Ghost in the Shell (1995)
GHOST IN THE SHELL
Action, Animation, Science Fiction • 1h 23m
Overview
In the year 2029, the barriers of our world have been broken down by the net and by cybernetics, but this brings new vulnerability to humans in the form of brain-hacking. When a highly-wanted hacker known as 'The Puppetmaster' begins involving them in politics, Section 9, a group of cybernetically enhanced cops, are called in to investigate and stop the Puppetmaster.
Director: Mamoru Oshii
Cast: Atsuko Tanaka, Akio Otsuka, Iemasa Kayumi, Koichi Yamadera, Yutaka Nakano, Tamio Ohki, Tessyo Genda, Masakazu Namaki, Masato Yamanouchi, Shinji Ogawa, Mitsuru Miyamoto, Kazuhiro Yamaji, Shigeru Chiba, Hiroshi Yanaka, Ginzo Matsuo, Takashi Matsuyama, Sanryo Odaka, Masamichi Sato, Atsuko Hayashida, Yuji Ueda, Toshiki Kameyama, Atsushi Goto, Maaya Sakamoto
Japan Disney 4K Blu-ray for the original Japanese audio with the best English subtitle translation
US Funimation Blu-ray for the Bandai dub
Manga Entertainment UK Blu-ray for the Manga Entertainment dub
4K remastered US theatrical re-release in 2024 courtesy of GKIDS with either the Japanese audio with Disney's English subtitles or the English dub by Bandai
Not yet confirmed for a US home video release
Japan "4K Remastered" Disney Blu-ray has the original 6.1 mix
Japan Disney 4K Blu-ray for the DTS:X remix
Funimation US Blu-ray for the Bandai dub
Manga Entertainment UK Blu-ray for the Manga Entertainment dub
Italy Dynit Blu-ray has the best picture quality but has no English subtitles or original theatrical 6.1 mix.
All "4K Remastered" and 4K Blu-ray releases (including from Disney) are taken from a 35mm filmout rather than the original digital source, and then heavily DNR'd, destroying original detail and making lines smearier than before. The Japan Disney 4K Blu-ray is the least bad presentation of the 4K remaster, being encoded with a very healthy bitrate and HDR10+ metadata, and with a top-notch DTS:X remix, with the original 6.1 mix included on the pack-in "4K Remastered" Blu-ray.
The film has multiple English subtitle translations, and the Disney subtitles done by Linda Hoaglund and Judith Aley with Aura are often seen as the best translation, with these subtitles present on the Japan Disney 4K Blu-ray, making this the definitive option for viewers who want to watch the film in Japanese with English subtitles.
Japan Disney 4K Blu-ray for the original Japanese audio with the best English subtitle translation
US Funimation Blu-ray for the Bandai dub
Manga Entertainment UK Blu-ray for the Manga Entertainment dub
4K remastered US theatrical re-release in 2024 courtesy of GKIDS with either the Japanese audio with Disney's English subtitles or the English dub by Bandai
Not yet confirmed for a US home video release
Japan "4K Remastered" Disney Blu-ray has the original 6.1 mix
Japan Disney 4K Blu-ray for the DTS:X remix
Funimation US Blu-ray for the Bandai dub
Manga Entertainment UK Blu-ray for the Manga Entertainment dub
Italy Dynit Blu-ray has the best picture quality but has no English subtitles or original theatrical 6.1 mix.
All "4K Remastered" and 4K Blu-ray releases (including from Disney) are taken from a 35mm filmout rather than the original digital source, and then heavily DNR'd, destroying original detail and making lines smearier than before. The Japan Disney 4K Blu-ray is the least bad presentation of the 4K remaster, being encoded with a very healthy bitrate and HDR10+ metadata, and with a top-notch DTS:X remix, with the original 6.1 mix included on the pack-in "4K Remastered" Blu-ray.
The film has multiple English subtitle translations, and the Disney subtitles done by Linda Hoaglund and Judith Aley with Aura are often seen as the best translation, with these subtitles present on the Japan Disney 4K Blu-ray, making this the definitive option for viewers who want to watch the film in Japanese with English subtitles.
