S.W.A.T. (2003)
Action, Thriller, Crime • 1h 57m
Overview
Hondo Harrelson recruits Jim Street to join an elite unit of the Los Angeles Police Department. Together they seek out more members, including tough Deke Kay and single mom Chris Sanchez. The team's first big assignment is to escort crime boss Alex Montel to prison. It seems routine, but when Montel offers a huge reward to anyone who can break him free, criminals of various stripes step up for the prize.
Director: Clark Johnson
Cast: Samuel L. Jackson, Colin Farrell, Michelle Rodriguez, LL Cool J, Josh Charles, Jeremy Renner, Brian Van Holt, Olivier Martinez, Domenick Lombardozzi, Reg E. Cathey, Larry Poindexter, Page Kennedy, James DuMont, Denis Arndt, Lindsey Ginter, Octavia Spencer, Noel Gugliemi, Clark Johnson, Matt Gerald, Ken Davitian, Tricia Kelly, Ashley Scott, Benjamin King, Alex Trebek, Reed Diamond, Neal H. Moritz, Max Thayer, Jeff Wincott, Marcio Rosario, Jay Montalvo, Michael Papajohn, Sergio Kato, Gregory Sporleder, Esther K. Chae, Bruce Gray, Lucinda Jenney, E. Roger Mitchell, Jay Acovone, Mario Aguilar Jr., J. Grant Albrecht, Peter Allas, Frankie J. Allison, Nathan Andrews, Sara Arrington, Michael Baker, Dianne Barone, Tody Bernard, Melanie Kim Blank, Joe Bucaro III, Andi Chapman, Gregory Crane, Brad Crosby, Tommy De La Cruz, Bruce Dent, Martin Dorsla, Jamal Duff, Jessica Winther, Colin Egglesfield, Steve Forrest, Kenneth Franklin, Maria Galvez, Garry Guerrier, Willie Gault, Sheri Goldner, Michael Gregory, Michael Guarnera, Steven Hack, Krista Hartling, Daniel Ichikawa, Dale W. Jones, Bishop Don Magic Juan, Joseph Kung, Brendan Wayne, Sergio Lambert, Jenya Lano, Brian Leckner, Iris Little Thomas, Ricki Lopez, Elio Lupi, Alexander Lyras, Larry McCormick, Devika Parikh, Rod Perry, Audra Platz, Stephen Ramsey, Ken Rudulph, Heather Salmon, Ben Siegler, Richard Steinmetz, David St. James, Arlow Stewart, Shannon Sturges, Rod Tate, Atticus Todd, Andy Umberger, Nick Vachon, Jamison Yang, Bridget Powers, Michael S. Garcia, Eric Strickland
Director: Roger Donaldson
88 Films & Scream Factory 4K Blu-ray
Imprint 4K Blu-ray scheduled for August 2026 release
88 Films tied with Scream Factory 4K Blu-ray (88 Films is FiM encoded)
88 Films and Scream Factory have exclusive extras
Director: Roger Donaldson
88 Films & Scream Factory 4K Blu-ray
Imprint 4K Blu-ray scheduled for August 2026 release
88 Films tied with Scream Factory 4K Blu-ray (88 Films is FiM encoded)
88 Films and Scream Factory have exclusive extras
Director: Stanley Kwan Kam-Pang
Pick your poison: USA Film Movement Blu-ray (two scenes cut / censored & slight Ritrovata yellow tint) or UK 88 Films Blu-ray (DNR)
Pick your poison: USA Film Movement Blu-ray (two scenes cut / censored & slight Ritrovata yellow tint) or UK 88 Films Blu-ray (DNR). nic’s review
Director: Stanley Kwan Kam-Pang
Pick your poison: USA Film Movement Blu-ray (two scenes cut / censored & slight Ritrovata yellow tint) or UK 88 Films Blu-ray (DNR)
Pick your poison: USA Film Movement Blu-ray (two scenes cut / censored & slight Ritrovata yellow tint) or UK 88 Films Blu-ray (DNR). nic’s review
Director: Stanley Kwan Kam-Pang
Director: Stanley Kwan Kam-Pang
88 Films 4K Blu-ray scheduled for August 17, 2026 release
88 Films 4K Blu-ray scheduled for August 17, 2026 release
Director: Charles Band
Director: Charles Band
Celluloid Dreams US 4K Blu-ray
Celluloid Dreams US 4K Blu-ray > 88 Films UK for better grading
Celluloid Dreams US 4K Blu-ray
Celluloid Dreams US 4K Blu-ray > 88 Films UK for better grading
Director: Bruno Mattei
UK 88 Films (replacement disc only) or US Severin 4K Blu-ray?
UK 88 Films (replacement disc only) or US Severin 4K Blu-ray?
Director: Bruno Mattei
UK 88 Films (replacement disc only) or US Severin 4K Blu-ray?
UK 88 Films (replacement disc only) or US Severin 4K Blu-ray?
Director: Iain Softley
Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn include an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Original 5.1 mix: Amazon stream
Original stereo: 88 Films Blu-ray
Director: Iain Softley
Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn include an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Original 5.1 mix: Amazon stream
Original stereo: 88 Films Blu-ray
More Action on Blu-ray
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Paul W. S. Anderson
Arrow includes the original theatrical sound mix in all its glory. All previous releases other than the 1996 AC-3 LaserDisc were tamed relative to the original theatrical DTS track.
The disc is authored by Duplitech, but doesn't exhibit any compression issues, though the image is pretty soft, that's likely just down to the stock used.
Old New Line Video LaserDiscs include an exclusive commentary track.
Director: Paul W. S. Anderson
Arrow includes the original theatrical sound mix in all its glory. All previous releases other than the 1996 AC-3 LaserDisc were tamed relative to the original theatrical DTS track.
The disc is authored by Duplitech, but doesn't exhibit any compression issues, though the image is pretty soft, that's likely just down to the stock used.
Old New Line Video LaserDiscs include an exclusive commentary track.
Director: John McTiernan
Director: John McTiernan
Director: John Woo
Director: John Woo
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: Moritz Mohr
Italy Plaion has Dolby Vision, but the metadata is static: https://forum.blu-ray.com/showpost.php?p=22742198&postcount=92
Director: Moritz Mohr
Italy Plaion has Dolby Vision, but the metadata is static: https://forum.blu-ray.com/showpost.php?p=22742198&postcount=92
Director: Tommy Wirkola
Director: Tommy Wirkola
Director: John Woo
Director: John Woo
Edit History
2/28/2026
Format
Added
1080p Blu-ray
Added
1080p Blu-ray
Best English-Friendly Release
Added
Britain 88 Films Blu-ray
Added
Britain 88 Films Blu-ray
Best Video Release
Added
Britain 88 Films Blu-ray
Added
Britain 88 Films Blu-ray
Blu-ray.com
Added
https://www.blu-ray.com/SWAT/18008/#Releases
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https://www.blu-ray.com/SWAT/18008/#Releases





















