xXx (2002)
Action, Adventure, Thriller, Crime, Drama • 2h 4m
Director: Rob Cohen
Cast: Vin Diesel, Asia Argento, Marton Csokas, Samuel L. Jackson, Michael Roof, Richy Müller, Werner Daehn, Petr Jákl, Jan Filipenský, Tom Everett, Danny Trejo, Thomas Ian Griffith, Eve, Leila Arcieri, William Hope, Ted Maynard, Joe Bucaro III, Chris Gann, Martin Hub, Radek Tomečka, Mary-Pat Green, Tanner Gill, Scott Waugh, Václav Chalupa, Martina Smuková, TeeJay Boyce, Tony Hawk, Mat Hoffman, Brian Deegan, Mike Vallely, Mike Escamilla, Rob Wells, Rick Thorne, Carey Hart, W. Colin McKay, Jason Ellis, Marek Vašut, Luboš Pospíšil, Ivo Niederle, Vítězslav Bouchner, Esteban Cueto, Martin Bárta, Martina Bauerová, Rich Wilkes, F. Valentino Morales, Leonard L. Thomas, Ivan Rueda, Joshua Montero, Armando Cantina, Roman Matrka, Alena Cihalikova, Till Lindemann, Richard Kruspe, Christian Lorenz, Paul Landers, Oliver Riedel, Christoph Schneider, Paul Hartnoll, Phil Hartnoll, Michal Müller, Rob Cohen, Olga Lounová, Frank Mercuri, Christopher Eric Ruiz, Rob Roy, David Asman
About the film
Xander Cage is your standard adrenaline junkie with no fear and a lousy attitude. When the US Government "recruits" him to go on a mission, he's not exactly thrilled. His mission: to gather information on an organization that may just be planning the destruction of the world, led by the nihilistic Yorgi.
- Alternative Titles
- Triple X
Director: Rob Cohen
Sources: slow.pics (opens in a new tab)
Universal 4K Blu-ray 25th Anniversary Edition
Universal 4K Blu-ray 25th Anniversary Edition (with Dolby Vision), comparisons: #1, #2
The 2026 re-release corrects cropping and grading on some VFX shots, otherwise it's the same master with better encoding.
The old BD (2009 with many later identical re-releases) is very good, compared even to the theatrical DTS track, over which it has a slight edge thanks to discrete LFE (as theatrical DTS tracks derive LFE from other channels).
The 2018 4K includes a relatively tasteful DTS:X remix, the 2026 #4K includes a more revisionistic Dolby Atmos remix, with more added foley effects and a significant frequency roll-off. Neither of the remixes is as punchy as the original mix.
Director: Rob Cohen
Sources: Blu-ray.com (opens in a new tab) · YouTube (opens in a new tab)
comparison between the Turbine and Kino grades. The former is director-supervised.
(The Kino Lorber 4K Blu-ray DTS HD5.1 seems to have stronger bass, but it's yet unclear which one has the original 5.1) Also see thread.
The Kino Lorber 4K Blu-ray was recalled shortly after inital releases for unknown reasons.
Director: Rob Cohen
Director: Luc Besson
Sources: slow.pics (opens in a new tab) · fanrestore.com (opens in a new tab) · Blu-ray.com (opens in a new tab)
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2007 Sony Blu-ray or LaserDisc AC3? (TBC) https://fanrestore.com/thread-7303.html
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Frank Capra
Director: John Carpenter
Sony 4K Blu-ray or Carlotta 4K Blu-ray (FiM encode)
Sony 4K Blu-ray and France Carlotta 4K Blu-ray (FiM encode) are similar
Director: Michael Arias
Sources: slow.pics (opens in a new tab)
GKIDS 4K Blu-ray is a sharpened upscale. Caps
GKIDS 4K Blu-ray has a true lossless English dub and correct volume levels for the Japanese audio
Director: David Fincher
4K Blu-ray has exclusive “unrated” audio with a small change to one line under the request of David Fincher (removed the poor dub over of frickin’ in the line “Screw it, let’s gut the f**kin’ nerd.”).
Director: Martin Scorsese
2024 Sony 4K Blu-ray Steelbook
Sources: blah-ray.blogspot.com (opens in a new tab)
2024 Sony 4K Blu-ray Steelbook fixes duplicate shot seen on the previous Columbia Classics release and has better encoding
Original mono mix: 1990 Criterion LaserDisc/1991 Columbia LaserDisc
The 4K Blu-ray mono is only minimally worse (see blah-ray).
