Basic Instinct (1992)
Thriller, Mystery • 2h 8m
Director: Paul Verhoeven
Cast: Michael Douglas, Sharon Stone, George Dzundza, Jeanne Tripplehorn, Denis Arndt, Leilani Sarelle, Bruce A. Young, Chelcie Ross, Dorothy Malone, Wayne Knight, Daniel von Bargen, Stephen Tobolowsky, Benjamin Mouton, Jack McGee, Bill Cable, Stephen Rowe, Mitch Pileggi, Mary Pat Gleason, Freda Foh Shen, William Duff-Griffin, James Rebhorn, David Wells, Bradford English, Mary Ann Rodgers, Adilah Barnes, Irene Olga López, Juanita Jennings, Craig C. Lewis, Michael David Lally, Peter Appel, Michael Halton, Keith McDaniel, Eric Poppick, Ron Cacas, Kayla Blake, Ken Liebenson, Lindy Rasmusson, Byron Berline, Eddie Dunbar, Tom McKibbin, Julie Bond, Anne Lockhart, Patricia Anne Isgate-Hayward, Pui Fan Lee, Andy Rolfes, Bob Sallese, Theodore Carl Soderberg, Damon Stout
Best English-friendly, video & audio release
Lionsgate and StudioCanal 4K Blu-ray share the same video master: both have considerable improvement over the old awful Blu-ray but marred by teal grading and DNR. Lionsgate is additionally better compressed than StudioCanal.
Lionsgate 4K Blu-ray has the original theatrical 2.0 track, sourced from LaserDisc (absent on StudioCanal 4K Blu-ray), but the 5.1 track has issues which are not present on their new Blu-ray (LFE channel is missing, and instead it's the back left surround duplicated)
Updated 10 months ago
UHD tiers
good encode, original audio and more extras
considerable improvement over the old awful BD but marred by teal grading and DNR
About the film
Catherine, a novelist with an insatiable sexual appetite, becomes a prime suspect when her boyfriend is brutally murdered -- a crime she had described in her latest story.
- Featured Lists
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the Universal release without the filtering.
DTS:X mix on Universal 4K Blu-ray most closely approximates original surround mix
Criterion DVD and Universal 4K Blu-ray has additional features not found on the Criterion 4K Blu-ray
Director: Billy Wilder
Sources: Criterion Forum (opens in a new tab)
(transfer of the 1989 MGM LaserDisc, without problems plaguing Kino Lorber's release)
Arrow UHD is an update of the original 4K scan done for their BD. It is also visually far superior to the Kino version and adds Dolby Vision HDR. The Arrow UHD uses a new LD mono capture and has none of the issues or processing found in the Kino UHD which also used an LD mono capture and somehow mucked it up. Short of a brand new scan, the Arrow UHD is as good as it possibly can be.
Theatrical Cut: Italy Eagle Pictures 4K Blu-ray
Redux Cut: Lionsgate vs Eagle Pictures?
Final Cut: Lionsgate or Eagle Pictures, both are not great (visible chroma noise)
Sources: Blu-ray.com (opens in a new tab)
Theatrical: Germany 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)
In the Lionsgate US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the *original track. The Germany 4K Blu-ray release is different on this matter.
UBD: Final Cut: Atmos, DD2.0
UBD: Redux/Theatrical: Atmos
BD: Final Cut: Atmos, DD2.0
BD: Redux/Theatrical: Dtru5.1 (Redux mix?), DD5.1 (?), DD5.1 (Theatrical only), DD2.0 (downmix??)
As a result the Theatrical Cut has 4 tracks, The Redux has 3. Differences are unclear.
BD: Hearts of Darkness
BD: Special Features
Director: Ben Stiller
Sources: slow.pics (opens in a new tab)
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
US Criterion 4K Blu-ray > UK MoC 4K Blu-ray > Australia Imprint > US Kino Lorber better encoding
The MoC, Criterion and Imprint UHDs were encoded by FiM making all 3 very close. The higher bitrate helped in deciding and some luck; however Criterion is the most consistent one of all 3. Imprint has some scenes with more splotchy grain while MoC is quite close to Criterion but has some more blocking in dark scenes (e.g.: comp #27). With Criterion’s superior audio, it ensures complete consistency.
From cbc: "I'm personally quite fond of the restored track on Eureka's 4K Blu-ray. It does have spots with objectively worse fidelity, but for the most part, it sounds a lot more natural and less shrill, particularly dialogue. It seems to be a new mixdown of stems. Technically a remix, so not everyone's cup of tea, but it's not revisionist like most new movie mixes tend to be"
Both Imprint (included in their set) and Capelight (on its own/individually) offer remastered BDs. All other BDs, including the one included in The Complete Kubrick, are sourced from the same older master from around 2010.
