Not available on home video
This film has never had an official home-video release in any territory. Repertory screenings and archive prints are currently the only way to see it.
Best video release
La Cinémathèque Française has restored DCP, no home release
About the film
A pilot crashes and a beautiful countess of a castle nearby nurses him to health.
Director: René Clair
Video format: 1080p Blu-ray
VCI US or Filmjuwelen Blu-ray
Sources: DVDBeaver (opens in a new tab) · Blu-ray.com (opens in a new tab) · caps-a-holic (opens in a new tab)
VCI US or Filmjuwelen Blu-ray are both MP2 encoded, most likely from the same master. Judging from the size and the caps from DVDBeaver or BR for VCI or caps-a-holic for Filmjuwelen, they are probably very similar.
Director: René Clair
Included as extras in Pathé Paris qui dort + Entr'acte Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Director: René Clair
Video format: 1080p Blu-ray
Director: René Clair
Sources: silentfilm.org (opens in a new tab) · janusfilms.com (opens in a new tab)
The latest and best restoration from official screencaps are from Shout! Factory Silent Film Festival + Cinémathèque Française https://silentfilm.org/preservation/the-italian-straw-hat/ which is from Original Camera Negative and original France title negative. Janus seems to have acquired the rights https://www.janusfilms.com/films/2259 The Grapevine Blu-ray (including their updated 2K transfer) or the Flicker Alley DVD might be the ones referred in the above Shout! Factory Silent Film Festival as "US viewers have had to be satisfied with either the alternate version that was released in the United States in 1931, or hybrids that supplement the US version with additional footage"
Director: René Clair
Video format: 1080p Blu-ray
Director: René Clair
Video format: 1080p Blu-ray
Director: René Clair
More Drama on Blu-ray
Shout! Factory's Blu-ray has both cuts of the film in addition to the 3.0 stereo and 2.0 mono mixes making it the first time the full theatrical cut is available with the 3.0 mix. The new commentary is good. The 3.0 stereo sounds wonderful and the mono sounds solid.
That's where the positives end. This is the same terrible Universal DVD master slapped on a Blu-ray disc with a terrible encode making both versions share the disc separately taking up more space. This master was already poor for DVD and is nearly unwatchable here on the Shout! Factory disc. It looks virtually identical to the upscaled DVD most of the time with only a bit less noise due to it being 1080p. This is one of the most appalling cases of "DVD master slapped on a Blu-ray disc" you can possibly find. Absolutely shameful video presentation. This should have never been released this way. Sadly it's still ever so slightly better than the DVD and the only way you get the proper theatrical cut with lossless 3.0 stereo. This is still the best source we have for the film.
Director: Anthony Mann
This is an ancient Universal master of a film in dire need of restoration. This only looks somewhat better than the old Universal DVD upscaled and is clearly the same master. Tons of wear, color fringing and other issues abound. The film is stuck at the theatrical widescreen ratio of 1.85:1 when it was composed for Academy ratio. The proper ratio is only found on the trailer, original VHS master and Region 2 PAL DVD. The Kino Lorber Blu-ray is their usual barebones affair except for flawed low res trailer files and a basic commentary. The film's 3.0 stereo mix is intact alongside the more limited mono mix thankfully. The Blu-ray does edge out over the old Universal DVD but that is merely due to it being the same master resolving better in 1080p. This presentation is sadly poor and the film deserves much better.
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray vs Criterion
Three masterings of the original Dolby Stereo SR mix exist: the original Orion video releases, the Criterion (which is from their LD) and the Arrow. All three are excellent with slight mastering differences between them. The original Orion still is probably the one with the most fidelity, the Criterion is the cleanest with a kind of warm feel to it and the Arrow has a bit of both aspects. The Arrow mastering has a tiny almost imperceptible bit of audio bleeding into the surround that isn't on the Criterion. Each has their own pluses and minuses but you can't go wrong with any of them. Whatever you do though: DO NOT WATCH WITH THE 5.1 REMIX. It is another MGM botch job that fundamentally alters the impact of many scenes. It is vastly inferior to the original mix in every way.
Director: Robert Altman
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Cinematrographe's HDR grading is overcooked, which is a known VinSyn tendency. Additionally, their booklet mis-credits the encode to FiM.
YMMV, but for some, the included BD encoded by Marcus Johnson—ironically may make for a more pleasing experience.
Director: Roman Polanski
Sources: Blu-ray.com (opens in a new tab)
UK 4K teased by 88 Films https://forum.blu-ray.com/showthread.php?p=24252379
Carlotta France 4K Blu-ray > Vinegar Syndrome 4K Blu-ray (better encode on Carlotta without any low-pass filtering, more extras and English subtitles on Vinegar Syndrome)
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Edit history
Every recommendation follows the same method — how these calls are made.