5.1 remix: Sony 4K Blu-ray
Director: Michael Apted
Video format: HD Streaming
Director: Richard Linklater
Sources: caps-a-holic (opens in a new tab)
Criterion Blu-ray uses the same transfer as Sony but the encoding is slightly worse than Sony and barely noticeable see caps
Germany StudioCanal Blu-ray in viewing looks very similar to both the Criterion and Sony caps, but no side by side comparison available
Germany StudioCanal Blu-ray is part of a 3-film box set like the Criterion
More Action on Blu-ray
Sources: Criterion Forum (opens in a new tab)
Criterion 4K Blu-ray encode is marginally inferior to the StudioCanal 4K Blu-ray
The pitch of the StudioCanal 4K Blu-ray English audio is too high, as of 5/16/23 unclear if replacements will be offered
Director: Lam Nai-choi
88 Films UK or Vinegar Syndrome US Blu-ray (preference)
Different color gradings, 88 Films disc is encoded by FiM but Vinegar Syndrome encode (by Marcus Johnson) is more than robust
Vinegar Syndrome potentially has better audio than 88 Films, due to VinSyn possibly having EQ'd the audio mix after Fortune Star scanned the track in a way that makes it sound too hot, whereas 88 left it alone without addressing that issue. However, no direct comparisons exist
Director: Mamoru Oshii
Bandai JP 4K Blu-ray
Sources: slow.pics (opens in a new tab)
All 4K releases are sourced from the same mediocre transfer provided by Bandai, with various amounts of tweaks. Japanese disc presents it with the least tinkering.
The best attempt at improving it comes from the German/French releases from KSM/All the Anime, both of which use the same master with HDR regrading (original grade is SDR in HDR container), tasteful regraining and sharpening, in an attempt to breathe some life into the middling transfer, making for an arguably more pleasing viewing experience.
All earlier releases are from an even worse transfer, with significant black crush, with the exception of a Japanese TV airing, which doesn't suffer from that issue, but instead is heavily sharpened and suffers from poor encoding.
Comparisons: JPN UHD, USA UHD, FRA/GER UHD, ITA UHD (tonemapped), JPN UHD, USA UHD, FRA/GER UHD, ITA UHD, ESP UHD (PQ), All 1080p BDs, HDTV, HDTV filtered
Original matrixed stereo mix: Bandai JP 4K Blu-ray
Most discs include this track with comparable fidelity (which is excellent).
Dolby Atmos remix: Lionsgate US 4K / All the Anime FR 4K
6.1 remix (from Ghost in the Shell 2.0): KSM DE 4K / All the Anime FR 4K
All tracks on the Lionsgate US 4K replace the original ending song with the one heard on the English dub. As the Atmos track on the FR 4K is just a port, it also has this song replaced.
Japanese 4K includes English dub and subtitles.
French/German 4Ks are not English friendly, with no dub or subtitles.
French disc includes the Atmos track, but the German disc does not.
Director: Doug Liman
Video format: 1080p Blu-ray
The Universal Blu-ray is slightly filtered and DNR'd compared to the HD-DVD, and the Universal 4K Blu-ray, on top of being upscaled, adds additional DNR and is softer than both previous HD releases.
Versions:
- The International version contains a short additional scene (part of the "Farmhouse" extended scene from the special features). See additional detail below.
- The US version does not contain this scene during the film. Director Doug Liman confirms in his audio commentary that the scene was cut from the original US theatrical release "for time".
- "The Explosive Extended Edition" found on some DVD releases is not an alternate cut of the film, simply an access mode that plays "The Bookend Scenes" features via non-seamless branching.
Deck the Halls scene:
The U.S. release is 118:17 while the European/Australian/Japanese releases are 118:36. There is no difference between the two running times from the start, but at 81:21, the U.S. version cuts from a kitchen scene of Marie and Eamon washing dishes, to a scene of Eamon bringing blankets to Jason and Marie. On the European/Australian releases, at the same point, there is a scene of Jason, Marie, Eamon and his children eating dinner while "Deck the Halls" plays in the background. There is no dialogue, the characters just each exchange uncomfortable glances. The scene goes to 81:40, then picks up the same scene of Eamon bringing blankets. This scene is included as an extra ("Farmhouse" extended scene) albeit sans the holiday themed music. Many thanks to Rewind user Mark Bowen for comparing these releases and letting us know the difference.
Director: Tony Scott
Director: Fred Dekker
Director: Nicolas Winding Refn
Video format: 1080p Blu-ray
US Magnolia BD
UK Entertainment One release contains directors commentary track
Director: Steve De Jarnatt
2024 Kino Lorber Blu-ray
UK Transmission 4K Blu-ray in January 2027
Either the 2015 Kino Lorber Blu-ray or the Arrow Blu-ray
The 2024 Kino Lorber Blu-ray is botched.
Director: Matthew Vaughn
Both come from a 4K scan of a 35mm film out which was made from the original 2K DI but the Lionsgate release has visible dust and damage marks while the Universal release is cleaned up more thoroughly. Both releases suffer from DNR which seems to have been baked into the DI. The colour grade is basically the same for both releases but the Lionsgate has Dolby Vision whereas the Universal is HDR10 only. The compression on the Lionsgate UHD base layer is apparently fine so the FEL doesn't make much of a difference.
The Lionsgate UHD has Dolby Atmos whereas the Universal UHD has DTS:X. Kick-ass was originally released with a 5.1 track which may be on the Universal Blu-ray.
The Lionsgate UHD is on a BD-100, the Universal UHD is on a BD-66.
The Universal UHD has no extras.
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab)
> Germany Wicked Vision Blu-ray > US Flicker Alley Blu-ray see DVDBeaver caps
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