Claude Berri
1 Film
Claude Berri
1 Included Film

Claude Berri (1 July 1934 – 12 January 2009) was a French film director, writer, producer, actor and distributor. Born Claude Beri Langmann in Paris, Berri was the son of Jewish immigrant parents. His mother, Beila (née Bercu), was from Romania, and his father, Hirsch Langmann, was a furrier from Poland. His sister was the screenwriter and editor Arlette Langmann. Berri won the "Best Film" BAFTA for Jean de Florette, and was also nominated for twelve César Awards, though he never won. Berri also won the Oscar for Best Short Film for Le Poulet at the 38th Academy Awards in 1966, and produced Roman Polanski's Tess which was nominated for Best Picture in 1981. Internationally, however, two films in 1986 overshadow all his other achievements. Jean de Florette and its sequel Manon des Sources were huge hits. In 1991, his film Uranus was entered into the 41st Berlin International Film Festival. Six years later, his film Lucie Aubrac was entered into the 47th Berlin International Film Festival. In 2003, he was elected President of the Cinémathèque Française where he obtained enough state subsidies to cover the costs of its resurgence at its new site in the rue de Bercy. Berri's wife, Anne-Marie Rassam, committed suicide in 1997, jumping from the apartment of Isabelle Adjani's mother. Berri and Rassam had two children: actor Julien Rassam and actor and film producer Thomas Langmann. Berri died of a stroke, in Paris, aged 74. After his death, a group of nine works by Robert Ryman, Ad Reinhardt, Giorgio Morandi, Richard Serra and Lucio Fontana was promised to the Centre Pompidou in Paris in lieu of tax. But the heirs of the film director finally sold them through French art dealer Philippe Ségalot for about €50 million to Qatar. Source: Article "Claude Berri" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Director: Jean Renoir
The BFI and Gaumont Blu-ray releases are both from the same restoration by Éclair. Although this restoration is much superior in detail to the old Criterion DVD, like many Éclair restorations, it has issues with colour. There is a definite yellow cast to the footage, making skin tones appear sickly and dampening the impact of the colour. The image is also murkier than the Criterion.
As Renoir scholar Tag Gallagher notes: "I talked a lot toward the end about the light blue walls (Criterion); but when I got the BFI blu I was greatly deflated, because the walls are light gray!"
That said, as visible in the screen caps at DVD Beaver, the Criterion has compromised colour too, and often looks too blue/magenta. There is a regraded edition of the BFI Blu-ray out there on the high seas.
The audio on the Blu-ray releases is slightly compressed, but better than earlier DVD releases and relatively full frequency.
The BFI is most likely the best English-friendly release as it includes English subtitles for the bonus features.
Director: Jean Renoir
The BFI and Gaumont Blu-ray releases are both from the same restoration by Éclair. Although this restoration is much superior in detail to the old Criterion DVD, like many Éclair restorations, it has issues with colour. There is a definite yellow cast to the footage, making skin tones appear sickly and dampening the impact of the colour. The image is also murkier than the Criterion.
As Renoir scholar Tag Gallagher notes: "I talked a lot toward the end about the light blue walls (Criterion); but when I got the BFI blu I was greatly deflated, because the walls are light gray!"
That said, as visible in the screen caps at DVD Beaver, the Criterion has compromised colour too, and often looks too blue/magenta. There is a regraded edition of the BFI Blu-ray out there on the high seas.
The audio on the Blu-ray releases is slightly compressed, but better than earlier DVD releases and relatively full frequency.
The BFI is most likely the best English-friendly release as it includes English subtitles for the bonus features.
1 film
