Shelley Duvall
9 Films
Shelley Duvall
9 Included Films

Shelley Alexis Duvall (July 7, 1949 – July 11, 2024) was an American actress known for her portrayal of distinctive, often eccentric characters. She was the recipient of several accolades, including a Cannes Film Festival Award and a Peabody Award and nominations for a British Academy Film Award and two Primetime Emmy Awards. Born in Texas, Duvall began acting after being discovered by director Robert Altman, who was impressed with her upbeat presence and cast her in the black comedy film Brewster McCloud (1970). Despite her hesitance towards becoming an actress, she continued to work with Altman, appearing in McCabe & Mrs. Miller (1971) and Thieves Like Us (1974). Her breakthrough came with Altman's cult film Nashville (1975), and she earned widespread acclaim with the drama 3 Women (1977), also directed by Altman, for which she won the Cannes Film Festival Award for Best Actress and earned a nomination for the British Academy Film Award for Best Actress in a Leading Role. That same year, she appeared in a supporting role (as a writer for Rolling Stone) in Woody Allen's satirical romantic comedy Annie Hall (1977) and hosted Saturday Night Live. In the 1980s, Duvall became famous for her leading roles, which include Olive Oyl in Altman's live-action feature version of Popeye (1980) and Wendy Torrance in Stanley Kubrick's horror film The Shining (1980). She appeared in Terry Gilliam's fantasy film Time Bandits (1981), the short comedy horror film Frankenweenie (1984), and the comedy Roxanne (1987). She ventured into producing television programming aimed at children and youth in the latter half of the 1980s, notably creating and hosting the programs Faerie Tale Theatre (1982–1987), Tall Tales & Legends (1985–1987) (which earned her a Primetime Emmy Award nomination in 1988), and Nightmare Classics (1989). Duvall sporadically worked in acting throughout the 1990s, notably playing supporting roles in Steven Soderbergh's thriller The Underneath (1995) and the Henry James adaptation The Portrait of a Lady (1996), directed by Jane Campion. Her last performance was in Manna from Heaven (2002), after which she retired from acting. Duvall for many years kept out of the public media, keeping her personal life generally private; however, her health issues earned significant media coverage. After a 21-year hiatus from acting, Duvall returned to acting in the horror film The Forest Hills.
Director: Robert Altman
Director: Robert Altman
Director: Robert Altman
Director: Robert Altman
Director: Robert Altman
Vinegar Syndrome Cinématographe 4K Blu-ray
Vinegar Syndrome Cinématographe 4K Blu-ray
Director: Robert Altman
Vinegar Syndrome Cinématographe 4K Blu-ray
Vinegar Syndrome Cinématographe 4K Blu-ray
Director: Robert Altman
Director: Robert Altman
Director: Woody Allen
Director: Woody Allen
Director: Stanley Kubrick
US Cut: WB 4K Blu-ray
International Cut: Old 2007 Europe Blu-ray
Criterion Box Set
US Cut: WB 4K Blu-ray
International Cut: Old 2007 Europe Blu-ray
No Blu-ray or DVD release has presented the movie in its original theatrical aspect ratio of 1.85:1 for the US cut or 1.66:1 for the International cut.
The packaging on the back of the 4K Blu-ray incorrectly states it as 1.85:1 when the movie is actually 1.78:1 as is the original Blu-ray.
Director: Stanley Kubrick
US Cut: WB 4K Blu-ray
International Cut: Old 2007 Europe Blu-ray
Criterion Box Set
US Cut: WB 4K Blu-ray
International Cut: Old 2007 Europe Blu-ray
No Blu-ray or DVD release has presented the movie in its original theatrical aspect ratio of 1.85:1 for the US cut or 1.66:1 for the International cut.
The packaging on the back of the 4K Blu-ray incorrectly states it as 1.85:1 when the movie is actually 1.78:1 as is the original Blu-ray.
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Terry Gilliam
Criterion and Arrow have exclusive extras
Director: Terry Gilliam
Criterion and Arrow have exclusive extras
9 films
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