Director: Mamoru Oshii
Umbrella 4K Blu-ray see caps
4K restoration includes a high-fidelity remix sourced from new transfers of original magnetic elements, with inconsequential content differences from the original mono mix. Umbrella 4K Blu-ray only includes a 5.1 mixdown of the remix, other discs have it in Dolby Atmos.
Umbrella 4K Blu-ray's 2.0 track is a stereo downmix. Older BDs and LDs have the original mono mix in varying quality, but are all inferior in fidelity to the new 5.1 remix. The digital track on the Bandai/Emotion Japan LaserDisc BELL-942 is the best of the bunch.
https://forum.blu-ray.com/showpost.php?p=23714400&postcount=159
Director: Mamoru Oshii
Umbrella 4K Blu-ray see caps
4K restoration includes a high-fidelity remix sourced from new transfers of original magnetic elements, with inconsequential content differences from the original mono mix. Umbrella 4K Blu-ray only includes a 5.1 mixdown of the remix, other discs have it in Dolby Atmos.
Umbrella 4K Blu-ray's 2.0 track is a stereo downmix. Older BDs and LDs have the original mono mix in varying quality, but are all inferior in fidelity to the new 5.1 remix. The digital track on the Bandai/Emotion Japan LaserDisc BELL-942 is the best of the bunch.
https://forum.blu-ray.com/showpost.php?p=23714400&postcount=159
Director: Mamoru Oshii
2008 Japan Blu-ray (BCXA-0085): has English subtitles, better than 2015 Maiden Blu-ray which lacks the original mix
2026 Bandai 4K Blu-ray, but completely DNR'd.
For grain, most release starting from 2007 Japan Bandai Blu-ray (BCXA-0003) are ok.
Bandai 4K Blu-ray? vs 2008 Japan Bandai Blu-ray (BCXA-0085): same video but includes Bandai English dub and original mix
Director: Mamoru Oshii
2008 Japan Blu-ray (BCXA-0085): has English subtitles, better than 2015 Maiden Blu-ray which lacks the original mix
2026 Bandai 4K Blu-ray, but completely DNR'd.
For grain, most release starting from 2007 Japan Bandai Blu-ray (BCXA-0003) are ok.
Bandai 4K Blu-ray? vs 2008 Japan Bandai Blu-ray (BCXA-0085): same video but includes Bandai English dub and original mix
Director: Mamoru Oshii
2025 Japan 4K Blu-ray (crowdfunded project)
Director: Mamoru Oshii
2025 Japan 4K Blu-ray (crowdfunded project)
Directors: Brian Taylor & Mark Neveldine
Directors: Brian Taylor & Mark Neveldine
International Cut: Lionsgate 4K Blu-ray
International Cut: Lionsgate 4K Blu-ray, Upscaled from the 2K DI. Caps are here. While not as dramatic an upgrade as Jackie Brown, color reproduction and especially the reveal of additional highlight information that were completely blown-out on the old master make this a great upgrade regardless. See Uma Thurman’s face in the above cap. Japan Cut: Japan DVD
International Cut: Lionsgate 4K Blu-ray
International Cut: Lionsgate 4K Blu-ray, Upscaled from the 2K DI. Caps are here. While not as dramatic an upgrade as Jackie Brown, color reproduction and especially the reveal of additional highlight information that were completely blown-out on the old master make this a great upgrade regardless. See Uma Thurman’s face in the above cap. Japan Cut: Japan DVD
Second Sight UK Blu-ray for restored versions of both theatrical cut and festival cut
Second Sight UK Blu-ray replacement disc
Second Sight UK Blu-ray for restored versions of both theatrical cut and festival cut
Second Sight UK Blu-ray replacement disc
Director: Antoine Fuqua
US Lionsgate or International Universal 4K Blu-ray
US Lionsgate or International Universal 4K Blu-ray (similar encoding) - caps
Director: Antoine Fuqua
US Lionsgate or International Universal 4K Blu-ray
US Lionsgate or International Universal 4K Blu-ray (similar encoding) - caps
Director: Steven Shainberg
Director: Steven Shainberg
2017 StudioCanal 4K Blu-ray and subsequent 4K Blu-rays are notorius for being heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available.
