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Time Bandits (1981)
Time Bandits (1981) poster
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3.5

Time Bandits (1981)

Family, Fantasy, Science Fiction, Adventure, Comedy • 1h 56m

Overview

Young history buff Kevin can scarcely believe it when six dwarfs emerge from his closet one night. Former employees of the Supreme Being, they've purloined a map charting all of the holes in the fabric of time and are using it to steal treasures from different historical eras. Taking Kevin with them, they variously drop in on Napoleon, Robin Hood and King Agamemnon before the Supreme Being catches up with them.

Director: Terry Gilliam

Best English-Friendly Release

Best Video Release

Additional Info

Criterion and Arrow have exclusive extras

Format

UHD Blu-ray

UHD Tiers

Solid
Arrow:

if compared to their own BD, better grain reproduction on the Arrow 4k than the CC4k

Superior Imports
Arrow UK > Criterion US:

better encode on the Arrow, especially in HDR10

Criterion Forum

Review

Picture: 9, Audio: 8, Extras: 9

Length

116 mins

Type

Movie

Last Updated

5 months ago

Contributors

Best English-Friendly Release
Best Video Release
Additional Info

Criterion and Arrow have exclusive extras

Format
UHD Blu-ray
UHD Tiers
Solid
Arrow:

if compared to their own BD, better grain reproduction on the Arrow 4k than the CC4k

Superior Imports
Arrow UK > Criterion US:

better encode on the Arrow, especially in HDR10

Criterion Forum
Review

Picture: 9, Audio: 8, Extras: 9

Length
116 mins
Type
Movie
Last Updated
5 months ago
Contributors

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2025 Sony 4K Blu-ray

Best Video:

2025 Sony 4K Blu-ray

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Majority of film (theatrical and extended cuts): 1991 Columbia US VHS (or possibly 1994 Columbia LaserDisc?)

32-second scene (extended cut): 1993 Criterion LaserDisc

Best English-Friendly:

2025 Sony 4K Blu-ray

Best Video:

2025 Sony 4K Blu-ray

Best Audio:

Majority of film (theatrical and extended cuts): 1991 Columbia US VHS (or possibly 1994 Columbia LaserDisc?)

32-second scene (extended cut): 1993 Criterion LaserDisc

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US Theatrical Cut: Universal Blu-Ray

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Best Video:

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US Theatrical Cut: Universal Blu-Ray

Love Conquers All Cut: Criterion Blu-Ray

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Best English-Friendly:

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US Theatrical Cut: Universal Blu-Ray

Love Conquers All Cut: Criterion Blu-Ray

Best Video:

Director's Cut: Criterion 4K Blu-ray
US Theatrical Cut: Universal Blu-Ray

Love Conquers All Cut: Criterion Blu-Ray

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Arrow UK or Criterion US 4K Blu-ray (preference)

Best Video:

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Best English-Friendly:

Arrow UK or Criterion US 4K Blu-ray (preference)

Best Video:

Arrow UK & Criterion US 4K Blu-ray have different gradings (preference, Arrow 4K Blu-ray is encoded by Fidelity in Motion)

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Criterion 4K Blu-ray

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R1 DVD for the original Dolby Stereo. Criterion 4K Blu-ray upmix is fine, Sony Blu-ray has phasing issues

Best English-Friendly:

Criterion 4K Blu-ray

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Criterion 4K Blu-ray

Best Audio:

R1 DVD for original Dolby Stereo with better dynamics

Best English-Friendly:

Criterion 4K Blu-ray

Best Audio:

R1 DVD for original Dolby Stereo with better dynamics

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Wicked Vision 4K Blu-ray

Best Video:

Wicked Vision 4K Blu-ray see caps

Additional Info:

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Italy CG Entertainment Blu-ray is 4K resto, but horrible colours.

Best English-Friendly:

Wicked Vision 4K Blu-ray

Best Video:

Wicked Vision 4K Blu-ray see caps

Additional Info:

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Italy CG Entertainment Blu-ray is 4K resto, but horrible colours.

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Best English-Friendly:

2010 US Kino Lorber or 2012 UK Artificial Eye

Best Video:

2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.


Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.

The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.

Caps: old master, old master vs 4K restoration

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1080p Blu-ray
Best English-Friendly:

2010 US Kino Lorber or 2012 UK Artificial Eye

Best Video:

2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.


Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.

The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.

Caps: old master, old master vs 4K restoration

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Best English-Friendly:

Criterion or StudioCanal 4K Blu-ray

Best Video:

Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR

The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.

SC has a missing fade that Criterion reinstated.

Best Audio:

Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc

Restored stereo mix: Criterion / StudioCanal 4K Blu-ray

The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.

For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.

The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.

The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.

The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.

Best English-Friendly:

Criterion or StudioCanal 4K Blu-ray

Best Video:

Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR

The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.

SC has a missing fade that Criterion reinstated.

Best Audio:

Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc

Restored stereo mix: Criterion / StudioCanal 4K Blu-ray

The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.

For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.

The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.

The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.

The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.

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Best English-Friendly:

Criterion US Blu-ray or Umbrella Australia 4K Blu-ray

Best Video:

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The master is heavily DNR'd.

Best Audio:

Original 5.1 from Jokers France 4K Blu-ray or Criterion US Blu-ray or older Blu-rays

Best English-Friendly:

Criterion US Blu-ray or Umbrella Australia 4K Blu-ray

Best Video:

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The master is heavily DNR'd.

Best Audio:

Original 5.1 from Jokers France 4K Blu-ray or Criterion US Blu-ray or older Blu-rays

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UHD Blu-ray
Best English-Friendly:

Criterion US Blu-ray

Best Video:

4K restoration: Koch Media DE 4K Blu-ray
Original digital master: Cannes 2006 Promo HD-DVD

4K remaster is cropped 2.35:1 from the original 2.55:1 presentation, and has significantly different color grading, as is the case with most WKW supervised restorations. Due to DNR the detail is sometimes lacklustre compared to the old master. CGI scenes appear to be rerendered. A sepia tinted scene was altered to be fully black and white.

Caps: Criterion US BD vs Cannes HD-DVD, HD-DVD vs KR BD vs DVDs vs US BD

Best Audio:

Remixed 5.1: The Jokers FR 4K Blu-ray
Original 5.1: Cannes 2006 Promo HD-DVD

The remixed track has different front panning and little LFE use compared to the original.

HD-DVD is by far the best option for the original track, as DVDs and Korean BD suffer from noise gating, limiting and duplicated surrounds. Remixed tracks are all similar, but French disc has slightly better dynamics, particularly on the LFE channel.

Additional Info:

The 2006 HD-DVD is a promotional release made in only 100 copies, handed out to VIPs at Cannes Film Festival. See this blog post for details. The same master can be found on KR BD, though it suffers from interlacing, blended frames and a gamma bug, as well as older DVD releases.

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UHD Blu-ray
Best English-Friendly:

Criterion US Blu-ray

Best Video:

4K restoration: Koch Media DE 4K Blu-ray
Original digital master: Cannes 2006 Promo HD-DVD

4K remaster is cropped 2.35:1 from the original 2.55:1 presentation, and has significantly different color grading, as is the case with most WKW supervised restorations. Due to DNR the detail is sometimes lacklustre compared to the old master. CGI scenes appear to be rerendered. A sepia tinted scene was altered to be fully black and white.

Caps: Criterion US BD vs Cannes HD-DVD, HD-DVD vs KR BD vs DVDs vs US BD

Best Audio:

Remixed 5.1: The Jokers FR 4K Blu-ray
Original 5.1: Cannes 2006 Promo HD-DVD

The remixed track has different front panning and little LFE use compared to the original.

HD-DVD is by far the best option for the original track, as DVDs and Korean BD suffer from noise gating, limiting and duplicated surrounds. Remixed tracks are all similar, but French disc has slightly better dynamics, particularly on the LFE channel.

Additional Info:

The 2006 HD-DVD is a promotional release made in only 100 copies, handed out to VIPs at Cannes Film Festival. See this blog post for details. The same master can be found on KR BD, though it suffers from interlacing, blended frames and a gamma bug, as well as older DVD releases.

