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Marlon Brando

Marlon Brando

11 Films

Marlon Brando

11 Included Films

Marlon Brando photo

Marlon Brando Jr. (April 3, 1924 – July 1, 2004) was an American actor. Considered one of the most influential actors of the 20th century, he received numerous accolades throughout his career which spanned six decades, including two Academy Awards, two Golden Globe Awards, and three British Academy Film Awards. Brando was also an activist for many causes, notably the civil rights movement and various Native American movements. Having studied with Stella Adler in the 1940s, he is credited with being one of the first actors to bring the Stanislavski system of acting and method acting, derived from the Stanislavski system, to mainstream audiences. He initially gained acclaim and his first Academy Award nomination for Best Actor in a Leading Role for reprising the role of Stanley Kowalski in the 1951 film adaptation of Tennessee Williams' play A Streetcar Named Desire, a role that he originated successfully on Broadway. He received further praise, and a first Academy Award and Golden Globe Award, for his performance as Terry Malloy in On the Waterfront, and his portrayal of the rebellious motorcycle gang leader Johnny Strabler in The Wild One proved to be a lasting image in popular culture. Brando received Academy Award nominations for playing Emiliano Zapata in Viva Zapata! (1952); Mark Antony in Joseph L. Mankiewicz's 1953 film adaptation of Shakespeare's Julius Caesar; and Air Force Major Lloyd Gruver in Sayonara (1957), an adaptation of James A. Michener's 1954 novel. The 1960s saw Brando's career take a commercial and critical downturn. He directed and starred in the cult western One-Eyed Jacks, a critical and commercial flop, after which he delivered a series of notable box-office failures, beginning with Mutiny on the Bounty (1962). After ten years of underachieving, he agreed to do a screen test as Vito Corleone in Francis Ford Coppola's The Godfather (1972). He got the part and subsequently won his second Academy Award and Golden Globe Award in a performance critics consider among his greatest. He declined the Academy Award due to alleged mistreatment and misportrayal of Native Americans by Hollywood. The Godfather was one of the most commercially successful films of all time, and alongside his Oscar-nominated performance in Last Tango in Paris (1972), Brando reestablished himself in the ranks of top box-office stars. After a hiatus in the early 1970s, Brando was generally content with being a highly paid character actor in supporting roles, such as Jor-El in Superman (1978), as Colonel Kurtz in Apocalypse Now (1979), and Adam Steiffel in The Formula (1980), before taking a nine-year break from film. According to the Guinness Book of World Records, Brando was paid a record $3.7 million ($16 million in inflation-adjusted dollars) and 11.75% of the gross profits for 13 days' work on Superman. Brando was ranked by the American Film Institute as the fourth-greatest movie star among male movie stars whose screen debuts occurred in or before 1950. He was one of only six actors named in 1999 by Time magazine in its list of the 100 Most Important People of the Century. In this list, Time also designated Brando as the "Actor of the Century".

1080p Blu-ray
Best English-Friendly:

WB Blu-ray

Best Video:

WB Blu-ray

Best English-Friendly:

WB Blu-ray

Best Video:

WB Blu-ray

UHD Blu-ray
Best English-Friendly:

Sony 4K Blu-ray

Best Video:

Sony 4K Blu-ray

Best Audio:

1994 Columbia LaserDisc

Best English-Friendly:

Sony 4K Blu-ray

Best Video:

Sony 4K Blu-ray

Best Audio:

1994 Columbia LaserDisc

1080p Blu-ray
Best English-Friendly:

Warner Archive Blu-ray

Best English-Friendly:

Warner Archive Blu-ray

One-Eyed Jacks poster
Letterboxd
1080p Blu-ray
Best English-Friendly:

UK Arrow Blu-ray

Best Video:

UK Arrow Blu-ray is slightly better than Criterion or Germany Spirit Blu-ray

One-Eyed Jacks poster
1080p Blu-ray
Best English-Friendly:

UK Arrow Blu-ray

Best Video:

UK Arrow Blu-ray is slightly better than Criterion or Germany Spirit Blu-ray

The Godfather poster
Letterboxd
UHD Blu-ray
Best English-Friendly:

Paramount 2008 Blu-ray Coppola Restoration

Best Video:

Paramount 2008 Blu-ray Coppola Restoration

Best Audio:

2008 Blu-ray lossy mono. (Britain release only has 5.1)

Additional Info:

The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0

Best English-Friendly:

Paramount 2008 Blu-ray Coppola Restoration

Best Video:

Paramount 2008 Blu-ray Coppola Restoration

Best Audio:

2008 Blu-ray lossy mono. (Britain release only has 5.1)

Additional Info:

The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0

UHD Blu-ray
Best English-Friendly:

