Whirlpool of Fate (1925)
La Fille de l'eau
Romance, Drama • 1h 23m
Overview
Orphan Virginia is left destitute following her father's death and her uncle's alcoholism; she finds refuge with bohemians but is forced to flee, eventually finding romance and a life-altering experience that triggers surreal dreams.
Director: Jean Renoir
Director: Jean Renoir
The BFI and Gaumont Blu-ray releases are both from the same restoration by Éclair. Although this restoration is much superior in detail to the old Criterion DVD, like many Éclair restorations, it has issues with colour. There is a definite yellow cast to the footage, making skin tones appear sickly and dampening the impact of the colour. The image is also murkier than the Criterion.
As Renoir scholar Tag Gallagher notes: "I talked a lot toward the end about the light blue walls (Criterion); but when I got the BFI blu I was greatly deflated, because the walls are light gray!"
That said, as visible in the screen caps at DVD Beaver, the Criterion has compromised colour too, and often looks too blue/magenta. There is a regraded edition of the BFI Blu-ray out there on the high seas.
The audio on the Blu-ray releases is slightly compressed, but better than earlier DVD releases and relatively full frequency.
The BFI is most likely the best English-friendly release as it includes English subtitles for the bonus features.
Director: Jean Renoir
The BFI and Gaumont Blu-ray releases are both from the same restoration by Éclair. Although this restoration is much superior in detail to the old Criterion DVD, like many Éclair restorations, it has issues with colour. There is a definite yellow cast to the footage, making skin tones appear sickly and dampening the impact of the colour. The image is also murkier than the Criterion.
As Renoir scholar Tag Gallagher notes: "I talked a lot toward the end about the light blue walls (Criterion); but when I got the BFI blu I was greatly deflated, because the walls are light gray!"
That said, as visible in the screen caps at DVD Beaver, the Criterion has compromised colour too, and often looks too blue/magenta. There is a regraded edition of the BFI Blu-ray out there on the high seas.
The audio on the Blu-ray releases is slightly compressed, but better than earlier DVD releases and relatively full frequency.
The BFI is most likely the best English-friendly release as it includes English subtitles for the bonus features.
Director: Jean Renoir
Director: Jean Renoir
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: Jean Renoir
Director: Jean Renoir
Director: Jean Renoir
Director: Jean Renoir
Director: Jean Renoir
2021 StudioCanal Blu-ray
2021 StudioCanal Blu-ray has better encode and gamma levels compared to older StudioCanal Blu-ray caps
Director: Jean Renoir
2021 StudioCanal Blu-ray
2021 StudioCanal Blu-ray has better encode and gamma levels compared to older StudioCanal Blu-ray caps
StudioCanal 4k transfer
StudioCanal 4k transfer
Director: Jean Renoir
Kino Lorber/Raro Blu-ray
Director: Jean Renoir
Kino Lorber/Raro Blu-ray
Director: Jean Renoir
StudioCanal France and Spain have BDs
Director: Jean Renoir
StudioCanal France and Spain have BDs
Director: Simon Wincer
Kino Lorber Blu-ray > 4K Blu-ray
4K is disappointing with color space issues and poor encoding, disc replacement program for the 4K disc has been put out with the correct color space.
Director: Simon Wincer
Kino Lorber Blu-ray > 4K Blu-ray
4K is disappointing with color space issues and poor encoding, disc replacement program for the 4K disc has been put out with the correct color space.
Director: Maurice Cloche
Director: Maurice Cloche
Director: Michael Gordon
Director: Michael Gordon
Director: Alan Crosland
Director: Alan Crosland
Director: Melville Shavelson
Kino Lorber Blu-ray 6K master from Paramount
Director: Melville Shavelson
Kino Lorber Blu-ray 6K master from Paramount
Director: Kenneth MacPherson
Director: Kenneth MacPherson
Director: Richard Bartlett
Director: Richard Bartlett
More Romance on Blu-ray
Director: Steven Shainberg
Director: Steven Shainberg
Director: Rob Reiner
Director: Rob Reiner
Director: H. C. Potter
Kino Lorber Blu-ray 2K restoration
Director: H. C. Potter
Kino Lorber Blu-ray 2K restoration
Director: Elliott Nugent
Kino Lorber Blu-ray is a newer 4K restoration than Imprint Blu-ray and significantly better see caps
No information on French Elephant Films Blu-ray
Director: Elliott Nugent
Kino Lorber Blu-ray is a newer 4K restoration than Imprint Blu-ray and significantly better see caps
No information on French Elephant Films Blu-ray
Director: Henry King
Director: Henry King
Director: Sam Wood
Probably Kino Lorber Blu-ray
Probably Kino Lorber Blu-ray
While no comparison is available, this is indeed a new 4K restoration. However it has its problem like not scanned from best surviving prints due to some issues, or technicolor out of alignment but seems to be still better than older releases
Director: Sam Wood
Probably Kino Lorber Blu-ray
Probably Kino Lorber Blu-ray
While no comparison is available, this is indeed a new 4K restoration. However it has its problem like not scanned from best surviving prints due to some issues, or technicolor out of alignment but seems to be still better than older releases
Director: William D. Russell
Kino Lorber Blu-ray 4K restoration from 35mm Original Camera Negative
Director: William D. Russell
Kino Lorber Blu-ray 4K restoration from 35mm Original Camera Negative
Director: Jean Aurel
Director: Jean Aurel
Director: William Wyler
Kino Lorber Blu-ray is a brand new 4K restoration from William Wyler’s personal 35mm print
Director: William Wyler
Kino Lorber Blu-ray is a brand new 4K restoration from William Wyler’s personal 35mm print
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