Lock Up (1989)
Action, Crime, Drama, Thriller • 1h 55m
Director: John Flynn
Cast: Sylvester Stallone, Donald Sutherland, John Amos, Sonny Landham, Tom Sizemore, Frank McRae, Darlanne Fluegel, William Allen Young, Larry Romano, Jordan Lund, John Lilla, Dean Rader Duval, Jerry Strivelli, David Anthony Marshall, Kurek Ashley, Michael Petroni, Danny Trejo, Frank D'Annibale, Tony Lip, Clarence Moore, Joe Pentangelo, Eli Rich, Bo Rucker, Randy Sandkuhl, Robert Vazquez, Tony Munafo, Frank Pesce, Troy Curvey Jr.
Best English-friendly & video release
Eagle Pictures Italy 4K Blu-ray > StudioCanal 4K Blu-ray: better compression than StudioCanal
Updated 1 year ago
Best audio release
UHD tiers
Italian import
better compression than SC
About the film
Frank Leone is nearing the end of his prison term for a relatively minor crime. Just before he is paroled, however, Warden Drumgoole takes charge. Drumgoole was assigned to a hell-hole prison after his administration was publicly humiliated by Leone, and has now arrived on the scene to ensure that Leone never sees the light of day.
Director: John Flynn
Director: Charlie Chaplin
1928 version: Image Entertainment DVD
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab) · caps-a-holic (opens in a new tab)
1969 version: Criterion Blu-ray > UK Artificial Eye Blu-ray, see DVDBeaver caps.
Japan Kadokawa Blu-ray is the same as AE BD and inferior to Criterion too
2000/2010 Image Entertainment DVD or 2013 Warner Bros The Wizard of Oz (1939) 3D 75th Anniversary Limited Edition Blu-ray Disc 3 (in SD)
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 1997 Image DVD/2001 MGM DVD for a purist version with original colors and the international mono mix
Sources: vimeo.com (opens in a new tab) · facebook.com (opens in a new tab)
2013 MGM Blu-ray for non AI transfer, 1997 Image DVD/2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Arrow UK 4K Blu-ray (damage removed, improved color/HDR, and best audio) or Capelight DE 4K Blu-ray (best compression but no damage removal and LaserDisc audio from Arrow)
Sources: slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow UK /Capelight DE 4K Blu-ray > Kino Lorber US 4K Blu-ray, see caps
Arrow has done additional cleanup work removing nearly all the damage in the transfer. They have massaged the color timing and HDR to try and improve what they could. The Capelight may have better encoding but it does not have these improvements. The Arrow encoding is solid and in motion there are no issues whatsoever. The Kino Lorber release has the damage and other issues plus frequent noise due to the lesser encoding.
Some scenes in the Arrow transfer are better, some are better in the Capelight.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LaserDisc track, see spectrograms) This track has the best fidelity of any release but does have some channel bleeding baked in. The 2017 2.0 on the Arrow and Shout! Factory Blu-rays was the Dolby Stereo original mix without channel bleeding but that had heavy noise reduction resulting in a very flat and underwhelming presentation. The surround winds up being lessened as well due to the processing. It's a tough choice between the two but the Image LaserDisc audio wins out because it hasn't been messed with and the impact is so unrestrained that no other version hits in the same way.
Capelight and old Arrow Blu-ray included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino Lorber only included a painfully defective 2.0 track sourced from somewhere with limited fidelity, volume spikes and screechy high end which frequently ruins the music. The 5.1 remix on most modern release is a processed version that does not sound as good as it once did.
The best and most accurate of the 5.1 mixes is the original version from the 2003 Special Edition DVD in lossy AC3 form.
The best source for the commentaries are from the 2003 Special Edition DVD.
Director: Luchino Visconti
Video format: 1080p Blu-ray
Director: John Mark Robinson
US Image Entertainment LaserDisc is pan-and-scan, but is the best quality release of the film. Widescreen version never released on home video.
US Image Entertainment LaserDisc has the original Dolby Stereo mix.
Grapevine DVD Rip Van 1921 extras or OOP Image Entertainment DVD
Director: Michelangelo Antonioni
Directors: Gus Meins & Charley Rogers
Original 1934 Theatrical Version: US Legend Films Blu-ray
1950 Reissue Version: OOP 1980s US VHS
Samuel Goldwyn 1991 Colorized Version: US Image Entertainment/GoodTimes LaserDisc or US GoodTimes DVD
Legend Films 2006 Colorized Version - 2D: US Legend Films Blu-ray
Legend Films 2006 Colorized Version - 3D: US Legend Films 3D Blu-ray
Director: Vincent J. Donehue
1990 Image Entertainment/GoodTimes LaserDisc or 1999 GoodTimes DVD
More Action on Blu-ray
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Director: Buster Keaton
Kino Lorber new Seven Chances / Sherlock Jr. Blu-ray?
Sources: slow.pics (opens in a new tab)
MoC 4K Blu-ray late 2027
Lobster Films (Kino Lorber?) > Cohen/Eureka https://slow.pics/c/3KWXoMyR The new Kino Lorber's Seven Chances / Sherlock Jr. might be using the same restoration as Lobster Films
Director: George Lucas
Video format: UHD Blu-ray
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97_IV" or "D+97_IV" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
Original Stereo mix: Columbia Pictures LaserDisc, Sony 4K Blu-ray
5.1 remix: Sony 4K Blu-ray, Sony Blu-ray
Dolby Atmos remix: Sony 4K Blu-ray
Original Stereo mix: Columbia Pictures LaserDisc, Sony 4K Blu-ray
5.1 remix: Sony 4K Blu-ray, Sony Blu-ray
Dolby Atmos remix: Sony 4K Blu-ray
Director: Michael Anderson
Arrow 4K Blu-ray scheduled for Dec 2026 release
Paramount 4K Blu-ray Purist choice: Blu-ray
Sources: YouTube (opens in a new tab)
Paramount 4K Blu-ray new improved master with color grading and slight issues. Blu-ray is old master with original color grading
Blu-ray 5.1
The Paramount 4K Blu-ray has a much better new scan that removes the original extremely dated color grading. This is an improvement on one hand but a definite revisionist change on the other. There is the expected grain management and slight HDR issues in addition to encoding quirks from Paramount. It is a giant improvement over the original Blu-ray but the color change and other issues means that the Blu-ray is one to keep for purists to have the as-is original iteration of the film's presentation. Audio wise the film has been remixed into Atmos but it merely seems like a slightly tweaked and frankly tamed version of the original 5.1. Of the two I prefer the Blu-ray 5.1. The original Blu-ray was Dolby TrueHD and the reissue Blu-ray in the four film Blu-ray collection boxset was DTS-HDMA.
DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
StudioCanal's 4K release is similar in encode quality, but has significant glitches in multiple frames. See comparisons 9-16 here: https://slow.pics/c/YkSVb3Ey
The pitch of the StudioCanal 4K's English audio is too high
Criterion has more extras than StudioCanal.
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