And Then There Were None (1945)
Crime, Drama, Mystery • 1h 38m
Overview
Ten strangers are summoned to a remote island and while they are waiting for the mysterious host to appear, a recording levels serious accusations at each of the guests. Soon they start being murdered, one by one. As the survivors try to keep their wits, they reach a disturbing conclusion: one of them must be the killer.
Director: René Clair
Director: René Clair
Included as extras in Pathé Paris qui dort + Entr'acte Blu-ray
Included as extras in Pathé Paris qui dort + Entr'acte Blu-ray
Director: René Clair
Included as extras in Pathé Paris qui dort + Entr'acte Blu-ray
Included as extras in Pathé Paris qui dort + Entr'acte Blu-ray
Director: René Clair
Director: René Clair
Director: René Clair
Director: René Clair
Director: René Clair
The latest and best restoration from official screencaps are from Shout! Factory Silent Film Festival + Cinémathèque Française https://silentfilm.org/preservation/the-italian-straw-hat/ which is from Original Camera Negative and original France title negative. Janus seems to have acquired the rights https://www.janusfilms.com/films/2259 The Grapevine Blu-ray (including their updated 2K transfer) or the Flicker Alley DVD might be the ones referred in the above Shout! Factory Silent Film Festival as "US viewers have had to be satisfied with either the alternate version that was released in the United States in 1931, or hybrids that supplement the US version with additional footage"
Director: René Clair
The latest and best restoration from official screencaps are from Shout! Factory Silent Film Festival + Cinémathèque Française https://silentfilm.org/preservation/the-italian-straw-hat/ which is from Original Camera Negative and original France title negative. Janus seems to have acquired the rights https://www.janusfilms.com/films/2259 The Grapevine Blu-ray (including their updated 2K transfer) or the Flicker Alley DVD might be the ones referred in the above Shout! Factory Silent Film Festival as "US viewers have had to be satisfied with either the alternate version that was released in the United States in 1931, or hybrids that supplement the US version with additional footage"
Director: René Clair
Director: René Clair
Director: René Clair
Director: René Clair
Director: René Clair
Director: René Clair
Director: René Clair
No home release, BFI has 35mm print
Director: René Clair
No home release, BFI has 35mm print
Director: René Clair
Director: René Clair
Director: René Clair
Director: René Clair
Director: Rudolph Maté
Director: Rudolph Maté
Director: William Beaudine
Director: William Beaudine
Director: Victor Halperin
Kino Lorber "raw' version or VCI replacement Blu-ray
Kino Lorber "raw' version or VCI replacement Blu-ray, no comparison available
See DVDBeaver for the whole fiasco but Kino Lorber's main feature was a DNR mess but it fortunately included the "raw" version. VCI initially had a bitrate < 10 Mbps but have sent out new disc with bitrate around 35 Mbps.
UCLA has a new restoration done in 2015, but no release yet
Only VCI has optional subtitle and commentaries, while Kino Lorber doesn't
Director: Victor Halperin
Kino Lorber "raw' version or VCI replacement Blu-ray
Kino Lorber "raw' version or VCI replacement Blu-ray, no comparison available
See DVDBeaver for the whole fiasco but Kino Lorber's main feature was a DNR mess but it fortunately included the "raw" version. VCI initially had a bitrate < 10 Mbps but have sent out new disc with bitrate around 35 Mbps.
UCLA has a new restoration done in 2015, but no release yet
Only VCI has optional subtitle and commentaries, while Kino Lorber doesn't
Director: Lewis Milestone
Director: Lewis Milestone
Director: Mervyn LeRoy
Director: Mervyn LeRoy
Directors: Louis J. Gasnier & Edwin H. Knopf
Directors: Louis J. Gasnier & Edwin H. Knopf
Director: Henry King
AlphaVideo or VCI DVD
AlphaVideo or VCI DVD
Director: Henry King
AlphaVideo or VCI DVD
AlphaVideo or VCI DVD
More Crime on Blu-ray
Director: H.B. Halicki
OOP 2017 US Mill Creek Blu-ray
OOP 2017 US Mill Creek Blu-ray. It is in MPEG-2, but has a superior restoration that has less errors than the older 2012 Blu-ray.
Director: H.B. Halicki
OOP 2017 US Mill Creek Blu-ray
OOP 2017 US Mill Creek Blu-ray. It is in MPEG-2, but has a superior restoration that has less errors than the older 2012 Blu-ray.
Director: Joel Schumacher
US/UK Arrow 4K Blu-ray has both the original Dolby Stereo 2.0 mix in its best quailty and the original Dolby Stereo 4-track discrete stems in 4.0.
Director: Joel Schumacher
US/UK Arrow 4K Blu-ray has both the original Dolby Stereo 2.0 mix in its best quailty and the original Dolby Stereo 4-track discrete stems in 4.0.
Director: John Woo
UK Arrow 4K Blu-ray maybe better than US Shout! Factory?
Director: John Woo
UK Arrow 4K Blu-ray maybe better than US Shout! Factory?
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: Jack Sholder
Director: Jack Sholder
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: John Irvin
(not the 4K Blu-ray, previous LaserDisc could be better)
Director: John Irvin
(not the 4K Blu-ray, previous LaserDisc could be better)
Arrow 4K Blu-ray from the Jackie Chan Boxset
Arrow 4K Blu-ray from the Jackie Chan Boxset
Arrow 4K Blu-ray from the Jackie Chan Boxset
Arrow 4K Blu-ray from the Jackie Chan Boxset
Director: Charles Band
Full Moon Features Blu-ray or 88 Films Blu-ray is better than 4K Blu-ray, which is poorly encoded
Director: Charles Band
Full Moon Features Blu-ray or 88 Films Blu-ray is better than 4K Blu-ray, which is poorly encoded
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