Dora Doll
3 Films
Dora Doll
3 Included Films

Dora Doll, the daughter of a Russian-Jewish banker who was expelled after the 1917 Revolution, was born in Berlin in 1922. She came to France at the end of the 1930s and aspired to become an actress. She already spoke Russian and German and soon learned French, then Italian and English. One of her first screen appearances was as Juliette in Henri-Georges Clouzot's Manon (1949). She appeared as Lola in Jacques Becker's Touchez pas au grisbi (1954) and as Genisse in Jean Renoir's French Cancan (1955). In 1976, she appeared on television in the French series Hôtel Baltimore in the role of Suzy. In 1977, she appeared in Fred Zinnemann's Julia as the woman passenger accompanying Lillian Hellman (Jane Fonda) when Lily smuggled $50,000 through Nazi Germany for her friend Julia (Vanessa Redgrave). In 1982, she played in Ettore Scola's That Night in Varennes. In the late 1990s, she played the grandmother Louise Chantreuil in the TV series Tide of Life. She was married twice. Her first husband was the actor Raymond Pellegrin, who she had a daughter with, Danielle. She was later married to François Deguelt. In 1993, Dora Doll was awarded the Prix "Reconnaissance des cinéphiles" from Puget-Théniers in honour of her life's work. She was made Knight of France's National Order of Merit in 2000. Dora Doll died on 15 November 2015 at her home in Gard, France, at the age of 93. Source: Article "Dora Doll" de Wikipédia en français, soumis à la licence CC-BY-SA.
Director: Jean Renoir
The BFI and Gaumont Blu-ray releases are both from the same restoration by Éclair. Although this restoration is much superior in detail to the old Criterion DVD, like many Éclair restorations, it has issues with colour. There is a definite yellow cast to the footage, making skin tones appear sickly and dampening the impact of the colour. The image is also murkier than the Criterion.
As Renoir scholar Tag Gallagher notes: "I talked a lot toward the end about the light blue walls (Criterion); but when I got the BFI blu I was greatly deflated, because the walls are light gray!"
That said, as visible in the screen caps at DVD Beaver, the Criterion has compromised colour too, and often looks too blue/magenta. There is a regraded edition of the BFI Blu-ray out there on the high seas.
The audio on the Blu-ray releases is slightly compressed, but better than earlier DVD releases and relatively full frequency.
The BFI is most likely the best English-friendly release as it includes English subtitles for the bonus features.
Director: Jean Renoir
The BFI and Gaumont Blu-ray releases are both from the same restoration by Éclair. Although this restoration is much superior in detail to the old Criterion DVD, like many Éclair restorations, it has issues with colour. There is a definite yellow cast to the footage, making skin tones appear sickly and dampening the impact of the colour. The image is also murkier than the Criterion.
As Renoir scholar Tag Gallagher notes: "I talked a lot toward the end about the light blue walls (Criterion); but when I got the BFI blu I was greatly deflated, because the walls are light gray!"
That said, as visible in the screen caps at DVD Beaver, the Criterion has compromised colour too, and often looks too blue/magenta. There is a regraded edition of the BFI Blu-ray out there on the high seas.
The audio on the Blu-ray releases is slightly compressed, but better than earlier DVD releases and relatively full frequency.
The BFI is most likely the best English-friendly release as it includes English subtitles for the bonus features.
Unofficial DVD
Unofficial DVD
Kino Lorber Blu-ray and StudioCanal looks exactly the same https://caps-a-holic.com/c.php?d1=15631&d2=10712&c=4277
Kino Lorber Blu-ray and StudioCanal looks exactly the same https://caps-a-holic.com/c.php?d1=15631&d2=10712&c=4277
3 films


