Scream 4 (2011)
Horror, Mystery • 1h 51m
Overview
Ten years have passed, and Sidney Prescott has put herself back together thanks to her writing. However, her return to Woodsboro sparks the return of the Ghostface Killer.
Director: Wes Craven
Cast: Neve Campbell, Emma Roberts, Courteney Cox, David Arquette, Hayden Panettiere, Marley Shelton, Rory Culkin, Erik Knudsen, Alison Brie, Nico Tortorella, Marielle Jaffe, Mary McDonnell, Anthony Anderson, Adam Brody, Lucy Hale, Shenae Grimes-Beech, Kristen Bell, Anna Paquin, Britt Robertson, Aimee Teegarden, Roger L. Jackson, Nancy O'Dell, Justin Michael Brandt, Dane Farwell, Gordon Michaels, John Lepard, Kim Adams, Devin Scillian, Mark Aaron Buerkle, Julia Ho, Alexander Punch, Glenda Lewis, William Spencer, Tim Doty, Peter Carey, Wes Craven
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: Wes Craven
Director: Wes Craven
Director: Wes Craven
Director: Wes Craven
Directors: Tyler Gillett & Matt Bettinelli-Olpin
Directors: Tyler Gillett & Matt Bettinelli-Olpin
Directors: Tyler Gillett & Matt Bettinelli-Olpin
Directors: Tyler Gillett & Matt Bettinelli-Olpin
Director: Wes Craven
WB 4K Blu-Ray
WB 4K Blu-Ray
Director: Wes Craven
WB 4K Blu-Ray
WB 4K Blu-Ray
Director: Wes Craven
MVD 4K Blu-ray
88 Films 4K Blu-Ray upcoming
MVD 4K Blu-ray
Director: Wes Craven
MVD 4K Blu-ray
88 Films 4K Blu-Ray upcoming
MVD 4K Blu-ray
Director: Wes Craven
Director: Wes Craven
2015 Lionsgate Blu-ray or 35mm scan for Theatrical Cut
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
2015 Lionsgate Blu-ray (missing the Ultimate Edition with the T-1000 searching John's room and the happy future ending, which is on the 2009 Skynet Blu-ray, which is DNRed)
2017 StudioCanal 4K Blu-ray (and subsequent 4Ks) is heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available. For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
Original Kodak/ORC CDS mix 5.1: likely on the Artisan DVD and other Pioneer Japan DVD.
Original Dolby Stereo SR: USA Widescreen LaserDisc and others.
Differences and review of the mix. There are earlier stereo mixes and many subsequent remixes on DVDs but it is unclear how many of them are really unique.
2017 Blu-Ray (which has the DNRed transfer), the 2009 Skynet Edition Blu-Ray, and the 2000 Ultimate Edition DVD have exclusive extras. The 2003 Extreme Edition DVD has some exclusive easter eggs.
2015 Lionsgate Blu-ray or 35mm scan for Theatrical Cut
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
2015 Lionsgate Blu-ray (missing the Ultimate Edition with the T-1000 searching John's room and the happy future ending, which is on the 2009 Skynet Blu-ray, which is DNRed)
2017 StudioCanal 4K Blu-ray (and subsequent 4Ks) is heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available. For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
Original Kodak/ORC CDS mix 5.1: likely on the Artisan DVD and other Pioneer Japan DVD.
Original Dolby Stereo SR: USA Widescreen LaserDisc and others.
Differences and review of the mix. There are earlier stereo mixes and many subsequent remixes on DVDs but it is unclear how many of them are really unique.
2017 Blu-Ray (which has the DNRed transfer), the 2009 Skynet Edition Blu-Ray, and the 2000 Ultimate Edition DVD have exclusive extras. The 2003 Extreme Edition DVD has some exclusive easter eggs.
70mm 6-Track: Paramount US 4K Blu-ray
35mm matrixed Dolby Stereo: 1995 Live Home Video US LaserDisc
Although the provenance of Paramount's 5.1 track is not confirmed, the fidelity is outstanding and speaks for itself.
The 7.1 track on the Capelight/old Lionsgate release is just an upmix with nothing gained over the 5.1.
The original stereo mix is only present on older DVDs and LaserDiscs; all Blu-ray 2.0 tracks are downmixes.
