Wagon Master (1950)
Adventure, Western • 1h 26m
Director: John Ford
Cast: Ben Johnson, Joanne Dru, Harry Carey, Jr., Ward Bond, Charles Kemper, Alan Mowbray, Jane Darwell, Ruth Clifford, Russell Simpson, Kathleen O'Malley, James Arness, Francis Ford, Fred Libby, Jim Thorpe, Mickey Simpson, Cliff Lyons, Don Summers, Movita, Hank Worden, Chuck Hayward, Danny Borzage, Lee Bradley, Nora Bush, Jane Crowley, Tex Holden, George Huggins, Fred Kennedy, Al Kunde, Ann Kunde, Frank McGrath, Evelyn Moriarty, Eleanore Vogel
Best English-friendly & video release · updated 4 days ago
Overview
Two young horse traders guide a Mormon wagon train to the San Juan Valley and encounter rugged terrain, the cutthroat Clegg gang, hospitable Navajo, and moral challenges on the journey.
Director: John Ford
Sources: ibb.co (opens in a new tab)
Warner Archive Blu-ray is 4K restoration from nitrate projection elements
Germany Filmjuwelen Blu-ray is AI upscaled https://ibb.co/album/mCJ7RQ
Director: John Ford
Sources: bsky.app (opens in a new tab)
Crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set
Sources: x.com (opens in a new tab) · caps-a-holic (opens in a new tab)
Same master, but less bitrate starved.
The encode on the BD is preferable to the UHD. Same master, but less bitrate starved: https://x.com/SadHillDevan/status/1530057783885721607?s=20 and see caps
Director: John Ford
Sources: slow.pics (opens in a new tab)
USA Paramount has the best video transfer with the least amount of artifacts: https://slow.pics/c/sjZ3mqF6
Olive Films Blu-ray and Eureka MoC Blu-ray are sourced from the same restoration and are both very good.
Apart from some mild attenuation, the audio is the same on all releases of the newest restoration and is relatively untampered with: https://slow.pics/c/bWF9EGuM
Director: John Ford
The audio on the Warner Archive Blu-ray is appalling. It starts to cutoff at around 6kHz to have nothing above 10kHz. The LaserDisc is much more full-frequency.
Director: John Ford
Warner Archive Blu-ray new restoration by Library of Congress and the Film Foundation
Director: Morton DaCosta
Warner Archive 4K Blu-ray Nov 24th
TV series
4K restoration from Original Camera Negative for all episodes
Director: Norman Taurog
4K restoration from Original Camera Negative
Director: Delbert Mann
4K restoration from Original Camera Negative
Director: Lloyd Bacon
4K restoration from Original Camera Negative
More Adventure on Blu-ray
Director: Hayao Miyazaki
Video format: UHD Blu-ray
2026 Japan Studio Ghibli (remastered) Blu-ray
France 4K Blu-ray announced
Remastered Blu-ray only included as a pack-in with the 4K Blu-ray. Includes English subtitles and a dub, which the 4K Blu-ray does not.
Japan Studio Ghibli 4K Blu-ray
UK StudioCanal Blu-ray for the English dub
4K Blu-ray includes the original 5.1 mix in its unaltered form, all other releases after the LaserDisc, as well as the remastered Blu-ray, had its dynamic range lowered.
For the English dub, the UK StudioCanal Blu-ray is the least limited mix.
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab)
> Germany Wicked Vision Blu-ray > US Flicker Alley Blu-ray see DVDBeaver caps
Director: Simon Wincer
Sources: Blu-ray.com (opens in a new tab)
4K is defective with color space issues and poor encoding, UHD replacement disc is also defective with worse encode. The UHD has visible artifacts from the bad encoding. The HDR is overdone and the Paramount 4K master has grain management.
The new Kino Blu-ray has none of the UHD's problems and is superior to the UHD in every way though it still uses the same Paramount master.
DVD 5.1 or LaserDisc 5.1 AC3, LD PCM 2.0 for the matrix stereo version. The LD and DVD seem to be the theatrical audio mix untouched with plenty of low end. This low end like a number of 90's Paramount titles was mixed out or tamed on subsequent releases.
The Lionsgate BD and Paramount BD share the same lackluster HD master with DNR and image distortion. The Lionsgate is much better encoded but has a 7.1 remix which messed up the original mix design by lessening all the great Foley work in favor of the score. The Paramount BD had a 5.1 lossless version of the original mix but it's a new version where the bass has been tamed so the track has lost its punch. The Kino Lorber UHD and Blu-ray recycle this same lesser 5.1 mastering. The original mix can still be heard on LD and DVD. The 2.0 stereo on the Kino is matrixed but also does not sound as good as the 2.0 matrix audio on DVD or LD.
Kino has a replacement program for the defective UHD to fix the color space issue. The new disc is not marked, has a worse encode AND DOES NOT FIX THE COLOR SPACE! Thus it is a worse defective disc version of the original defective disc.
The Billy Zane interview on the Kino BD has technical issues in the editing and clip quality used.
Director: Victor Fleming
3D: Warner Bros 3D Blu-ray or Apple Vision Pro
Director: Luc Besson
Sources: slow.pics (opens in a new tab) · fanrestore.com (opens in a new tab) · Blu-ray.com (opens in a new tab)
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2007 Sony Blu-ray or LaserDisc AC3? (TBC) https://fanrestore.com/thread-7303.html
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Video format: 1080p Blu-ray
Director: Martin Rosen
Sources: Criterion Forum (opens in a new tab)
Director: Nicolas Roeg
Sources: Criterion Forum (opens in a new tab)
Criterion 4K Blu-ray poor compression, otherwise Second Sight has best Blu-ray
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
> BFI 4K Blu-ray. caps Criterion presents the master as originally graded in SDR whereas FiM added HDR / Dolby Vision for the BFI.
Criterion 4K Blu-ray's audio mix has more detail than BFI’s and same applies to the subtitles, covering both English and France spoken word
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