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UHD Blu-ray
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Best English-Friendly:

Paramount 4K Blu-ray

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Paramount 4K Blu-ray has the original colour grade

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UHD Blu-ray
Best English-Friendly:

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3D version: Australia Universal/Sony 3D Blu-ray

Best Video:

2D version: Universal 4K Blu-ray

3D version: Australia Universal/Sony 3D Blu-ray

Best English-Friendly:

2D version: Universal 4K Blu-ray

3D version: Australia Universal/Sony 3D Blu-ray

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2D version: Universal 4K Blu-ray

3D version: Australia Universal/Sony 3D Blu-ray

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UHD Blu-ray
Best English-Friendly:

2020 Disney 4K Blu-ray

Best Video:

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Original theatrical 35mm render: WOWOW HDTV broadcast

Best Audio:

1999 Disney DVD for original theatrical mix

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UHD Blu-ray
Best English-Friendly:

2020 Disney 4K Blu-ray

Best Video:

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Original theatrical 35mm render: WOWOW HDTV broadcast

Best Audio:

1999 Disney DVD for original theatrical mix

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Best Video:

2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)

Best Audio:

Cinema DTS

Additional Info:

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1080p Blu-ray
Best English-Friendly:

2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)

Best Video:

2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)

Best Audio:

Cinema DTS

Additional Info:

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UHD Blu-ray
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Disney 4K Blu-ray

3D Conversion: Disney 3D Blu-ray

Best Video:

Disney 4K Blu-ray

3D Conversion: Disney 3D Blu-ray

Best Audio:

7.1 Remix: Disney 4K Blu-ray/3D Blu-ray/Blu-ray

Original Dolby Stereo: 1994 Disney LaserDisc

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Additional Info:

2000s DVD releases include a commentary omitted from Blu-rays.

Best English-Friendly:

Disney 4K Blu-ray

3D Conversion: Disney 3D Blu-ray

Best Video:

Disney 4K Blu-ray

3D Conversion: Disney 3D Blu-ray

Best Audio:

7.1 Remix: Disney 4K Blu-ray/3D Blu-ray/Blu-ray

Original Dolby Stereo: 1994 Disney LaserDisc

Disney 4K Blu-ray recycles the same 7.1 remix from the past releases, but it's a very faithful remix and sounds better, more detailed, and more dynamic than past mixes.

Additional Info:

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UHD Blu-ray
Best English-Friendly:

OG theatrical version: Disney Deluxe Edition LaserDisc

2004 restored version: Disney 4K Blu-ray

Best Video:

OG theatrical version: Disney Deluxe Edition LaserDisc

2004 restored version: Disney 4K Blu-ray

Best Audio:

OG theatrical version - uncensored: Pre-1993 35mm scans

OG theatrical version - censored: 1993+ 35mm scans or Disney Deluxe Edition LaserDisc

OG theatrical version has a racially insensitive lyric in opening "Agrabah" song replaced for re-releases, available on OG soundtrack CD and pre-1993 35mm prints only

Every release since the 2004 restored version on the OG Disney DVD has the line "Come on, good kitty, just take off and go" replaced with "Take off, good kitty" due to the 1992 line being misheard as "Come on, good teenagers, take off your clothes" (an occurrence called a "mondegreen")

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UHD Blu-ray
Best English-Friendly:

OG theatrical version: Disney Deluxe Edition LaserDisc

2004 restored version: Disney 4K Blu-ray

Best Video:

OG theatrical version: Disney Deluxe Edition LaserDisc

2004 restored version: Disney 4K Blu-ray

Best Audio:

OG theatrical version - uncensored: Pre-1993 35mm scans

OG theatrical version - censored: 1993+ 35mm scans or Disney Deluxe Edition LaserDisc

OG theatrical version has a racially insensitive lyric in opening "Agrabah" song replaced for re-releases, available on OG soundtrack CD and pre-1993 35mm prints only

Every release since the 2004 restored version on the OG Disney DVD has the line "Come on, good kitty, just take off and go" replaced with "Take off, good kitty" due to the 1992 line being misheard as "Come on, good teenagers, take off your clothes" (an occurrence called a "mondegreen")

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UHD Blu-ray
Best English-Friendly:

Shout! Factory 4K Blu-ray

Best Audio:

LaserDisc, Shout! Factory's 2.0 is a downmix of the 5.1

Additional Info:

Old Sony DVD has an isolated score

Best English-Friendly:

Shout! Factory 4K Blu-ray

Best Audio:

LaserDisc, Shout! Factory's 2.0 is a downmix of the 5.1

Additional Info:

Old Sony DVD has an isolated score

Edit History

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Time Bandits (1981) backdrop

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