The Social Network (2010)
Drama • 2h
Director: David Fincher
Cast: Jesse Eisenberg, Andrew Garfield, Armie Hammer, Josh Pence, Justin Timberlake, Max Minghella, Brenda Song, Rashida Jones, John Getz, David Selby, Denise Grayson, Douglas Urbanski, Rooney Mara, Bryan Barter, Dustin Fitzsimons, Joseph Mazzello, Patrick Mapel, Toby Meuli, Alecia Svensen, Jami Owen, James Dastoli, Robert Dastoli, Scotty Crowe, Jayk Gallagher, Marcella Lentz-Pope, Trevor Wright, Barry Livingston, Marybeth Massett, Randy Evans, Carrie Armstrong, Henry Roosevelt, Pamela Roylance, Brian Palermo, Brett Leigh, Chris Gouchoe, Nicholas Tubbs, Kevin Chui, Richie Ferris, Burke Walton, Nguyen Anh Tuan, Inbal Amirav, Dane Nightingale, Stephen Fuller, John He, Nick Smoke, Cali Fredrichs, Shelby Young, Steve Sires, Melise, Victor Z. Isaac, Abhi Sinha, Mark Saul, Cedric Sanders, Dakota Johnson, Nancy Linari, Inger Tudor, Aaron Sorkin, Mariah Bonner, Kyle Fain, Christopher Khai, Emma Fitzpatrick, Jeffrey Thomas Border, Courtney Arndt, Felisha Terrell, Zoe De Toledo, Simon Barr, Alex Leigh, Phil Turnham, Richie Steele, Chris Friend, Tom Harvey, Alex Olijnyk, Ray Poulter, Bob Hewitt, Dave Lambourn, James Padmore, Sebastian Kouba, Charles Herbert, Robin Dowell, Nathan Hillyer, James Shanklin, Alex Reznik, John Hayden, Oliver Muirhead, Shane Adler, Amy Ferguson, Monique Edwards, Cayman Grant, Wallace Langham, Scott Lawrence, Peter Holden, Darin Cooper, Jared Hillman, Caitlin Gerard, Lacey Beeman, Cherilyn Wilson, Caleb Landry Jones, Franco Vega, Andrew Thacher, Adina Porter, Noah Baron, Ki Hong Lee, Jesse Heiman, David Broyles, Mike Bash, Tony Calle, Cooper Conley-Currier, Elliott Ehlers, Brett A. Newton, Nathan Dean Snyder, Kristen Clement, Tatum Miranda, Chad Davis, Tony DeSean, Vincent Rivera, Jason Flemyng, Carlos Foglia, Bryan Forrest, Jessica Franz, Eli Jane, Sara Murphy, Kandis Mak, Eric La Barr, Naina Michaud, Riley Voelkel, Tia Robinson, Jeff Rosick, Alexandra Ruddy, Adrienne Rusk, Rebecca Tilney, Georgina Tolentino
Best English-friendly & video release · updated 15 days ago
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Overview
In 2003, Harvard undergrad and computer programmer Mark Zuckerberg begins work on a new concept that eventually turns into the global social network known as Facebook. Six years later, Mark is one of the youngest billionaires ever, but his unprecedented success leads to both personal and legal complications when he ends up on the receiving end of two lawsuits, one involving his former friend.
Director: Steve James
Director: Victor Fleming
3D: Warner Bros 3D Blu-ray or Apple Vision Pro
Director: Morton DaCosta
Warner Archive 4K Blu-ray Nov 24th
Director: Tony Scott
The 70mm 6-track mix has a higher bitrate on the Paramount 1998 DVD, but is more limited than on the THX LaserDisc The Paramount 1998 DVD also has open matte versions in fullscreen 1.33:1 and widescreen 2.00:1 instead of the theatrical aspect ratio of 2.39:1, but the 2.00:1 widescreen presentation is non-anamorphic. The THX LaserDisc is available in both fullscreen 1.33:1 and widescreen 2.00:1 variants.
Director: Terrence Malick
Sources: Criterion Forum (opens in a new tab)
Lovely underlying remaster by Criterion and Resillion but encode is sadly low-pass filtered by Pixelogic, and even then, the encode is still less than ideal. Still easily obliterates any prior disc release, but certainly wouldn't hurt to have a UK or German label take a crack at this same master.
Director: Anthony Mann
Criterion 4K Blu-ray, Universal 2008 DVD
Sources: Criterion Forum (opens in a new tab)
2008 Universal DVD mono
The mono on the Criterion is severely filtered resulting in it sounding incredibly muffled. It is nearly as filtered as the 2003 original Universal DVD which had extreme filtering and sounds horribly thin. The 2008 DVD remaster and original Laserdisc analog mastering are mostly left alone. The original LD master is from a worn element but otherwise sounds very natural. The 2008 DVD is the highest quality version we have without the heavy filtering and the defects of the LD master. It isn't perfect but easily the best of the main four sources by a dramatic margin.
