Kenny Baker
12 Films
Kenny Baker
12 Included Films
Kenneth George "Kenny" Baker (August 24, 1934 – August 13, 2016) was a British actor and musician, best known as the man inside R2-D2 in the popular Star Wars film series.
Director: George Lucas
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97" or "D+97_IV" on high seas.
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97" or "D+97_IV" on high seas.
Director: George Lucas
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97" or "D+97_IV" on high seas.
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97" or "D+97_IV" on high seas.
OG: "4K80" on the high seas
If not, Disney 4K Blu-ray
OG: "4K80" on the high seas
Special Editon: "4K97_V" or "D_97_VI" on the high seas. If not, the 4K Blu-rays are generally considered an improvement over the 2011 Blu-rays. (although both restorations are DNR'ed and have issues).
70mm six-track mix is included in 4K80 (taken from an actual 70mm print)
OG: "4K80" on the high seas
If not, Disney 4K Blu-ray
OG: "4K80" on the high seas
Special Editon: "4K97_V" or "D_97_VI" on the high seas. If not, the 4K Blu-rays are generally considered an improvement over the 2011 Blu-rays. (although both restorations are DNR'ed and have issues).
70mm six-track mix is included in 4K80 (taken from an actual 70mm print)
Director: David Lynch
Criterion 4K Blu-ray in July
2020 StudioCanal UK 4K Blu-ray (but potential problem)
Director: David Lynch
Criterion 4K Blu-ray in July
2020 StudioCanal UK 4K Blu-ray (but potential problem)
Director: Terry Gilliam
Criterion and Arrow have exclusive extras
Director: Terry Gilliam
Criterion and Arrow have exclusive extras
4K83 for OG version on high seas
4K83 for OG version on high seas
4K83 has OG mix
4K83 for OG version on high seas
4K83 for OG version on high seas
4K83 has OG mix
Director: Miloš Forman
Theatrical: WB 4K Blu-ray
Extended: Warner Bros Blu-ray
Theatrical version: Warner Bros 4K Blu-ray: Huge improvement in colors and detail. The restoration was done by the Academy instead of WB MPI which explains that there’s no grain management or issues with colors. They also accessed the original credit optical and scanned that one instead of recreating them digitally
Extended version: Warner Bros Blu-ray
Theatrical: WB 4K Blu-ray, according to Saentz, the 5.0 is a recreation of the original and subsequently 70mm mix from original elements.
Director: Miloš Forman
Theatrical: WB 4K Blu-ray
Extended: Warner Bros Blu-ray
Theatrical version: Warner Bros 4K Blu-ray: Huge improvement in colors and detail. The restoration was done by the Academy instead of WB MPI which explains that there’s no grain management or issues with colors. They also accessed the original credit optical and scanned that one instead of recreating them digitally
Extended version: Warner Bros Blu-ray
Theatrical: WB 4K Blu-ray, according to Saentz, the 5.0 is a recreation of the original and subsequently 70mm mix from original elements.
Director: Jim Henson
Shout! Factory replacement 4K Blu-ray
Plaion 4K Blu-ray available in June
Shout! Factory replacement 4K Blu-ray, Shout! Factory doesn't have the low-pass filter that's on the Sony US 4K Blu-ray from 2021 with Dolby Vision (or the worse HDR10 only release from 2016). Shout! Factory retains more high-frequency grain and detail.
Embassy Home Entertainment JPN LaserDisc or 1999 Sony US DVD 2.0
Director: Jim Henson
Shout! Factory replacement 4K Blu-ray
Plaion 4K Blu-ray available in June
Shout! Factory replacement 4K Blu-ray, Shout! Factory doesn't have the low-pass filter that's on the Sony US 4K Blu-ray from 2021 with Dolby Vision (or the worse HDR10 only release from 2016). Shout! Factory retains more high-frequency grain and detail.
Embassy Home Entertainment JPN LaserDisc or 1999 Sony US DVD 2.0
Director: Neil Jordan
UK Arrow 4K Blu-ray see AVForum review
The slight darkening of the colour palette with the new WCG/HDR grades suddenly seems to add another layer of detail and immersion into the picture. Now, those dark night times punctured solely by neon or those dreary overcast half-light early mornings or dusks feel more alive with authenticity. Skin tones are gorgeous, the subtlety in colour detail of Hoskins’ atrocious leather jacket/Hawaiian shirt combo is sublime and those all-important blacks go deep. But it’s the now huge variations in colours that stand out – the reds of the Peep Show as Genesis’ classic In Too Deep plays now have a much richer, darker saturation to them than the previous 1080p SDR grade, helping them stand out so much more than those more neutral, toned down colours of the Brighton seaside against the morning skies. It’s a gorgeous colour reproduction from top to bottom.
Detailing is also tightened up significantly – again, the 2K picture was good, but this improves on that with keener lines, sharper edges and a greater sense of delineation in those finest of fine details that add an extra little touch of depth to the picture. Add to this another beautiful grain presentation – with organic looks and movement throughout - and it’s an image where its edges match the brilliance of its colouring.
... and the encode – courtesy of Fidelity in Motion – is absolutely rock solid. Hope were not high for this over the very good 2K edition, but I am very pleased to say that those hopes were well and truly exceeded: Mona Lisa on 4K looks absolutely stellar
Director: Neil Jordan
UK Arrow 4K Blu-ray see AVForum review
The slight darkening of the colour palette with the new WCG/HDR grades suddenly seems to add another layer of detail and immersion into the picture. Now, those dark night times punctured solely by neon or those dreary overcast half-light early mornings or dusks feel more alive with authenticity. Skin tones are gorgeous, the subtlety in colour detail of Hoskins’ atrocious leather jacket/Hawaiian shirt combo is sublime and those all-important blacks go deep. But it’s the now huge variations in colours that stand out – the reds of the Peep Show as Genesis’ classic In Too Deep plays now have a much richer, darker saturation to them than the previous 1080p SDR grade, helping them stand out so much more than those more neutral, toned down colours of the Brighton seaside against the morning skies. It’s a gorgeous colour reproduction from top to bottom.
Detailing is also tightened up significantly – again, the 2K picture was good, but this improves on that with keener lines, sharper edges and a greater sense of delineation in those finest of fine details that add an extra little touch of depth to the picture. Add to this another beautiful grain presentation – with organic looks and movement throughout - and it’s an image where its edges match the brilliance of its colouring.
... and the encode – courtesy of Fidelity in Motion – is absolutely rock solid. Hope were not high for this over the very good 2K edition, but I am very pleased to say that those hopes were well and truly exceeded: Mona Lisa on 4K looks absolutely stellar
Director: Ron Howard
1988 LaserDisc for the original Dolby Stereo, 5.1 is the same on all Blu-rays
Director: Ron Howard
1988 LaserDisc for the original Dolby Stereo, 5.1 is the same on all Blu-rays
High seas for the recreated Theatrical Cut
High seas for the recreated Theatrical Cut, Disney 4K Blu-ray is disappointing
High seas for the recreated Theatrical Cut
High seas for the recreated Theatrical Cut, Disney 4K Blu-ray is disappointing
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
High seas for recreated Theatrical Cut or HDTV rip, Disney 4K Blu-ray is a mediocre upscale.
12 films