellent.
Director: William Beaudine
Director: William Beaudine
27 films



