The existing 4K SDR restoration looks excellent, but the Criterion extras are limited and disappointing. The classic Stewart interview commentary from the LD is ported over but given a new mastering. Compared to past releases it has been very slightly noise reduced.
Criterion Box Set coming October 20th with FiM encode, work done to un-Nolan the 4K master, the first ever appearance of the 35mm mono track on physical media and a new restoration/remastering of the 70mm 6-track mix.
(early pressing has errors of a shot, later pressings fixed)
Director: David Fincher
Disney 4K Blu-ray or Fox 2009 Blu-ray or Kinowelt Entertainment 2008 Germany Blu-ray for a purist version
Sources: slow.pics (opens in a new tab) · notonbluray.com (opens in a new tab)
Disney 4K Blu-ray or Fox 2009 Blu-ray for a purist version or Kinowelt Entertainment 2008 Germany Blu-ray from the original 1999 telecine transfer
Disney 4K Blu-ray, while a good release by itself, is very revisionist albeit made by Fincher. It has a huge amount of tinkering, a different grade, and at times uncanny with the sharpening. Caps of just how revisionist the new master is.
All Blu-ray tracks have significant limiting.
Disney 4K Blu-ray has some alterations, otherwise similar to the Fox Blu-ray
A blog article going over the home video history of Fight Club: https://notonbluray.com/blog/fight-club-compared-blu-ray-vs-itunes-vs-d-vhs-vs-dvd-vs-laserdisc/
Director: David Fincher
2025 WB 4K Blu-ray or the 1997 New Line DVD (CCE colors)/Netherlands Blu-ray (2000 restoration) for a purist version
Sources: Blu-ray.com (opens in a new tab) · notonbluray.com (opens in a new tab)
2025 WB 4K Blu-ray, better detail and everything, or the 1997 New Line DVD (CCE colors)/Netherlands Blu-ray (2000 restoration) for a purist version
4K caveat: A variety of VFX set pieces and touch-ups were added in scenes throughout the film, probably for continuity or consistency, although they might be unnecessary or revisionist. Clouds are added to clear sky of the last act.
AI is used to fix an unwanted camera movement in one scene.
some shots had been further stabilized, resulting in strange motion blur.
Also has missing dialog intact.
But it can be argued that the Warner Bros 4K Blu-ray 5.1 (remix) is technically a better mix.
More info on the different color grades over the years: https://notonbluray.com/blog/the-case-of-se7en/
Director: David Fincher
Theatrical: Paramount 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Director: David Fincher
Sources: slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
HDR caps by fkid. Obviously this is a huge improvement after what was available until now. Still, the early 2000s nature of the film is palpable and more noticeable, f.ex. in the opening scene that looks upscaled but seemingly without AI usage or any egregious tools. No info yet about what Fincher actually changed and where he tinkered around. Also see samlop10's review
Director: Luc Besson
Sources: slow.pics (opens in a new tab) · fanrestore.com (opens in a new tab) · Blu-ray.com (opens in a new tab)
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2007 Sony Blu-ray or LaserDisc AC3? (TBC) https://fanrestore.com/thread-7303.html
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Director: Frank Capra
Director: John Carpenter
Sony 4K Blu-ray or Carlotta 4K Blu-ray (FiM encode)
Sony 4K Blu-ray and France Carlotta 4K Blu-ray (FiM encode) are similar
Director: Michael Arias
Sources: slow.pics (opens in a new tab)
GKIDS 4K Blu-ray is a sharpened upscale. Caps
GKIDS 4K Blu-ray has a true lossless English dub and correct volume levels for the Japanese audio
Director: Martin Scorsese
2024 Sony 4K Blu-ray Steelbook
Sources: blah-ray.blogspot.com (opens in a new tab)
2024 Sony 4K Blu-ray Steelbook fixes duplicate shot seen on the previous Columbia Classics release and has better encoding
Original mono mix: 1990 Criterion LaserDisc/1991 Columbia LaserDisc
The 4K Blu-ray mono is only minimally worse (see blah-ray).
5.1 remix: Sony 4K Blu-ray
Director: Michael Apted
Video format: HD Streaming
Director: Richard Linklater
Sources: caps-a-holic (opens in a new tab)
Criterion Blu-ray uses the same transfer as Sony but the encoding is slightly worse than Sony and barely noticeable see caps
Germany StudioCanal Blu-ray in viewing looks very similar to both the Criterion and Sony caps, but no side by side comparison available
Germany StudioCanal Blu-ray is part of a 3-film box set like the Criterion
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Researched and maintained by
tyyux,vanshady,cbc,reubenward895,Negativescans· last reviewed 15 days ago
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