Paramount 4K Blu-ray has no extras, Capelight 4K Blu-ray has most of the extras, Olive Films Blu-ray has a exclusive commentary
70mm 6-Track: Paramount US 4K Blu-ray
35mm matrixed Dolby Stereo: 1995 Live Home Video US LaserDisc
Although the provenance of Paramount's 5.1 track is not confirmed, the fidelity is outstanding and speaks for itself.
The 7.1 track on the Capelight/old Lionsgate release is just an upmix with nothing gained over the 5.1.
The original stereo mix is only present on older DVDs and LaserDiscs; all Blu-ray 2.0 tracks are downmixes.
Paramount 4K Blu-ray has no extras, Capelight 4K Blu-ray has most of the extras, Olive Films Blu-ray has a exclusive commentary
The BBC 4K collection and Shout! Factory 4K collection all use the same source, and are all unfortunately using AI upscaling and DNR'ed They are worse than the blurays and the 2023 US Shout! Factory collections are even prone to disc-rot.
2009 Lionsgate US (also prone to disc-rot) or UK 2 Entertain OOP Blu-ray will be the way to go.
The 4K collection's Blu-ray seems to be a reprint of previous releases.
4K discs in the correct pitch https://forum.blu-ray.com/showthread.php?t=364711&page=8
The BBC 4K collection and Shout! Factory 4K collection all use the same source, and are all unfortunately using AI upscaling and DNR'ed They are worse than the blurays and the 2023 US Shout! Factory collections are even prone to disc-rot.
2009 Lionsgate US (also prone to disc-rot) or UK 2 Entertain OOP Blu-ray will be the way to go.
The 4K collection's Blu-ray seems to be a reprint of previous releases.
4K discs in the correct pitch https://forum.blu-ray.com/showthread.php?t=364711&page=8
Director: Nick Park
The BBC 4K collection and Shout! Factory 4K collection all use the same source, and are all unfortunately using AI upscaling and DNR'ed They are worse than the blurays and the 2023 US Shout! Factory collections are even prone to disc-rot.
2009 Lionsgate US (also prone to disc-rot) or UK 2 Entertain OOP Blu-ray will be the way to go.
The 4K collection's Blu-ray seems to be a reprint of previous releases.
4Ks have low-pitched music and sound effects (and that includes Shaun's baas) correct-pitch voices: https://forum.blu-ray.com/showpost.php?p=21536116&postcount=109
Director: Nick Park
The BBC 4K collection and Shout! Factory 4K collection all use the same source, and are all unfortunately using AI upscaling and DNR'ed They are worse than the blurays and the 2023 US Shout! Factory collections are even prone to disc-rot.
2009 Lionsgate US (also prone to disc-rot) or UK 2 Entertain OOP Blu-ray will be the way to go.
The 4K collection's Blu-ray seems to be a reprint of previous releases.
4Ks have low-pitched music and sound effects (and that includes Shaun's baas) correct-pitch voices: https://forum.blu-ray.com/showpost.php?p=21536116&postcount=109
Director: Nick Park
The BBC 4K collection and Shout! Factory 4K collection all use the same source, and are all unfortunately using AI upscaling and DNR'ed They are worse than the blurays and the 2023 US Shout! Factory collections are even prone to disc-rot.
2009 Lionsgate US (also prone to disc-rot) or UK 2 Entertain OOP Blu-ray will be the way to go.
The 4K collection's Blu-ray seems to be a reprint of previous releases.
Shout! Factory 4K 5.1 track for The Wrong Trousers is in its correct pitch both in music and voices https://forum.blu-ray.com/showpost.php?p=21535755&postcount=103
Unaltered track with the original music cues is on the LaserDisc.
Director: Nick Park
The BBC 4K collection and Shout! Factory 4K collection all use the same source, and are all unfortunately using AI upscaling and DNR'ed They are worse than the blurays and the 2023 US Shout! Factory collections are even prone to disc-rot.
2009 Lionsgate US (also prone to disc-rot) or UK 2 Entertain OOP Blu-ray will be the way to go.
The 4K collection's Blu-ray seems to be a reprint of previous releases.
Shout! Factory 4K 5.1 track for The Wrong Trousers is in its correct pitch both in music and voices https://forum.blu-ray.com/showpost.php?p=21535755&postcount=103
Unaltered track with the original music cues is on the LaserDisc.
Director: Nick Park
The BBC 4K collection and Shout! Factory 4K collection all use the same source, and are all unfortunately using AI upscaling and DNR'ed They are worse than the blurays and the 2023 US Shout! Factory collections are even prone to disc-rot.
