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Daylight (1996)
Daylight (1996) poster

Daylight (1996)

Action, Adventure, Thriller • 1h 55m

Director: Rob Cohen

Best English-friendly & video release

 · updated 9 months ago
Video notes:

> US Kino Lorber 4K Blu-ray

comparison between the Turbine and Kino grades. The former is director-supervised.

UHD tiers

Excellent
Turbine

Overview

A group of armed robbers fleeing the police head for the New Jersey Tunnel and run right into trucks transporting toxic waste. The spectacular explosion that follows results in both ends of the tunnel collapsing and the handful of people who survived the explosion are now in peril. Kit Latura is the only man with the skill and knowledge to lead the band of survivors out of the tunnel before the structure collapses.

Release details

Best Audio Release

(The Kino Lorber 4K Blu-ray DTS HD5.1 seems to have stronger bass, but it's yet unclear which one has the original 5.1) Also see thread.

Additional Info

The Kino Lorber 4K Blu-ray was recalled shortly after inital releases for unknown reasons.

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Length
115 mins
Type
Movie

Part of Is this Perfect?

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Director: Jean Vigo

4K · Excellent
Best English-Friendly & Video:

Curzon 4K Blu-ray

Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)

Video Notes:

Curzon 4K Blu-ray with much better encoding than the Gaumont Blu-ray with the same 4K restoration see caps

Criterion Blu-ray uses an older restoration

Directors: Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer

Video format: UHD Blu-ray

Director: Robert Bresson

Video format: UHD Blu-ray

Director: Basil Dearden

4K · Excellent
Best English-Friendly & Video:

Indicator 4K Blu-ray

Sources: Blu-ray.com (opens in a new tab)

Best Audio:

(Indicator 4K Blu-ray, based on review)

Director: Otakar Vávra

4K · Excellent
Best English-Friendly:

Deaf Crocodile 4K Blu-ray

Sources: Blu-ray.com (opens in a new tab)

Best Video:

Deaf Crocodile 4K Blu-ray see nic review

Best Audio:

Restored: Deaf Crocodile 4K Blu-ray
Unrestored: Czech PAL DVD

Audio Notes:

Preferences will vary, the restored track sounds good, but not necessarily faithful to the original elements.

Director: Robert Rossen

4K · Excellent
Best English-Friendly & Video:

Sony 4K Blu-ray

Director: Anthony Mann

4K · Solid
Best English-Friendly:

Criterion 4K Blu-ray, Universal 2008 DVD

Sources: Criterion Forum (opens in a new tab)

Best Audio:

2008 Universal DVD mono

Audio Notes:

The mono on the Criterion is severely filtered resulting in it sounding incredibly muffled. It is nearly as filtered as the 2003 original Universal DVD which had extreme filtering and sounds horribly thin. The 2008 DVD remaster and original Laserdisc analog mastering are mostly left alone. The original LD master is from a worn element but otherwise sounds very natural. The 2008 DVD is the highest quality version we have without the heavy filtering and the defects of the LD master. It isn't perfect but easily the best of the main four sources by a dramatic margin. 

Additional Info:

The existing 4K SDR restoration looks excellent, but the Criterion extras are limited and disappointing. The classic Stewart interview commentary from the LD is ported over but given a new mastering. Compared to past releases it has been very slightly noise reduced.

Director: Charles Crichton

4K · Excellent
Best English-Friendly & Video:

StudioCanal 4K Blu-ray

Directors: Michael Powell & Emeric Pressburger

4K · Excellent
Best English-Friendly, Video & Audio:

Imprint 4K Blu-ray

Additional Info:

Imprint AU 4K is world UHD debut and encoded by FiM. Part of the The Cinema Of Powell & Pressburger - Collection Two set.

Director: Basil Dearden

4K · Excellent
Best English-Friendly & Video:

Indicator 4K Blu-ray

Video Notes:

Excellent 4K master and encode, except for opticals grain is very fine, grading is beautifully silvery and luminous, nice HDR re-grade by Fidelity in Motion

More from Rob Cohen

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Director: Rob Cohen

Best English-Friendly:

Universal 4K Blu-ray

Sources: slow.pics (opens in a new tab)

Best Video:

Universal 4K Blu-ray 25th Anniversary Edition

Video Notes:

Universal 4K Blu-ray 25th Anniversary Edition (with Dolby Vision), comparisons: #1, #2

The 2026 re-release corrects cropping and grading on some VFX shots, otherwise it's the same master with better encoding.

Best Audio:

Original 5.1 mix: Universal Blu-ray

Audio Notes:

The old BD (2009 with many later identical re-releases) is very good, compared even to the theatrical DTS track, over which it has a slight edge thanks to discrete LFE (as theatrical DTS tracks derive LFE from other channels).

The 2018 4K includes a relatively tasteful DTS:X remix, the 2026 #4K includes a more revisionistic Dolby Atmos remix, with more added foley effects and a significant frequency roll-off. Neither of the remixes is as punchy as the original mix.

