The Tales of Hoffmann (1951)
Music, Fantasy, Drama • 2h 7m
Directors: Michael Powell & Emeric Pressburger
Cast: Moira Shearer, Ludmilla Tchérina, Pamela Brown, Léonide Massine, Ann Ayars, Robert Helpmann, Frederick Ashton, Robert Rounseville, Mogens Wieth, Lionel Harris, Philip Leaver, Meinhart Maur, Edmond Audran, Sir Thomas Beecham, Alan Carter, Elizabeth Christie, John Ford, Richard Golding, Lillemor Knudsen, Barry Lowe, Arthur Skinner
Additional info
4K tiers
About the film
A melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer.
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*highly probable
Directors: Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer
Video format: UHD Blu-ray
Video format: UHD Blu-ray
France Rimini 4K Blu-ray see caps vs Artificial Eye Blu-ray
Director: Otakar Vávra
Deaf Crocodile 4K Blu-ray see nic review
Restored: Deaf Crocodile 4K Blu-ray
Unrestored: Czech PAL DVD
Preferences will vary, the restored track sounds good, but not necessarily faithful to the original elements.
Director: Basil Dearden
Excellent 4K master and encode, except for opticals grain is very fine, grading is beautifully silvery and luminous, nice HDR re-grade by Fidelity in Motion
Director: George Stevens
Kino Lorber 4K Blu-ray has unusually strong encode but only a minimal upgrade over the excellent Eureka Blu-ray
Directors: Emeric Pressburger & Michael Powell
FiM encode and none of the low-pass filtering present on the Criterion 4K, resulting in more detail and better handling of highlights on Imprint
Review, comparisons
All HD and 4K sources use the same 2009 restoration. Criterion's master (also used by Imprint) is a bit more rolled off, though the difference is minor.
Director: Michael Powell
2024 StudioCanal UK 4K Blu-ray
Criterion 4K Blu-ray from the BFI 4k restoration
Directors: Tim Whelan & Ludwig Berger & Michael Powell
Directors: Michael Powell & Emeric Pressburger
Directors: Emeric Pressburger & Michael Powell
Director: John Woo
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Director: Stanley Kubrick
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed, Imprint minimally less so. Unfortunately, unlike with The Killing, Kino does not hold up at all, the grain is much rougher and the compression visibly struggles making for a much less pleasant watch, even if select stills look better.
All discs use the same source transfer. Criterion cleaned up some hums and hiss, but lost a little bit of high-end detail. Unlike The Killing, the difference's relatively mino.
Director: John Schlesinger
2027 Criterion 4K Blu-ray
Included Imprint Blu-Ray also has markedly better image compression than the Criterion Blu-Ray, though do note the Imprint has some adjusted color grading within roughly the first five minutes of the film
https://forum.blu-ray.com/showpost.php?p=16775595&postcount=450
https://forum.blu-ray.com/showpost.php?p=24237074&postcount=73
Director: Roman Polanski
Lionsgate Limited 4K Blu-ray
Lionsgate Limited 4K Blu-ray see caps. Much better contrast and grain exposure but the grade is a bit questionable as it skews heavily towards magenta in some caps and the encode looks low-pass filtered.
Atmos Remix: Lionsgate 4K Blu-ray
Original 5.1: Imprint Australia Blu-ray or StudioCanal Germany/France Blu-ray
Lionsgate 4K Blu-ray encoded the "Original 5.1" as lossy Dolby Digital, which is very different from the AC3 on the original DVD. This new "Original 5.1" may in fact be a downmix of the Atmos track. FWIW, the original DVD AC3 still sounds very good.
Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Jack Cardiff
Video format: HD Streaming
HD Streaming
Director: Iain Softley
Director: Steven Shainberg
Director: Akira Kurosawa
Director: Kathryn Bigelow
UK ICON 4K Blu-ray (caps)
UK 4K Blu-ray has a slightly better encode than US Shout! Factory 4K Blu-ray and Germany StudioCanal 4K Blu-ray
5.1 mix is flawed on Shout! Factory/ICON, a phasey upmix instead of the proper discrete surround. The UHD 2.0 tracks are downmixes of that track.
2008 Fox Blu-ray sounds great, very close to the original 70mm mix, only with split surround.
2001 DVD has the original mix as 4.1 and matrixed 2.0.
Imprint 4K has a 4.0 track. The StudioCanal 4K Blu-ray has a different 5.1, unclear if it's the same as Fox BD.
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Every recommendation follows the same method — how these calls are made.