Pee-wee's Big Adventure (1985)
Comedy, Adventure, Family • 1h 31m
Director: Tim Burton
Cast: Paul Reubens, E. G. Daily, Mark Holton, Diane Salinger, Judd Omen, Irving Hellman, Monte Landis, Damon Martin, Alice Nunn, David C. Glasser, Gregory Brown, Daryl Keith Roach, Bill Cable, Peter Looney, Starletta DuPois, Professor Toru Tanaka, Ed Herlihy, Ralph Seymour, Lou Cutell, Raymond Martino, Erica Yohn, Bill W. Richmond, Ed Griffith, Simmy Bow, Jon Harris, Carmen Filpi, Jan Hooks, John Moody, John O'Neill, Alex Sharp, Chester Grimes, Luis Contreras, Lonnie Parkinson, Howard Hirdler, Cassandra Peterson, Jason Hervey, Bob McClurg, John Paragon, Susan Barnes, Zachary Hoffman, Lynne Marie Stewart, George Sasaki, Richard Brose, Drew Seward, Brett Fellman, Bob Drew, John Gilgreen, Noreen Hennessey, Phil Hartman, Michael Varhol, David Rothenberg, Patrick Cranshaw, Sunshine Parker, Gilles Savard, James Brolin, Morgan Fairchild, Tony Bill, Dee Snider, Milton Berle, Terry Bolo, Tim Burton, Manuel Benitez
Best video release
UHD tiers
About the film
The eccentric and childish Pee-wee Herman embarks on a big adventure when his beloved bicycle is stolen. Armed with information from a fortune-teller and a relentless obsession with his prized possession, Pee-wee encounters a host of odd characters and bizarre situations as he treks across the country to recover his bike.
- Featured Lists
- Alternative Titles
- Peewee's Big Adventure, Pee-wees Big Adventure
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the Universal release without the filtering.
DTS:X mix on Universal 4K Blu-ray most closely approximates original surround mix
Criterion DVD and Universal 4K Blu-ray has additional features not found on the Criterion 4K Blu-ray
Director: Billy Wilder
Sources: Criterion Forum (opens in a new tab)
(transfer of the 1989 MGM LaserDisc, without problems plaguing Kino Lorber's release)
Arrow UHD is an update of the original 4K scan done for their BD. It is also visually far superior to the Kino version and adds Dolby Vision HDR. The Arrow UHD uses a new LD mono capture and has none of the issues or processing found in the Kino UHD which also used an LD mono capture and somehow mucked it up. Short of a brand new scan, the Arrow UHD is as good as it possibly can be.
Theatrical Cut: Italy Eagle Pictures 4K Blu-ray
Redux Cut: Lionsgate vs Eagle Pictures?
Final Cut: Lionsgate or Eagle Pictures, both are not great (visible chroma noise)
Sources: Blu-ray.com (opens in a new tab)
Theatrical: Germany 4K Blu-ray/US Blu-ray DD 5.1 (1979 mix)
In the Lionsgate US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the *original track. The Germany 4K Blu-ray release is different on this matter.
UBD: Final Cut: Atmos, DD2.0
UBD: Redux/Theatrical: Atmos
BD: Final Cut: Atmos, DD2.0
BD: Redux/Theatrical: Dtru5.1 (Redux mix?), DD5.1 (?), DD5.1 (Theatrical only), DD2.0 (downmix??)
As a result the Theatrical Cut has 4 tracks, The Redux has 3. Differences are unclear.
BD: Hearts of Darkness
BD: Special Features
Director: Ben Stiller
Sources: slow.pics (opens in a new tab)
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
US Criterion 4K Blu-ray > UK MoC 4K Blu-ray > Australia Imprint > US Kino Lorber better encoding
The MoC, Criterion and Imprint UHDs were encoded by FiM making all 3 very close. The higher bitrate helped in deciding and some luck; however Criterion is the most consistent one of all 3. Imprint has some scenes with more splotchy grain while MoC is quite close to Criterion but has some more blocking in dark scenes (e.g.: comp #27). With Criterion’s superior audio, it ensures complete consistency.
