Zulu (1964)
Action, Drama, History, War • 2h 18m
Director: Cy Endfield
Cast: Stanley Baker, Jack Hawkins, Ulla Jacobsson, James Booth, Michael Caine, Nigel Green, Paul Daneman, Patrick Magee, Glynn Edwards, Neil McCarthy, David Kernan, Gary Bond, Richard Burton, Mangosuthu Buthelezi, Kerry Jordan, Dennis Folbigge, Gert Van den Bergh, Harvey Hall, John Sullivan, Joe Powell, Larry Taylor, Dickie Owen, Dafydd Havard, Denys Graham, Richard Davies, Tom Gerrard, Peter Gill, Ivor Emmanuel, Simon Sabela
Best English-friendly & video release · updated 5 months ago
> UK Paramount Blu-ray or US Inspired Blu-ray
The UK Blu-ray not only have some DNR applied, it's also squeezed and cropped: see comparison
The color contrast from Twilight Time is however possibly suffering the Quicktime Gamma Bug, but that's an easier issue to fix than DNR or cropped images.
Overview
In 1879, during the Anglo-Zulu War, man-of-the-people Lt. Chard and snooty Lt. Bromhead are in charge of defending the isolated and vastly outnumbered Natal outpost of Rorke's Drift from tribal hordes.
Director: David Lynch
Censored US version: Shout! Factory or Twilight Time Blu-ray
Uncensored version: old DVD
Sources: Blu-ray.com (opens in a new tab)
2026 Criterion 4K Blu-ray, confirmed to be uncut
Director: George Cukor
Video format: 4K Streaming
Director: Oliver Stone
Sources: lddb.com (opens in a new tab)
Twilight Time Blu-ray or MGM NTSC DVD for the original mono mix
Shout! Factory 4K only has a stereo downmix (which sounds muffled, as do the surround tracks)
Twilight Time Blu-ray has the mono track with seemingly the best fidelity, but its dynamic range has been heavily compressed
MoC UK Blu-ray has a proper dynamics and good fidelity, but bizzarely, everything is repeated after a few miliseconds, rendering echoey and metallic
MGM NTSC DVD has been denoised and has had a strong EQ applied and sounds muffled as a result, but it retains proper dynamics
Koch Media DE BD had poor dynamics and wrong pitch
Perhaps the digital JP LD would be better.
Director: Fritz Lang
Sources: Criterion Forum (opens in a new tab)
See nicolas review: https://criterionforum.org/forum/viewtopic.php?p=841703#p841703 "The new master is simply gorgeous. Beautifully fine-grained, even the opticals don’t look that much less defined than the OCN-shots. Highlights are very nicely graded and the encode preserves them virtually flawlessly. The HDR / DV grade itself is tasteful and makes the film look tasteful. Velvety, silvery and just satisfying to look at. Furthermore, I don’t think NexSpec applied any filtering"
Twilight Time Blu-ray slightly better than Criterion 4K Blu-ray. Columbia Hi-Fi VHS probably significantly better (not been checked)
All pre-4K BDs (Twilight Time US, Suevia Spain, Imprint Australia, Koch Media Germany)
All pre-4K BDs (Twilight Time US, Suevia Spain, Imprint Australia, Koch Media Germany) are the same, and significantly better than the 4K restoration (Shout! Factory, Arrow, Kino Lorber), and a bit better than the MGM NTSC DVD.
Director: George Cukor
Sources: caps-a-holic (opens in a new tab)
US Twilight Time Blu-ray or UK Signal One Blu-ray are basically the same see cap
Sources: Blu-ray.com (opens in a new tab)
Twilight Time OOP Blu-ray has slightly tighter grain control than US Shout! Factory Anne Bancroft Collection Blu-ray see caps on BR
More Action on Blu-ray
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab)
> Germany Wicked Vision Blu-ray > US Flicker Alley Blu-ray see DVDBeaver caps
Director: Simon Wincer
Sources: Blu-ray.com (opens in a new tab)
4K is defective with color space issues and poor encoding, UHD replacement disc is also defective with worse encode. The UHD has visible artifacts from the bad encoding. The HDR is overdone and the Paramount 4K master has grain management.
The new Kino Blu-ray has none of the UHD's problems and is superior to the UHD in every way though it still uses the same Paramount master.
DVD 5.1 or LaserDisc 5.1 AC3, LD PCM 2.0 for the matrix stereo version. The LD and DVD seem to be the theatrical audio mix untouched with plenty of low end. This low end like a number of 90's Paramount titles was mixed out or tamed on subsequent releases.
The Lionsgate BD and Paramount BD share the same lackluster HD master with DNR and image distortion. The Lionsgate is much better encoded but has a 7.1 remix which messed up the original mix design by lessening all the great Foley work in favor of the score. The Paramount BD had a 5.1 lossless version of the original mix but it's a new version where the bass has been tamed so the track has lost its punch. The Kino Lorber UHD and Blu-ray recycle this same lesser 5.1 mastering. The original mix can still be heard on LD and DVD. The 2.0 stereo on the Kino is matrixed but also does not sound as good as the 2.0 matrix audio on DVD or LD.
Kino has a replacement program for the defective UHD to fix the color space issue. The new disc is not marked, has a worse encode AND DOES NOT FIX THE COLOR SPACE! Thus it is a worse defective disc version of the original defective disc.
The Billy Zane interview on the Kino BD has technical issues in the editing and clip quality used.
Director: Iain Softley
Sources: slow.pics (opens in a new tab)
Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn included an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Shout! Factory has the exclusive The Beauty of the Baud and the You Can't Stop Us All featurettes.
Director: John Woo
Sources: Criterion Forum (opens in a new tab)
review: Disk Kino
Both have better encoding than Disk Kino, some shots are better on Shout! Factory, others on Arrow
Shout Factory still has the best video while Arrow did a questionable regrade. Arrow definitely has less grain in most shots, has a worse encode and is cm v2.9 compared to Shout’s cm v4.0.
Shout! Factory/Arrow 4K Blu-ray has the original mono
Director: Luc Besson
Sources: slow.pics (opens in a new tab) · fanrestore.com (opens in a new tab) · Blu-ray.com (opens in a new tab)
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2007 Sony Blu-ray or LaserDisc AC3? (TBC) https://fanrestore.com/thread-7303.html
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Tony Scott
The 70mm 6-track mix has a higher bitrate on the Paramount 1998 DVD, but is more limited than on the THX LaserDisc The Paramount 1998 DVD also has open matte versions in fullscreen 1.33:1 and widescreen 2.00:1 instead of the theatrical aspect ratio of 2.39:1, but the 2.00:1 widescreen presentation is non-anamorphic. The THX LaserDisc is available in both fullscreen 1.33:1 and widescreen 2.00:1 variants.
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