Peking Opera Blues (1986)
刀馬旦
Action, Comedy • 1h 44m
Director: Tsui Hark
Cast: Brigitte Lin, Sally Yeh, Cherie Chung Cho-Hung, Mark Cheng Ho-Nam, Cheung Kwok-Keung, Wu Ma, Paul Chun Pui, Ku Feng, Kenneth Tsang, Huang Ha, Poon Hang-Sang, Leong Po-Chih, David Wu, James Lai Wing-Keung, Sandra Ng Kwan-Yu, Wong Hoi-Yan, Si-Ma Yin, Lee Hoi-Sang, Tin Ching, Fung Ging-Man, William Leung Chi-Ming, Tenky Tin Kai-Man, Tsang Kwok-Chi, Fung Yuen-Chi, Lau Shun, Dean Shek Tin
Best English-friendly & video release · updated 15 days ago
UHD tiers
Note: There is a newer 4K restoration by L’Immagine Ritrovata, which should be of better scan quality. The 4K restoration used on all current 4K disc releases stems from a low-quality Cintel scanner. The newer restoration has yet to be released on home video.
Overview
In 1913 Beijing, three fierce women—disguised rebel Tsao Wan, jewel-seeking Sheung Hung, and opera heiress Pat Neil—embark on a daring quest filled with intrigue and betrayal, challenging societal norms amidst political turmoil and the vibrant world of Peking Opera.
Director: Tsui Hark
Sources: Criterion Forum (opens in a new tab)
Director: Tsui Hark
Director: George Pavlou
Arrow 4K Blu-ray teased
Germany Wicked Vision 4K Blu-ray better than US Kino Lorber?
Director: Bruce Robinson
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray has stronger encode than Criterion
Director: Olivier Assayas
Sources: Criterion Forum (opens in a new tab)
Encoding is clunky on both Arrow and Criterion BDs but Arrow at least included the original stereo mix in addition to the 5.1 remix, while Criterion only included the 5.1 remix.
Director: John Woo
Sources: Criterion Forum (opens in a new tab)
review: Disk Kino
Both have better encoding than Disk Kino, some shots are better on Shout! Factory, others on Arrow
Shout Factory still has the best video while Arrow did a questionable regrade. Arrow definitely has less grain in most shots, has a worse encode and is cm v2.9 compared to Shout’s cm v4.0.
Shout! Factory/Arrow 4K Blu-ray has the original mono
Director: Federico Fellini
Director: Lewis Teague
Video format: UHD Blu-ray
Kino Lorber 4K Blu-ray disappointing
R1 DVD
R1 DVD sounds best and has the original mono and a Dolby Stereo remix
Director: Ron Shelton
Australia Imprint 4K Blu-ray disappointing, nice new master, but poor encode, grain completely crippled in some scenes, artifacts abound, etc, makes Kino Lorber look like FiM.
Director: William Friedkin
Sources: Criterion Forum (opens in a new tab) · caps-a-holic (opens in a new tab)
Plaion have also released a BD sourced from Arrow's recent 4K remaster, holds up strongly in comparison https://caps-a-holic.com/c.php?d1=19341&d2=19005&c=5415
More Action on Blu-ray
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab)
> Germany Wicked Vision Blu-ray > US Flicker Alley Blu-ray see DVDBeaver caps
Director: Simon Wincer
Sources: Blu-ray.com (opens in a new tab)
4K is defective with color space issues and poor encoding, UHD replacement disc is also defective with worse encode. The UHD has visible artifacts from the bad encoding. The HDR is overdone and the Paramount 4K master has grain management.
The new Kino Blu-ray has none of the UHD's problems and is superior to the UHD in every way though it still uses the same Paramount master.
DVD 5.1 or LaserDisc 5.1 AC3, LD PCM 2.0 for the matrix stereo version. The LD and DVD seem to be the theatrical audio mix untouched with plenty of low end. This low end like a number of 90's Paramount titles was mixed out or tamed on subsequent releases.
The Lionsgate BD and Paramount BD share the same lackluster HD master with DNR and image distortion. The Lionsgate is much better encoded but has a 7.1 remix which messed up the original mix design by lessening all the great Foley work in favor of the score. The Paramount BD had a 5.1 lossless version of the original mix but it's a new version where the bass has been tamed so the track has lost its punch. The Kino Lorber UHD and Blu-ray recycle this same lesser 5.1 mastering. The original mix can still be heard on LD and DVD. The 2.0 stereo on the Kino is matrixed but also does not sound as good as the 2.0 matrix audio on DVD or LD.
Kino has a replacement program for the defective UHD to fix the color space issue. The new disc is not marked, has a worse encode AND DOES NOT FIX THE COLOR SPACE! Thus it is a worse defective disc version of the original defective disc.
The Billy Zane interview on the Kino BD has technical issues in the editing and clip quality used.
Director: Iain Softley
Sources: slow.pics (opens in a new tab)
Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn included an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Shout! Factory has the exclusive The Beauty of the Baud and the You Can't Stop Us All featurettes.
Director: Luc Besson
Sources: slow.pics (opens in a new tab) · fanrestore.com (opens in a new tab) · Blu-ray.com (opens in a new tab)
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2007 Sony Blu-ray or LaserDisc AC3? (TBC) https://fanrestore.com/thread-7303.html
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Tony Scott
The 70mm 6-track mix has a higher bitrate on the Paramount 1998 DVD, but is more limited than on the THX LaserDisc The Paramount 1998 DVD also has open matte versions in fullscreen 1.33:1 and widescreen 2.00:1 instead of the theatrical aspect ratio of 2.39:1, but the 2.00:1 widescreen presentation is non-anamorphic. The THX LaserDisc is available in both fullscreen 1.33:1 and widescreen 2.00:1 variants.
Director: John Ford
Sources: ibb.co (opens in a new tab)
Warner Archive Blu-ray is 4K restoration from nitrate projection elements
Germany Filmjuwelen Blu-ray is AI upscaled https://ibb.co/album/mCJ7RQ
Director: Michael B. Jordan
Caveat: No IMAX expanded aspect ratio
Edit history
Every recommendation follows the same method — how these calls are made.