Vinegar Syndrome 4K Blu-ray

Upcoming Release:

88 Films 4K Blu-ray scheduled for August 17, 2026 release

Best Audio:

2011 MGM Blu-ray/1998 MGM DVD

Best English-Friendly:

Vinegar Syndrome 4K Blu-ray

Upcoming Release:

88 Films 4K Blu-ray scheduled for August 17, 2026 release

Best Audio:

2011 MGM Blu-ray/1998 MGM DVD

UHD Blu-ray
Best English-Friendly:

Theatrical: WB 4K Blu-ray (2025 re-release)
Expanded and TV cuts: 2017 Warner Bros Blu-ray

Best Video:

Theatrical: WB 4K Blu-ray (2025 re-release fixed a glitch in the previous discs)
Expanded and TV cuts: 2017 Warner Bros Blu-ray

Best Audio:

WB 4K Blu-ray (2025 re-release includes lossless 5.1 and better 2.0 compared to previous editions)

Additional Info:

The 70mm mix in 5.1 was lossy on the 4K 2018 pressing, missing from the 2023 pressing for some reason, and then put back on the 2025 pressing in lossless.

Best English-Friendly:

Theatrical: WB 4K Blu-ray (2025 re-release)
Expanded and TV cuts: 2017 Warner Bros Blu-ray

Best Video:

Theatrical: WB 4K Blu-ray (2025 re-release fixed a glitch in the previous discs)
Expanded and TV cuts: 2017 Warner Bros Blu-ray

Best Audio:

WB 4K Blu-ray (2025 re-release includes lossless 5.1 and better 2.0 compared to previous editions)

Additional Info:

The 70mm mix in 5.1 was lossy on the 4K 2018 pressing, missing from the 2023 pressing for some reason, and then put back on the 2025 pressing in lossless.

UHD Blu-ray
Best English-Friendly:

Theatrical: Italy Eagle Pictures 4K Blu-ray
Redux: Lionsgate vs Eagle Pictures?
Final: Lionsgate or Eagle Pictures

Best Video:

Theatrical Cut: Italy Eagle Pictures 4K Blu-ray > US Lionsgate 4K Blu-ray
Redux Cut: Lionsgate vs Eagle Pictures?
Final Cut: Lionsgate or Eagle Pictures, both are not great (visible chroma noise)

Best Audio:

Theatrical: Germany 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)

Additional Info:

In the Lionsgate US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the *original track. The Germany 4K Blu-ray release is different on this matter.

  1. UBD: Final Cut: Atmos, DD2.0

  2. UBD: Redux/Theatrical: Atmos

  3. BD: Final Cut: Atmos, DD2.0

  4. BD: Redux/Theatrical: Dtru5.1 (Redux mix?), DD5.1 (?), DD5.1 (Theatrical only), DD2.0 (downmix??)

    1. As a result the Theatrical Cut has 4 tracks, The Redux has 3. Differences are unclear.

  5. BD: Hearts of Darkness

  6. BD: Special Features

Best English-Friendly:

Theatrical: Italy Eagle Pictures 4K Blu-ray
Redux: Lionsgate vs Eagle Pictures?
Final: Lionsgate or Eagle Pictures

Best Video:

Theatrical Cut: Italy Eagle Pictures 4K Blu-ray > US Lionsgate 4K Blu-ray
Redux Cut: Lionsgate vs Eagle Pictures?
Final Cut: Lionsgate or Eagle Pictures, both are not great (visible chroma noise)

Best Audio:

Theatrical: Germany 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)

Additional Info:

In the Lionsgate US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the *original track. The Germany 4K Blu-ray release is different on this matter.

  1. UBD: Final Cut: Atmos, DD2.0

  2. UBD: Redux/Theatrical: Atmos

  3. BD: Final Cut: Atmos, DD2.0

  4. BD: Redux/Theatrical: Dtru5.1 (Redux mix?), DD5.1 (?), DD5.1 (Theatrical only), DD2.0 (downmix??)

    1. As a result the Theatrical Cut has 4 tracks, The Redux has 3. Differences are unclear.

  5. BD: Hearts of Darkness

  6. BD: Special Features

1080p Blu-ray
Best English-Friendly:

US Criterion or UK Miramax Blu-ray (UK has the OAR of 1.85)?

Best Video:

US Criterion or UK Miramax Blu-ray (UK has the OAR of 1.85)?

Additional Info:

Criterion has more extras

Naqoyqatsi poster
1080p Blu-ray
Best English-Friendly:

US Criterion or UK Miramax Blu-ray (UK has the OAR of 1.85)?

Best Video:

US Criterion or UK Miramax Blu-ray (UK has the OAR of 1.85)?

Additional Info:

Criterion has more extras

11 films

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