Albert Rémy
5 Films
Albert Rémy
5 Included Films
From Wikipedia, the free encyclopedia Albert Rémy was a French actor best known for his supporting roles in François Truffaut's first two feature films. He played Antoine Doinel's father in The 400 Blows and Charlie Koller's (Charles Aznavour) brother in Shoot the Piano Player. He also appeared in Marcel Carné's Les Enfants du Paradis, John Frankenheimer's The Train and Rene Clement's Is Paris Burning?. Description above from the Wikipedia article Albert Rémy, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director: Marcel Carné
New 2016 Pathé France 4K transfer > Criterion/Second Sight with old transfer heavy DNR https://slow.pics/c/z8p3fR0G
New 2016 Pathé France 4K transfer > Criterion/Second Sight with old transfer heavy DNR https://slow.pics/c/z8p3fR0G
Director: Jean Renoir
The BFI and Gaumont Blu-ray releases are both from the same restoration by Éclair. Although this restoration is much superior in detail to the old Criterion DVD, like many Éclair restorations, it has issues with colour. There is a definite yellow cast to the footage, making skin tones appear sickly and dampening the impact of the colour. The image is also murkier than the Criterion.
As Renoir scholar Tag Gallagher notes: "I talked a lot toward the end about the light blue walls (Criterion); but when I got the BFI blu I was greatly deflated, because the walls are light gray!"
That said, as visible in the screen caps at DVD Beaver, the Criterion has compromised colour too, and often looks too blue/magenta. There is a regraded edition of the BFI Blu-ray out there on the high seas.
The audio on the Blu-ray releases is slightly compressed, but better than earlier DVD releases and relatively full frequency.
The BFI is most likely the best English-friendly release as it includes English subtitles for the bonus features.
Director: Jean Renoir
The BFI and Gaumont Blu-ray releases are both from the same restoration by Éclair. Although this restoration is much superior in detail to the old Criterion DVD, like many Éclair restorations, it has issues with colour. There is a definite yellow cast to the footage, making skin tones appear sickly and dampening the impact of the colour. The image is also murkier than the Criterion.
As Renoir scholar Tag Gallagher notes: "I talked a lot toward the end about the light blue walls (Criterion); but when I got the BFI blu I was greatly deflated, because the walls are light gray!"
That said, as visible in the screen caps at DVD Beaver, the Criterion has compromised colour too, and often looks too blue/magenta. There is a regraded edition of the BFI Blu-ray out there on the high seas.
The audio on the Blu-ray releases is slightly compressed, but better than earlier DVD releases and relatively full frequency.
The BFI is most likely the best English-friendly release as it includes English subtitles for the bonus features.
Director: François Truffaut
Criterion 4K Blu-ray > 2021 Carlotta France 4K Blu-ray. Carlotta has bad compression and elevated gamma levels, while Criterion shows more shadow details. See caps1 and caps2
Criterion actually handed the flawed MK2 master over to Prasad Corporation for "additional restoration" instead of working on it in-house.
Criterion 4K Blu-ray is another SDR grade inside an HDR container, with average brightness on HDR BL of 83 nits and 100-nit static DV. See fkid post
Director: François Truffaut
Criterion 4K Blu-ray > 2021 Carlotta France 4K Blu-ray. Carlotta has bad compression and elevated gamma levels, while Criterion shows more shadow details. See caps1 and caps2
Criterion actually handed the flawed MK2 master over to Prasad Corporation for "additional restoration" instead of working on it in-house.
Criterion 4K Blu-ray is another SDR grade inside an HDR container, with average brightness on HDR BL of 83 nits and 100-nit static DV. See fkid post
Director: John Frankenheimer
Director: John Frankenheimer
5 films