Best Blurays IconBest Blurays
Cast
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Jacques Jouanneau

Jacques Jouanneau

3 Films

Jacques Jouanneau

3 Included Films

French Cancan poster
Letterboxd
1080p Blu-ray
Best English-Friendly:

BFI Blu-ray (flawed restoration)

Best Video:

BFI or Gaumont Blu-ray (both from the same flawed restoration)

Best Audio:

BFI or Gaumont Blu-ray

Additional Info:

The BFI and Gaumont Blu-ray releases are both from the same restoration by Éclair. Although this restoration is much superior in detail to the old Criterion DVD, like many Éclair restorations, it has issues with colour. There is a definite yellow cast to the footage, making skin tones appear sickly and dampening the impact of the colour. The image is also murkier than the Criterion

As Renoir scholar Tag Gallagher notes: "I talked a lot toward the end about the light blue walls (Criterion); but when I got the BFI blu I was greatly deflated, because the walls are light gray!"

That said, as visible in the screen caps at DVD Beaver, the Criterion has compromised colour too, and often looks too blue/magenta. There is a regraded edition of the BFI Blu-ray out there on the high seas.

The audio on the Blu-ray releases is slightly compressed, but better than earlier DVD releases and relatively full frequency.

The BFI is most likely the best English-friendly release as it includes English subtitles for the bonus features.

French Cancan poster
1080p Blu-ray
Best English-Friendly:

BFI Blu-ray (flawed restoration)

Best Video:

BFI or Gaumont Blu-ray (both from the same flawed restoration)

Best Audio:

BFI or Gaumont Blu-ray

Additional Info:

The BFI and Gaumont Blu-ray releases are both from the same restoration by Éclair. Although this restoration is much superior in detail to the old Criterion DVD, like many Éclair restorations, it has issues with colour. There is a definite yellow cast to the footage, making skin tones appear sickly and dampening the impact of the colour. The image is also murkier than the Criterion

As Renoir scholar Tag Gallagher notes: "I talked a lot toward the end about the light blue walls (Criterion); but when I got the BFI blu I was greatly deflated, because the walls are light gray!"

That said, as visible in the screen caps at DVD Beaver, the Criterion has compromised colour too, and often looks too blue/magenta. There is a regraded edition of the BFI Blu-ray out there on the high seas.

The audio on the Blu-ray releases is slightly compressed, but better than earlier DVD releases and relatively full frequency.

The BFI is most likely the best English-friendly release as it includes English subtitles for the bonus features.

1080p Blu-ray
Best Video:

Japan and France has 4k restoration in Blu-ray, but neither has EN subs

Best Video:

Japan and France has 4k restoration in Blu-ray, but neither has EN subs

UHD Blu-ray
Best English-Friendly:

Criterion The Adventures of Antoine Doinel 4K Blu-ray set

Best Video:

Criterion 4K Blu-ray > Carlotta, with debatable color gradings from master.

See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821 
"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."

Best English-Friendly:

Criterion The Adventures of Antoine Doinel 4K Blu-ray set

Best Video:

Criterion 4K Blu-ray > Carlotta, with debatable color gradings from master.

See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821 
"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."

3 films

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