Director: John Schlesinger
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
2027 Criterion 4K Blu-ray
Included Imprint Blu-Ray also has markedly better image compression than the Criterion Blu-Ray, though do note the Imprint has some adjusted color grading within roughly the first five minutes of the film
https://forum.blu-ray.com/showpost.php?p=16775595&postcount=450
https://forum.blu-ray.com/showpost.php?p=24237074&postcount=73
Director: Stanley Kubrick
Sources: slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering Comparison between the Criterion and WB.
5.1: WB 4K Blu-ray, a remix but has higher fidelity
Mono: Criterion 4K Blu-ray (restored for the box set)
Director: Michael Mann
Sources: Criterion Forum (opens in a new tab) · thedigitalbits.com (opens in a new tab) · slow.pics (opens in a new tab)
Arrow 4K Blu-ray is encoded by FiM and is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT
Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.
5.1/5.0 mix (essentially a 4-track mix in 5.1 and 5.0 containers respectively)-Arrow/Criterion 4K Blu-ray. Only imperceptible differences in bit-depth: 20 vs 24.
2.0 mix- Arrow 4K Blu-ray (original stereo)
Director: Paul Verhoeven
Sources: Criterion Forum (opens in a new tab)
OOP Arrow LE has Theatrical Cut not on the standard release
Director: Paul Verhoeven
Vinegar Syndrome 4K Blu-ray (replacement disc)
Sources: Blu-ray.com (opens in a new tab)
The subtitles on the initial release has some issues.
The 5.1 track on the initial release has an error. This is corrected on the later "v2" discs.
Director: Paul Verhoeven
Sources: Criterion Forum (opens in a new tab)
US LaserDisc 2.0, or Eagle Pictures 4K Blu-ray 5.1
Director: Jamie Babbit
Australia All Interactive Distribution 4K Blu-ray
Sources: slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
> Lionsgate 4K Blu-ray is a disaster. The compression on the base layer is horrid, and the oversized 18 Mbps FEL barely helps.
Australia All Interactive Distribution better encode than the US disc
Lionsgate 4K Blu-ray includes original matrixed Dolby Stereo mix, albeit lossy, and a 5.1 surround upmix. The stereo track on previous BD and DVD releases is also lossy and sounds about the same.
Director: Barry Jenkins
Video format: UHD Blu-ray
Lionsgate 4k
Criterion 4K Blu-ray announced by director Barry Jenkins
Director: Damien Chazelle
Video format: UHD Blu-ray
US Lionsgate Limited 4K Blu-ray re-release announced with Dolby Vision, a new exclusive bonus, and the previously retailer pre-order bonus-exclusive/Hong Kong-exclusive bonus interviews in HD
Italy Eagle Pictures has DV, better encode, and no brightness shifts compared to Lionsgate 4K Blu-ray
Lionsgate 4K Blu-ray for the original Dolby Atmos mix
Hong Kong Panorama 4K Blu-ray has two interviews available in HD that are SD everywhere else and only included as retailer-exclusive pre-order bonus DVDs with the US Blu-ray
Director: Werner Herzog
Director: Paul King
StudioCanal UK 4K Blu-ray minimal picture upgrade (2K upscale)
StudioCanal UK 4K Blu-ray has good new Atmos mix
Director: Matthew Vaughn
Both come from a 4K scan of a 35mm film out which was made from the original 2K DI but the Lionsgate release has visible dust and damage marks while the Universal release is cleaned up more thoroughly. Both releases suffer from DNR which seems to have been baked into the DI. The colour grade is basically the same for both releases but the Lionsgate has Dolby Vision whereas the Universal is HDR10 only. The compression on the Lionsgate UHD base layer is apparently fine so the FEL doesn't make much of a difference.
The Lionsgate UHD has Dolby Atmos whereas the Universal UHD has DTS:X. Kick-ass was originally released with a 5.1 track which may be on the Universal Blu-ray.
The Lionsgate UHD is on a BD-100, the Universal UHD is on a BD-66.
The Universal UHD has no extras.
Director: Alexandre Aja
Theatrical Cut: Austria NSM Blu-ray
Director's Cut: France Metropolitan Blu-ray
Metropolitan got better picture (higher bitrate + better grain + more detail) than Lionsgate
Director: Roman Polanski
Lionsgate Limited 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Lionsgate Limited 4K Blu-ray see caps. Much better contrast and grain exposure but the grade is a bit questionable as it skews heavily towards magenta in some caps and the encode looks low-pass filtered.
Atmos Remix: Lionsgate 4K Blu-ray
Original 5.1: Imprint Australia Blu-ray or StudioCanal Germany/France Blu-ray
Lionsgate 4K Blu-ray encoded the "Original 5.1" as lossy Dolby Digital, which is very different from the AC3 on the original DVD. This new "Original 5.1" may in fact be a downmix of the Atmos track. FWIW, the original DVD AC3 still sounds very good.
Sources: fanrestore.com (opens in a new tab) · originaltrilogy.com (opens in a new tab)
2017 StudioCanal 4K Blu-ray and subsequent 4K Blu-rays are notorius for being heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available.
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre-2017 transfer, but has DNR.
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