France

> Optimum OOP Blu-ray see caps

4K remaster is cropped 2.35:1 from the original 2.55:1 presentation, and has significantly different color grading, as is the case with most WKW supervised restorations. Due to DNR the detail is sometimes lacklustre compared to the old master. CGI scenes appear to be rerendered. A sepia tinted scene was altered to be fully black and white.

Caps: Criterion US BD vs Cannes HD-DVD, HD-DVD vs KR BD vs DVDs vs US BD

The remixed track has different front panning and little LFE use compared to the original.

HD-DVD is by far the best option for the original track, as DVDs and Korean BD suffer from noise gating, limiting and duplicated surrounds. Remixed tracks are all similar, but French disc has slightly better dynamics, particularly on the LFE channel.

The 2006 HD-DVD is a promotional release made in only 100 copies, handed out to VIPs at Cannes Film Festival. See this blog post for details. The same master can be found on KR BD, though it suffers from interlacing, blended frames and a gamma bug, as well as older DVD releases.

France Metropolitan Blu-ray is likely the best, as US Blu-ray has bad compression, UK and Australia has 1080i. No comparisons caps.

Theatrical Cut: Fox Blu-ray
Director's Cut: France Blu-ray (no English subtitles, prone to disc rot), or 2006 Fox DVD (SD, but has English subtitles)

UK StudioCanal 4K Blu-ray or FR Pathé 4K Blu-ray share the same disc (caps)

The StudioCanal UHD has a much better encode than the Lionsgate UHD with the same grade. The Vuelta UHD has a decent encode but it is in an incorrect color space and has German overlays.

UK disc includes only 5.1.

The 7.1 mix included on the Lionsgate UHD appears to be identical to the 2006 USA BD's LPCM 7.1 track and to be a straight transfer of the theatrical Dolby Digital Surround EX mix (originally matrixed 6.1, with the rear surrounds in the discrete 7.1 presentation being dual mono). The old GER BD has a 6.1 mix but it is a poor remix and the GER UHD has an Auro-3D remix of the 7.1 mix (mostly adjusted surround levels). All other discs offer a 5.1 mix, including the Studio Canal UHD

2016 Sony US Blu-ray (caps)

The US disc has a better encode and original aspect ratio of 1.85:1. French disc is flawed, with chroma bleed and blocking throughout.

2016 Sony US Blu-ray / 2012 Pathé FR Blu-ray (identical)

DNR-affected, low-res original 2K DI upscaled but strong compression and Atmos

Paramount Blu-ray's TrueHD 5.1 is not Atmoused

Metropolitan got better picture (higher bitrate + better grain + more detail) than Lionsgate

BD caps & 4K impressions + release comparison EN audio but no EN subtitles

Glitch fixed from Sony

The Sony 4K Blu-ray has a glitch around the 40 min mark where a shot is repeated; no word from Sony about a replacement at the time of writing, i.e. 8/1/8/22

> Sony 4K Blu-ray (slightly better encoding on France 4K Blu-ray, not sure if the new Sony 4K Blu-ray Steelbook with DV is better) (note for the new Sony Steelbook, the forced subtitles are missing, France 4K Blu-ray probably doesn't have them too)

About the same

Geoff D review.

Lionsgate 4K Blu-ray disappointing - Avoid. Terrible release. Another Kino-grade encode with a huge DV layer. The Lionsgate Limited Steelbook has a different disc with exclusive bonus discs and apparently another poor encode but they also messed up the DV metadata and made that disc unwatchable with DV enabled.

Lionsgate Limited 4K Blu-ray has exclusive extras