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The Big Shave (1967)
The Big Shave (1967) poster
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3.6

The Big Shave (1967)

Horror, Drama • 6m

Overview

A young man walks into a meticulously clean and sterile bathroom and proceeds to shave away hair, then skin, in an increasingly bloody and graphic bathroom scene.

Director: Martin Scorsese

Best English-Friendly Release

Criterion Scorsese Shorts Blu-ray

Best Video Release

Criterion Scorsese Shorts Blu-ray

Format

1080p Blu-ray

External Links

Criterion Forum

Review

Picture: 9, Audio: 6, Extras: 7

Length

6 mins

Type

Movie

Alternative Titles

Viet '67

Last Updated

6 months ago

Contributors

Best English-Friendly Release

Criterion Scorsese Shorts Blu-ray

Best Video Release

Criterion Scorsese Shorts Blu-ray

Format
1080p Blu-ray
Criterion Forum
Review

Picture: 9, Audio: 6, Extras: 7

Length
6 mins
Type
Movie
Alternative Titles
Viet '67
Last Updated
6 months ago
Contributors

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Best Audio:

Original mono mix: 1990 Criterion LaserDisc/1991 Columbia LaserDisc
The 4K Blu-ray mono is only minimally worse (see blah-ray).

5.1 remix: Sony 4K Blu-ray

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2024 Sony 4K Blu-ray Steelbook fixes duplicate shot seen on the previous Columbia Classics release and has better encoding

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The 4K Blu-ray mono is only minimally worse (see blah-ray).

5.1 remix: Sony 4K Blu-ray

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Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.

The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review

Best Audio:

1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html

Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:

I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.

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Upcoming Release:

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Best Video:

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The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review

Best Audio:

1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html

Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:

I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.

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Additional Info:

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Arrow UK 4K Blu-ray has MEL Dolby Vision

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Arrow UK 4K Blu-ray has MEL Dolby Vision

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Best Video:

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Caps: old master, old master vs 4K restoration

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SC has a missing fade that Criterion reinstated.

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Restored stereo mix: Criterion / StudioCanal 4K Blu-ray

The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.

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StudioCanal 4K Blu-ray is HDR

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SC has a missing fade that Criterion reinstated.

Best Audio:

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Restored stereo mix: Criterion / StudioCanal 4K Blu-ray

The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.

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The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.

The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.

The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.

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Best Video:

Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173

The master is heavily DNR'd.

Best Audio:

Original 5.1 from Jokers France 4K Blu-ray or Criterion US Blu-ray or older Blu-rays

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Best Video:

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The master is heavily DNR'd.

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Best Video:

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Original digital master: Cannes 2006 Promo HD-DVD

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Caps: Criterion US BD vs Cannes HD-DVD, HD-DVD vs KR BD vs DVDs vs US BD

Best Audio:

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Original 5.1: Cannes 2006 Promo HD-DVD

The remixed track has different front panning and little LFE use compared to the original.

HD-DVD is by far the best option for the original track, as DVDs and Korean BD suffer from noise gating, limiting and duplicated surrounds. Remixed tracks are all similar, but French disc has slightly better dynamics, particularly on the LFE channel.

Additional Info:

The 2006 HD-DVD is a promotional release made in only 100 copies, handed out to VIPs at Cannes Film Festival. See this blog post for details. The same master can be found on KR BD, though it suffers from interlacing, blended frames and a gamma bug, as well as older DVD releases.

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UHD Blu-ray
Best English-Friendly:

Criterion US Blu-ray

Best Video:

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Original digital master: Cannes 2006 Promo HD-DVD

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Caps: Criterion US BD vs Cannes HD-DVD, HD-DVD vs KR BD vs DVDs vs US BD

Best Audio:

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Original 5.1: Cannes 2006 Promo HD-DVD

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HD-DVD is by far the best option for the original track, as DVDs and Korean BD suffer from noise gating, limiting and duplicated surrounds. Remixed tracks are all similar, but French disc has slightly better dynamics, particularly on the LFE channel.

Additional Info:

The 2006 HD-DVD is a promotional release made in only 100 copies, handed out to VIPs at Cannes Film Festival. See this blog post for details. The same master can be found on KR BD, though it suffers from interlacing, blended frames and a gamma bug, as well as older DVD releases.

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Hybrid Theatrical Cut: Anchor Bay "Theatrical" DVD
Final Cut: upcoming UK StudioCanal Final Cut 4K Blu-ray

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Best Video:

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Maybe the included standard Blu-ray is better?

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Best Audio:

UK 88 Films Blu-ray

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UK 88 Films 4K Blu-ray

Best Video:

UK 88 Films 4K Blu-ray See caps


DE Nameless 4K Blu-ray is an extremely poor AI upscale. See caps

Best Audio:

UK 88 Films Blu-ray

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