The Keys of the Kingdom (1944)
Drama • 2h 17m
Overview
A young priest, Father Chisholm is sent to China to establish a Catholic parish among the non-Christian Chinese. While his boyhood friend, also a priest, flourishes in his calling as a priest in a more Christian area of the world, Father Chisholm struggles. He encounters hostility, isolation, disease, poverty and a variety of set backs which humble him, but make him more determined than ever to succeed.
Director: John M. Stahl
Cast: Gregory Peck, Thomas Mitchell, Vincent Price, Rose Stradner, Roddy McDowall, Edmund Gwenn, Cedric Hardwicke, Peggy Ann Garner, Jane Ball, James Gleason, Anne Revere, Ruth Nelson, Benson Fong, Leonard Strong, Philip Ahn, Arthur Shields, Edith Barrett, Sara Allgood, Richard Loo, Ruth Ford, Kevin O'Shea, H.T. Tsiang, Si-Lan Chen, Eunice Soo-Hoo, Dennis Hoey, Ruth Clifford, J. Anthony Hughes, James B. Leong, Richard Wang, Joseph Kim, Moy Ming, Beal Wong, Clarence Lung, Eugene Louis, Georgie Nokes
Director: John M. Stahl
Director: John M. Stahl
Director: John M. Stahl
Director: John M. Stahl
Director: Oliver Stone
Twilight Time Blu-ray or MGM NTSC DVD for the original mono mix
Shout! Factory 4K only has a stereo downmix (which sounds muffled, as do the surround tracks)
Twilight Time Blu-ray has the mono track with seemingly the best fidelity, but its dynamic range has been heavily compressed
MoC UK Blu-ray has a proper dynamics and good fidelity, but bizzarely, everything is repeated after a few miliseconds, rendering echoey and metallic
MGM NTSC DVD has been denoised and has had a strong EQ applied and sounds muffled as a result, but it retains proper dynamics
Koch Media DE BD had poor dynamics and wrong pitch
Perhaps the digital JP LD would be better.
Director: Oliver Stone
Twilight Time Blu-ray or MGM NTSC DVD for the original mono mix
Shout! Factory 4K only has a stereo downmix (which sounds muffled, as do the surround tracks)
Twilight Time Blu-ray has the mono track with seemingly the best fidelity, but its dynamic range has been heavily compressed
MoC UK Blu-ray has a proper dynamics and good fidelity, but bizzarely, everything is repeated after a few miliseconds, rendering echoey and metallic
MGM NTSC DVD has been denoised and has had a strong EQ applied and sounds muffled as a result, but it retains proper dynamics
Koch Media DE BD had poor dynamics and wrong pitch
Perhaps the digital JP LD would be better.
Director: Busby Berkeley
Director: Busby Berkeley
Director: Fritz Lang
Criterion 4K Blu-ray. See nicolas review: https://criterionforum.org/forum/viewtopic.php?p=841703#p841703 "The new master is simply gorgeous. Beautifully fine-grained, even the opticals don’t look that much less defined than the OCN-shots. Highlights are very nicely graded and the encode preserves them virtually flawlessly. The HDR / DV grade itself is tasteful and makes the film look tasteful. Velvety, silvery and just satisfying to look at. Furthermore, I don’t think NexSpec applied any filtering"
Twilight Time Blu-ray slightly better than Criterion 4K Blu-ray. Columbia Hi-Fi VHS probably significantly better (not been checked)
Director: Fritz Lang
Criterion 4K Blu-ray. See nicolas review: https://criterionforum.org/forum/viewtopic.php?p=841703#p841703 "The new master is simply gorgeous. Beautifully fine-grained, even the opticals don’t look that much less defined than the OCN-shots. Highlights are very nicely graded and the encode preserves them virtually flawlessly. The HDR / DV grade itself is tasteful and makes the film look tasteful. Velvety, silvery and just satisfying to look at. Furthermore, I don’t think NexSpec applied any filtering"
Twilight Time Blu-ray slightly better than Criterion 4K Blu-ray. Columbia Hi-Fi VHS probably significantly better (not been checked)
Director: Cy Endfield
US OOP Twilight Time Blu-ray > UK Paramount Blu-ray or US Inspired Blu-ray
The UK Blu-ray not only have some DNR applied, it's also squeezed and cropped: see comparison
The color contrast from Twilight Time is however possibly suffering the Quicktime Gamma Bug, but that's an easier issue to fix than DNR or cropped images.
Director: Cy Endfield
US OOP Twilight Time Blu-ray > UK Paramount Blu-ray or US Inspired Blu-ray
The UK Blu-ray not only have some DNR applied, it's also squeezed and cropped: see comparison
The color contrast from Twilight Time is however possibly suffering the Quicktime Gamma Bug, but that's an easier issue to fix than DNR or cropped images.
Director: Andrew L. Stone
Director: Andrew L. Stone
Director: Ralph Nelson
Kino Lorber Blu-ray is minimally better encoded than Twilight Time OOP Blu-ray see caps
Director: Ralph Nelson
Kino Lorber Blu-ray is minimally better encoded than Twilight Time OOP Blu-ray see caps
Director: Arthur Hiller
Sandpiper Pictures Blu-ray is likely the same as previous Twilight Time OOP Blu-ray
Director: Arthur Hiller
Sandpiper Pictures Blu-ray is likely the same as previous Twilight Time OOP Blu-ray
Director: Tom Holland
Eureka Blu-ray's stereo sounds better than the Sony 4K Blu-ray stereo
Twilight Time has an isolated score
Director: Tom Holland
Eureka Blu-ray's stereo sounds better than the Sony 4K Blu-ray stereo
Twilight Time has an isolated score
More Drama on Blu-ray
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: James Foley
Director: James Foley
Director: Iain Softley
Director: Iain Softley
Director: Steven Shainberg
Director: Steven Shainberg
Director: Akira Kurosawa
Director: Akira Kurosawa
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Vertical Blu-ray
Director: Rob Reiner
Vertical Blu-ray
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