Director: Rob Cohen

Best English-Friendly & Video:

Theatrical Cut: US Sony 15th Anniversary Blu-ray (4K restoration) or Japan Pony Canyon Blu-ray (higher bitrate)?
Director's Cut: Sony DVD

Best Audio:

Theatrical: US Sony 15th Anniversary Blu-ray

Audio Notes:

Theatrical: US Sony 15th Anniversary Blu-ray for the 24 bit DTS HD 5.1?

Director: Rob Cohen

4K · Excellent
Best English-Friendly & Video:

Shout! Factory 4K Blu-ray

More from Kino Lorber

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Director: Steve De Jarnatt

Best English-Friendly & Video:

2024 Kino Lorber Blu-ray

Upcoming Release:

UK Transmission 4K Blu-ray in January 2027

Best Audio:

Either the 2015 Kino Lorber Blu-ray or the Arrow Blu-ray

Audio Notes:

The 2024 Kino Lorber Blu-ray is botched.

Director: Simon Wincer

4K · Worse Than BD
Best English-Friendly & Video:

Kino Lorber Blu-ray

Sources: Blu-ray.com (opens in a new tab)

Video Notes:

4K is defective with color space issues and poor encoding, UHD replacement disc is also defective with worse encode. The UHD has visible artifacts from the bad encoding. The HDR is overdone and the Paramount 4K master has grain management.
The new Kino Blu-ray has none of the UHD's problems and is superior to the UHD in every way though it still uses the same Paramount master.

Best Audio:

DVD 5.1 or LaserDisc 5.1 AC3, LD PCM 2.0 for the matrix stereo version. The LD and DVD seem to be the theatrical audio mix untouched with plenty of low end. This low end like a number of 90's Paramount titles was mixed out or tamed on subsequent releases. 

Additional Info:

The Lionsgate BD and Paramount BD share the same lackluster HD master with DNR and image distortion. The Lionsgate is much better encoded but has a 7.1 remix which messed up the original mix design by lessening all the great Foley work in favor of the score. The Paramount BD had a 5.1 lossless version of the original mix but it's a new version where the bass has been tamed so the track has lost its punch. The Kino Lorber UHD and Blu-ray recycle this same lesser 5.1 mastering. The original mix can still be heard on LD and DVD. The 2.0 stereo on the Kino is matrixed but also does not sound as good as the 2.0 matrix audio on DVD or LD.
Kino has a replacement program for the defective UHD to fix the color space issue. The new disc is not marked, has a worse encode AND DOES NOT FIX THE COLOR SPACE! Thus it is a worse defective disc version of the original defective disc.
The Billy Zane interview on the Kino BD has technical issues in the editing and clip quality used.

Director: Preston Sturges

Best English-Friendly & Video:

Kino Lorber Blu-ray

Video Notes:

No information on French Elephant Films Blu-ray

Director: Martin Scorsese

Best English-Friendly & Video:

Kino Lorber Blu-ray

Video Notes:

Other releases have horrendous DNR

Director: Lewis Milestone

Best English-Friendly & Video:

Kino Lorber Blu-ray

Sources: YouTube (opens in a new tab)

Video Notes:

Sourced from a 4K scan of the 35mm Fine Grain. Even with its unfortunate and noticeable print damage, tears, and other issues, still easily beats any prior disc release, though the Imprint BD (same master as Kino, but inferior encode) included in their Essential Film Noir Collection Vol. 3 set does include more extras. https://youtu.be/-Wrsn6-XJCo

Director: Stanley Kubrick

4K · Excellent
Best English-Friendly & Video:

Kino Lorber 4K Blu-ray

Sources: Criterion Forum (opens in a new tab)

Upcoming Release:

Criterion Box Set coming October 20th with FiM encode

Director: John Frankenheimer

4K · Solid
Best English-Friendly & Video:

Kino Lorber 4K Blu-ray

Best Audio:

1994 MGM LaserDisc

Director: Paul Leni

Best English-Friendly & Video:

Theatrical/Original A negative: MoC Blu-ray

European C/D negative but better picture quality: Kino Lorber 4K Blu-ray

Sources: slow.pics (opens in a new tab)

Video Notes:

From DVDBeaver: The MoC Blu-ray is scanned from the American A negative, as opposed to the European C or D negatives used by Photoplay and others (Kino Lorber 4K Blu-ray), so it is identical with the film US audiences saw in 1927

See caps for comparison

In addition, the Kino Lorber 4K Blu-ray has sepia tinting throughout while the MoC Blu-ray has yellow for normal scenes, blue for night scenes, and some even green tintings.

Director: Hal Ashby

4K · Solid
Best English-Friendly, Video & Audio:

Kino Lorber 4K Blu-ray

Sources: Blu-ray.com (opens in a new tab)

Video Notes:

Kino Lorber 4K Blu-ray has excellent master in SDR and a good encode. BD caps here.

Audio Notes:

Kino Lorber 4K Blu-ray has poor audio: The 2.0 is fine but unremarkable, the 5.1 is presumably an upmix with a botched, strongly raised LFE channel which makes the entire track unlistenable on well-tuned equipment. Audio graphs here.

Director: Miguel Sapochnik

Best English-Friendly & Video:

Kino Lorber 4K Blu-ray

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· last reviewed 9 months ago

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