2009 Lionsgate US (also prone to disc-rot) or UK 2 Entertain OOP Blu-ray will be the way to go.
The 4K collection's Blu-ray seems to be a reprint of previous releases.
None of the 4K, nor any of the 2009 Blu-ray has the correct pitch see https://forum.blu-ray.com/showthread.php?t=364711&page=8
Director: Nick Park
The BBC 4K collection and Shout! Factory 4K collection all use the same source, and are all unfortunately using AI upscaling and DNR'ed They are worse than the blurays and the 2023 US Shout! Factory collections are even prone to disc-rot.
2009 Lionsgate US (also prone to disc-rot) or UK 2 Entertain OOP Blu-ray will be the way to go.
The 4K collection's Blu-ray seems to be a reprint of previous releases.
None of the 4K, nor any of the 2009 Blu-ray has the correct pitch see https://forum.blu-ray.com/showthread.php?t=364711&page=8
Director: Jamie Babbit
Lionsgate 4K Blu-ray is a disaster. The compression on the base layer is horrid, and the oversized 18 Mbps FEL barely helps.
Lionsgate 4K Blu-ray includes original matrixed Dolby Stereo mix, albeit lossy, and a 5.1 surround upmix. The stereo track on previous BD and DVD releases is also lossy and sounds about the same.
Director: Jamie Babbit
Lionsgate 4K Blu-ray is a disaster. The compression on the base layer is horrid, and the oversized 18 Mbps FEL barely helps.
Lionsgate 4K Blu-ray includes original matrixed Dolby Stereo mix, albeit lossy, and a 5.1 surround upmix. The stereo track on previous BD and DVD releases is also lossy and sounds about the same.
Director: David Twohy
Lionsgate 4K Blu-ray has terrible compression, but still beats out the old disc which was sourced from a mediocre old scan with edge enhancement, and which has compression issues of its own.
Original 5.1 mix: 1997 Pioneer LaserDisc or 1997 Live Entertainment NTSC DVD
Original matrixed Dolby Stereo mix: Lionsgate 4K Blu-ray
The film originally premiered with two mixes, a 5.1 for upgraded theaters, and a distinct matrixed Dolby Stereo mix for older venues. The original 5.1 mix can only be found on the earliest LD/DVD releases, as all later releases replace it with a mediocre 7.1 mix with reduced dynamic range.
The Atmos mix is based off of the previous 7.1 remix, but with futher alterations as per director's wishes. One scene intentionally drops out into silence, see this post for details.
Director: David Twohy
Lionsgate 4K Blu-ray has terrible compression, but still beats out the old disc which was sourced from a mediocre old scan with edge enhancement, and which has compression issues of its own.
Original 5.1 mix: 1997 Pioneer LaserDisc or 1997 Live Entertainment NTSC DVD
Original matrixed Dolby Stereo mix: Lionsgate 4K Blu-ray
The film originally premiered with two mixes, a 5.1 for upgraded theaters, and a distinct matrixed Dolby Stereo mix for older venues. The original 5.1 mix can only be found on the earliest LD/DVD releases, as all later releases replace it with a mediocre 7.1 mix with reduced dynamic range.
The Atmos mix is based off of the previous 7.1 remix, but with futher alterations as per director's wishes. One scene intentionally drops out into silence, see this post for details.
Director: Mark Jones
Lionsgate US 4K Blu-ray (replacement disc)
Lionsgate US 4K Blu-ray (replacement disc)
Original matrixed Ultra Stereo mix: Lionsgate 2014 US Blu-ray
5.1 remix: Lionsgate US 4K Blu-ray
Both 4K discs include a mono downmix instead of a proper stereo.
Original Lionsgate disc was encoded in incorrect colorspace and used a lossy->lossless transcode for the 5.1 mix.
Director: Mark Jones
Lionsgate US 4K Blu-ray (replacement disc)
Lionsgate US 4K Blu-ray (replacement disc)
Original matrixed Ultra Stereo mix: Lionsgate 2014 US Blu-ray
5.1 remix: Lionsgate US 4K Blu-ray
Both 4K discs include a mono downmix instead of a proper stereo.
Original Lionsgate disc was encoded in incorrect colorspace and used a lossy->lossless transcode for the 5.1 mix.
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