Roman Coppola
7 Films
Roman Coppola
7 Included Films
Roman François Coppola (April 22, 1965) is the son of Francis Ford Coppola and an American filmmaker, screenwriter, producer, and entrepreneur. With the 2012 film Moonrise Kingdom, he and co-writer Wes Anderson were nominated for the Academy Award for Best Original Screenplay. His television series Mozart in the Jungle won the 2016 Golden Globe Award for Best Television Series – Musical or Comedy. In 2019, Coppola was invited to join the Academy of Motion Picture Arts and Sciences. Coppola serves as president of the San Francisco-based film company American Zoetrope. He is also the founder and owner of The Directors Bureau, a commercial and music video production company. Coppola began his directing career by overseeing in-camera visual effects and second unit direction for Francis Ford Coppola's Bram Stoker’s Dracula, which garnered a BAFTA Award nomination for Visual Effects. He has continued to do second unit direction throughout his career, including his father's Jack, The Rainmaker, Youth Without Youth, and Tetro; collaborator Wes Anderson's The Life Aquatic with Steve Zissou and The Darjeeling Limited; and his sister Sofia Coppola's The Virgin Suicides and Marie Antoinette. In the 1990s, Coppola established himself as an influential music video and commercial director. Through his production company, The Directors Bureau, he directed all four music videos for The Strokes' 2001 debut album, Is This It, as well as "12:51" for Room on Fire. His other music videos include clips for Daft Punk, Lilys, Moby, The Presidents of the United States of America, Ween, Green Day, and Fatboy Slim. His music video for Phoenix's "Funky Squaredance" was invited into the permanent collection at the New York Museum of Modern Art. He has also been a supporter of cousin Jason Schwartzman's musical side project, Coconut Records. His first feature film, CQ, premiered at the 2001 Cannes Film Festival and was well-received critically. Set in Paris in 1969, CQ centers on a young film editor trying to juggle his personal and professional life while simultaneously juggling a science fiction adventure and his own personal art film. Coppola's second feature, A Glimpse Inside the Mind of Charles Swan III, debuted in 2012 at the Rome Film Festival. Charlie Sheen starred as the title character, a graphic designer dealing with a break-up. The cast also included Bill Murray and Jason Schwartzman. Reviews for the film tended toward the negative. Coppola is also an inventor and entrepreneur, responsible for the Photobubble Company, Pacific Tote Company, and a number of projects through the "Special Projects" arm of his production company.
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Theatrical: Italy Eagle Pictures 4K Blu-ray
Redux: Lionsgate vs Eagle Pictures?
Final: Lionsgate or Eagle Pictures
Theatrical Cut: Italy Eagle Pictures 4K Blu-ray > US Lionsgate 4K Blu-ray
Redux Cut: Lionsgate vs Eagle Pictures?
Final Cut: Lionsgate or Eagle Pictures, both are not great (visible chroma noise)
Theatrical: Germany 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)
In the Lionsgate US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the *original track. The Germany 4K Blu-ray release is different on this matter.
UBD: Final Cut: Atmos, DD2.0
UBD: Redux/Theatrical: Atmos
BD: Final Cut: Atmos, DD2.0
BD: Redux/Theatrical: Dtru5.1 (Redux mix?), DD5.1 (?), DD5.1 (Theatrical only), DD2.0 (downmix??)
As a result the Theatrical Cut has 4 tracks, The Redux has 3. Differences are unclear.
BD: Hearts of Darkness
BD: Special Features
Theatrical: Italy Eagle Pictures 4K Blu-ray
Redux: Lionsgate vs Eagle Pictures?
Final: Lionsgate or Eagle Pictures
Theatrical Cut: Italy Eagle Pictures 4K Blu-ray > US Lionsgate 4K Blu-ray
Redux Cut: Lionsgate vs Eagle Pictures?
Final Cut: Lionsgate or Eagle Pictures, both are not great (visible chroma noise)
Theatrical: Germany 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)
In the Lionsgate US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the *original track. The Germany 4K Blu-ray release is different on this matter.
UBD: Final Cut: Atmos, DD2.0
UBD: Redux/Theatrical: Atmos
BD: Final Cut: Atmos, DD2.0
BD: Redux/Theatrical: Dtru5.1 (Redux mix?), DD5.1 (?), DD5.1 (Theatrical only), DD2.0 (downmix??)
As a result the Theatrical Cut has 4 tracks, The Redux has 3. Differences are unclear.
BD: Hearts of Darkness
BD: Special Features
High seas for the recreated Theatrical Cut
High seas for the recreated Theatrical Cut, Disney 4K Blu-ray is disappointing
High seas for the recreated Theatrical Cut
High seas for the recreated Theatrical Cut, Disney 4K Blu-ray is disappointing
Director: Wes Anderson
Criterion 4K Blu-ray, 2K DI Upscale, see caps
4K Blu-ray is slightly cropped on all sides compared to Blu-ray, but "that appears to be a conscious choice as the compositions don’t seem to suffer. They also slightly expanded the black bars in order to hide the ringing on the borders."
Criterion 4K Blu-ray/Blu-ray, surround levels are 3 dB too high, but the Fox Blu-ray has channel leakage
Director: Wes Anderson
Criterion 4K Blu-ray, 2K DI Upscale, see caps
4K Blu-ray is slightly cropped on all sides compared to Blu-ray, but "that appears to be a conscious choice as the compositions don’t seem to suffer. They also slightly expanded the black bars in order to hide the ringing on the borders."
Criterion 4K Blu-ray/Blu-ray, surround levels are 3 dB too high, but the Fox Blu-ray has channel leakage
Director: Wes Anderson
Criterion 4K Blu-ray, 2K DI upscale, see Chris's review
Director: Wes Anderson
Criterion 4K Blu-ray, 2K DI upscale, see Chris's review
7 films