The Tree of Wooden Clogs (1978)
L'albero degli zoccoli
Drama • 3h 5m
Director: Ermanno Olmi
Cast: Luigi Ornaghi, Francesca Moriggi, Omar Brignoli, Antonio Ferrari, Teresa Brescianini, Giuseppe Brignoli, Carlo Rota, Pasqualina Brolis, Massimo Fratus, Francesca Villa, Maria Grazia Caroli, Battista Trevaini, Giuseppina Langalelli, Lorenzo Pedroni, Felice Cervi, Pierangelo Bertoli, Brunella Migliaccio, Giacomo Cavalleri, Lorenza Frigeni, Lucia Pezzoli, Franco Pilenga, Guglielmo Badoni, Laura Lecatelli, Carmelo Silva, Mario Brignoli, Emilio Pedroni, Vittorio Capelli, Francesca Bassurini, Lina Ricci
Best audio release
?
About the film
On a northern Italian farm, Batistì and his wife decide to send their son Minec to school, sacrificing his help in the fields but hoping to break the cycle of poverty in the family. But when Minec’s shoe breaks while walking for miles, Batisti puts the family’s future at risk to replace the clog.
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Director: Quentin Tarantino
2025 Taiwan Deltamac 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
2025 Taiwan Deltamac 4K Blu-ray > US Paramount 4K Blu-ray (Taiwan 4K Blu-ray is not low passed as the US 4K Blu-ray and has better grain and fine detail retention)
Theatrical Cut: Italy Eagle Pictures 4K Blu-ray
Redux Cut: Lionsgate vs Eagle Pictures?
Final Cut: Lionsgate or Eagle Pictures, both are not great (visible chroma noise)
Sources: Blu-ray.com (opens in a new tab)
Theatrical: Germany 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)
In the Lionsgate US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the *original track. The Germany 4K Blu-ray release is different on this matter.
UBD: Final Cut: Atmos, DD2.0
UBD: Redux/Theatrical: Atmos
BD: Final Cut: Atmos, DD2.0
BD: Redux/Theatrical: Dtru5.1 (Redux mix?), DD5.1 (?), DD5.1 (Theatrical only), DD2.0 (downmix??)
As a result the Theatrical Cut has 4 tracks, The Redux has 3. Differences are unclear.
BD: Hearts of Darkness
BD: Special Features
Director: Bong Joon Ho
Sources: Criterion Forum (opens in a new tab)
Criterion 4K Blu-ray releasing January 2027
France The Jokers 4K Blu-ray
France The Jokers 4K Blu-ray has the least DNR (UK Artificial Eye might be similar? Both better than Universal 4K Blu-ray)
Criterion even though doesn’t have 4K, it has the B&W version and a lot of extras.
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
Criterion 4K Blu-ray > BFI 4K Blu-ray. caps Criterion presents the master as originally graded in SDR whereas FiM added HDR / Dolby Vision for the BFI.
Criterion 4K Blu-ray's audio mix has more detail than BFI’s and same applies to the subtitles, covering both English and France spoken word
Sources: Criterion Forum (opens in a new tab)
For Blu-ray Criterion Demy Set > StudioCanal
Video format: 1080p Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Gaumont Blu-ray but no English subtitles: https://www.blu-ray.com/movies/Deux-sous-de-violettes-Blu-ray/288976/
Director: Nuri Bilge Ceylan
Sources: slow.pics (opens in a new tab)
Caps for France vs Germany vs UK vs Turkish release https://slow.pics/c/jYBS2CWE not sure what the correct grading is but Germany release looks too dark
Director: Robert Aldrich
Only the Arrow has the 6-track mix.
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray see caps
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray vs Criterion
Three masterings of the original Dolby Stereo SR mix exist: the original Orion video releases, the Criterion (which is from their LD) and the Arrow. All three are excellent with slight mastering differences between them. The original Orion still is probably the one with the most fidelity, the Criterion is the cleanest with a kind of warm feel to it and the Arrow has a bit of both aspects. The Arrow mastering has a tiny almost imperceptible bit of audio bleeding into the surround that isn't on the Criterion. Each has their own pluses and minuses but you can't go wrong with any of them. Whatever you do though: DO NOT WATCH WITH THE 5.1 REMIX. It is another MGM botch job that fundamentally alters the impact of many scenes. It is vastly inferior to the original mix in every way.
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Director: Billy Wilder
Sources: Criterion Forum (opens in a new tab)
(transfer of the 1989 MGM LaserDisc, without problems plaguing Kino Lorber's release)
Arrow UHD is an update of the original 4K scan done for their BD. It is also visually far superior to the Kino version and adds Dolby Vision HDR. The Arrow UHD uses a new LD mono capture and has none of the issues or processing found in the Kino UHD which also used an LD mono capture and somehow mucked it up. Short of a brand new scan, the Arrow UHD is as good as it possibly can be.
Sources: slow.pics (opens in a new tab)
Arrow UK 4K Blu-ray > Paramount US and Capelight DE, same black crush on all three but the Arrow is encoded by FiM and has very good new supplements, the Capelight looks slightly low-passed, but in motion it probably looks about the same as the Paramount, see caps comparison for all three.
Arrow and Paramount basically sound the same, the Arrow has a slightly higher bitrate. Capelight is probably the same too but for now it's TBA.
Paramount US 4K Blu-ray has FEL Dolby Vision
Arrow UK 4K Blu-ray and Capelight DE 4K Blu-ray have MEL Dolby Vision
Director: Bernard Rose
Scream Factory/Arrow 4K Blu-ray or Turbine 4K Blu-Ray
SF and Turbine also have the 2004 Audio Commentary with Bernard Rose, Clive Barker, Alan Poul and actors Virginia Madsen, Tony Todd and Kasi Lemmons
Director: Peter Jackson
Sources: slow.pics (opens in a new tab)
Both will look identical in motion but the Turbine looks marginally better due to a higher bitrate allocation by each cut being given its own disc, whereas Arrow had FiM seamlessly branch the two onto one. However, Arrow has both cuts in Open Matte (on Blu-Ray) and corrected the opening Universal logo's aspect ratio. https://slow.pics/c/McvVcYDG
Director: Rob Reiner
Sources: Blu-ray.com (opens in a new tab) · instagram.com (opens in a new tab)
UK Arrow 4K Blu-ray > US Kino Lorber/Germany Capelight - caps and audio comparison on this page. Discussion is still ongoing about the 2.0 but as none of the three 4Ks seem to have the true original mix, I think it's fair to leave them all in the blue tier for now and only note that Kino Lorber has the worst PQ.
The initial release of the Capelight 4K mediabook had some playback issues with Dolby Vision on Panasonic devices due to an encoding error, the HDR10 apparently works fine, see Capelight’s official response here.
The 4K master has a shot at the very end of the movie (on James Caan's face) that looks incredibly soft and not good at all. This was visible on the DCP as well so it might just be a source issue rather than being the fault of Kino, Capelight or Arrow.
Director: Rob Reiner
Arrow 4K Blu-ray releasing December 14 2026
Like many of Capelight's other releases, the 4K Blu-ray is low-passed but still looks good.
30th Anniversary Shout! Factory BD has the original stereo mix
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· last reviewed 1 year ago
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