Hackers (1995)
Action, Crime, Thriller, Drama • 1h 47m
Overview
Along with his new friends, a teenager who was arrested by the US Secret Service and banned from using a computer for writing a computer virus discovers a plot by a nefarious hacker, but they must use their computer skills to find the evidence while being pursued by the Secret Service and the evil computer genius behind the virus.
Director: Iain Softley
Cast: Jonny Lee Miller, Angelina Jolie, Matthew Lillard, Jesse Bradford, Renoly Santiago, Laurence Mason, Fisher Stevens, Lorraine Bracco, Wendell Pierce, Michael Gaston, Marc Anthony, Penn Jillette, Peter Y. Kim, Darren Lee, Alberta Watson, Liza Walker, Bob Sessions, Ethan Browne, Blake Willett, Max Ligosh, Felicity Huffman, Paul Klementowicz, Richard Ziman, William DeMeo, Denise George, Johnny Myers, Kevin Brewerton, Sam Douglas, Kal Weber, Jeff Harding, Annemarie Lawless, Nancy Ticotin, Naoko Mori, Dave Stewart, Ravil Isyanov, Olegar Fedoro, Jennifer Badger, Christo Morse, Bill Maul, Jeb Handwerger, Mitchell McCormick, Gary Klar, Douglas W. Iles, Michael Potts, Mike Cicchetti, Mick O'Rourke, Roberta Gotti, Eric Loren, Kristin Moreu, Ricco Ross, Tony Sibbald, Richard Purro, Enzo Junior, Yoshinori Yamamoto, Ralph Winter, Kimbra Standish, Steven Angiolini, Melissa Barkan, Donald J. Hewitt Jr., Christopher Waller, Joseph Lloyd, C.J. Byrnes
Director: Iain Softley
Director: Iain Softley
Director: Vincent Ward
Director: Vincent Ward
Director: John Woo
Director: John Woo
Director: John Woo
Director: John Woo
Director: John Woo
Shout! Factory 4K Blu-ray > Disk Kino/WCL China import
review: Disk Kino
Shout! Factory 4K Blu-ray has the original mono
Director: John Woo
Shout! Factory 4K Blu-ray > Disk Kino/WCL China import
review: Disk Kino
Shout! Factory 4K Blu-ray has the original mono
Director: Peter Medak
Imprint 4K Blu-ray scheduled for August 2026 release
Director: Peter Medak
Imprint 4K Blu-ray scheduled for August 2026 release
Directors: Jules Bass & Arthur Rankin, Jr.
Directors: Jules Bass & Arthur Rankin, Jr.
Director: Gordon Douglas
Director: Gordon Douglas
Director: John Badham
Director: John Badham
Director: George A. Romero
Mono: 35mm scan, old Shout! Factory and Australia Umbrella Blu-ray sounds better than the rest of the discs, but has noise reduction
Stereo: Shout! Factory 4K Blu-ray has a transfer of the 1986 Japan LaserDisc Stereo
Director: George A. Romero
Mono: 35mm scan, old Shout! Factory and Australia Umbrella Blu-ray sounds better than the rest of the discs, but has noise reduction
Stereo: Shout! Factory 4K Blu-ray has a transfer of the 1986 Japan LaserDisc Stereo
More Action on Blu-ray
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Paul W. S. Anderson
Arrow includes the original theatrical sound mix in all its glory. All previous releases other than the 1996 AC-3 LaserDisc were tamed relative to the original theatrical DTS track.
The disc is authored by Duplitech, but doesn't exhibit any compression issues, though the image is pretty soft, that's likely just down to the stock used.
Old New Line Video LaserDiscs include an exclusive commentary track.
Director: Paul W. S. Anderson
Arrow includes the original theatrical sound mix in all its glory. All previous releases other than the 1996 AC-3 LaserDisc were tamed relative to the original theatrical DTS track.
The disc is authored by Duplitech, but doesn't exhibit any compression issues, though the image is pretty soft, that's likely just down to the stock used.
Old New Line Video LaserDiscs include an exclusive commentary track.
Director: John McTiernan
Director: John McTiernan
Director: John Woo
Director: John Woo
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: Moritz Mohr
Italy Plaion has Dolby Vision, but the metadata is static: https://forum.blu-ray.com/showpost.php?p=22742198&postcount=92
Director: Moritz Mohr
Italy Plaion has Dolby Vision, but the metadata is static: https://forum.blu-ray.com/showpost.php?p=22742198&postcount=92
Director: Tommy Wirkola
Director: Tommy Wirkola
Director: John Woo
Director: John Woo
Edit History
2/28/2026
Best Audio Release
Added
Original 5.1 mix: Amazon stream
Original stereo: 88 Films Blu-ray
Added
Original 5.1 mix: Amazon stream
Original stereo: 88 Films Blu-ray
12/24/2025
Best Video Release
From
Both 88 Films and German Capelight are superior to the Shout Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn include an Atmos mix. I have the Shout Factory, love how Italian looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
To
Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn include an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
From
Both 88 Films and German Capelight are superior to the Shout Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn include an Atmos mix. I have the Shout Factory, love how Italian looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
To
Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn include an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
9/22/2025
Best English-Friendly Release
From
Shout Factory UHD
From
Shout Factory UHD
Best Video Release
From
Shout Factory UHD
To
Both 88 Films and German Capelight are superior to the Shout Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn include an Atmos mix. I have the Shout Factory, love how Italian looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
From
Shout Factory UHD
To
Both 88 Films and German Capelight are superior to the Shout Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn include an Atmos mix. I have the Shout Factory, love how Italian looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
12/22/2024