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre-2017 transfer, but has DNR.
2017 StudioCanal 4K Blu-ray and subsequent 4K Blu-rays are notorius for being heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available.
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre-2017 transfer, but has DNR.
Director: Kathryn Bigelow
Director: Kathryn Bigelow
70mm 6-Track: Paramount US 4K Blu-ray
35mm matrixed Dolby Stereo: 1995 Live Home Video US LaserDisc
Although the provenance of Paramount's 5.1 track is not confirmed, the fidelity is outstanding and speaks for itself.
The 7.1 track on the Capelight/old Lionsgate release is just an upmix with nothing gained over the 5.1.
The original stereo mix is only present on older DVDs and LaserDiscs; all Blu-ray 2.0 tracks are downmixes.
Paramount 4K Blu-ray has no extras, Capelight 4K Blu-ray has most of the extras, Olive Films Blu-ray has a exclusive commentary
70mm 6-Track: Paramount US 4K Blu-ray
35mm matrixed Dolby Stereo: 1995 Live Home Video US LaserDisc
Although the provenance of Paramount's 5.1 track is not confirmed, the fidelity is outstanding and speaks for itself.
The 7.1 track on the Capelight/old Lionsgate release is just an upmix with nothing gained over the 5.1.
The original stereo mix is only present on older DVDs and LaserDiscs; all Blu-ray 2.0 tracks are downmixes.
Paramount 4K Blu-ray has no extras, Capelight 4K Blu-ray has most of the extras, Olive Films Blu-ray has a exclusive commentary
More Action on Blu-ray
Director: S. S. Rajamouli
Zee5 Streaming has the original Telugu audio and English subtitles (albeit with English portions also overdubbed in Telugu)
Netflix Streaming only has the Hindi dub but better video quality
France Carlotta 4K Blu-ray coming in December
Japan Twin Co. 4K Blu-ray
Japan Twin Co. 4K Blu-ray has original Telugu Atmos audio
Director: S. S. Rajamouli
Zee5 Streaming has the original Telugu audio and English subtitles (albeit with English portions also overdubbed in Telugu)
Netflix Streaming only has the Hindi dub but better video quality
France Carlotta 4K Blu-ray coming in December
Japan Twin Co. 4K Blu-ray
Japan Twin Co. 4K Blu-ray has original Telugu Atmos audio
France M6 4K Blu-ray has Dolby Vision, but is inferior with more washed out colors and inferior encoding plus no hardcoded subtitles for the Portuguese language parts
France M6 4K Blu-ray has Dolby Vision, but is inferior with more washed out colors and inferior encoding plus no hardcoded subtitles for the Portuguese language parts
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1.
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1.
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 2001 MGM DVD for a purist version with original colors and the international mono mix
2013 MGM Blu-ray for non AI transfer, 2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 2001 MGM DVD for a purist version with original colors and the international mono mix
2013 MGM Blu-ray for non AI transfer, 2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: Michael Mann
Shout! Factory 4K Blu-ray upcoming, Director's Final Cut premiering October 3rd; will receive home video release in the future
Director: Michael Mann
Shout! Factory 4K Blu-ray upcoming, Director's Final Cut premiering October 3rd; will receive home video release in the future
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Phillip Noyce
Director: Phillip Noyce
Director: Mamoru Hosoda
Sony 4K Blu-ray has the original theatrical Dolby Atmos mix
Director: Mamoru Hosoda
Sony 4K Blu-ray has the original theatrical Dolby Atmos mix
Director: Wolfgang Petersen
Arrow 4K Blu-ray Both cuts are excellent in 4K. See caps
Director's cut: 2007 WB Blu-ray; Arrow is a lossy transcode with dynamics compression.
2007 BD's AC-3 track with dynamic range compression enabled is nearly identical to Arrow's, see comparison
Theatrical cut is fine.
Director: Wolfgang Petersen
Arrow 4K Blu-ray Both cuts are excellent in 4K. See caps
Director's cut: 2007 WB Blu-ray; Arrow is a lossy transcode with dynamics compression.
2007 BD's AC-3 track with dynamic range compression enabled is nearly identical to Arrow's, see comparison
Theatrical cut is fine.
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