From cbc: "I'm personally quite fond of the restored track on Eureka's 4K Blu-ray. It does have spots with objectively worse fidelity, but for the most part, it sounds a lot more natural and less shrill, particularly dialogue. It seems to be a new mixdown of stems. Technically a remix, so not everyone's cup of tea, but it's not revisionist like most new movie mixes tend to be"
Both Imprint (included in their set) and Capelight (on its own/individually) offer remastered BDs. All other BDs, including the one included in The Complete Kubrick, are sourced from the same older master from around 2010.
Director: John Schlesinger
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
2027 Criterion 4K Blu-ray
Included Imprint Blu-Ray also has markedly better image compression than the Criterion Blu-Ray, though do note the Imprint has some adjusted color grading within roughly the first five minutes of the film
https://forum.blu-ray.com/showpost.php?p=16775595&postcount=450
https://forum.blu-ray.com/showpost.php?p=24237074&postcount=73
Director: Stanley Kubrick
Sources: slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering Comparison between the Criterion and WB.
5.1: WB 4K Blu-ray, a remix but has higher fidelity
Mono: Criterion 4K Blu-ray (restored for the box set)
Director: Michael Mann
Sources: Criterion Forum (opens in a new tab) · thedigitalbits.com (opens in a new tab) · slow.pics (opens in a new tab)
Arrow 4K Blu-ray is encoded by FiM and is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT
Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.
5.1/5.0 mix (essentially a 4-track mix in 5.1 and 5.0 containers respectively)-Arrow/Criterion 4K Blu-ray. Only imperceptible differences in bit-depth: 20 vs 24.
2.0 mix- Arrow 4K Blu-ray (original stereo)
Director: Tim Burton
Sources: Blu-ray.com (opens in a new tab)
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The compression is poor, but it still beats the previous Blu-ray. (Luminance plot)
?
The 4K Blu-ray only has Atmos which is possibly the original mix, but the previous Blu-ray’s 4.0 sounds good too.
Director: Tim Burton
Sources: Blu-ray.com (opens in a new tab)
Warner Bros 4K Blu-ray caps. The HDR10 base layer is bright, so I'd recommended to watch it in Dolby Vision.
4K Blu-ray/Blu-ray is missing the isolated score and Martian dub from the DVD
Directors: Tim Burton & Mike Johnson
Sources: slow.pics (opens in a new tab)
Warner Bros 4K Blu-ray caps. Original 1.85 framing restored, much better colors, image detail and a film stock-like tone curve was restored.
Warner Bros HD-DVD has the original 6.1 mix in a better format than the Blu-ray (Dolby Digital Plus instead of standard Dolby Digital), but is still lossy and a disc prone to disc rot. The Blu-ray is a good alternative.
Director: Tim Burton
WB 4K Blu-ray but has MAJOR Color Timing issues. All cold blues are rendered teal. WB Blu-ray despite issues is a purist visual option in this regard.
Dolby Stereo SR: WB LaserDisc PCM
Dolby Digital 5.1: 1997 DVD
2005 5.1 new transfer: WB DVD in Dolby and DTS, 2008 Blu-ray in TrueHD
First ever Dolby Digital 5.1 wide release film. 4K Blu-ray has new Atmos remix which replaces original sound effects and prioritizes music and bombast. A terrible audio experience to be avoided. 1997 WB DVD has open matte version on flipper disc. VHS also is open matte.
International Warner Bros 4K Blu-ray
Sources: slow.pics (opens in a new tab)
International Warner Bros 4K Blu-ray > US Paramount 4K Blu-ray for the US Cut.
International Warner Bros 4K Blu-ray, is significantly better than the US Paramount 4K Blu-ray (even with FEL Baked in and Dolby Vision), with more grain retention and detail
SDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/TEPHtKjl
HDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/hIFe11Hx
Comparisons in SDR using L8 Trim from CM v4.0 (both UHDs can use CM v4.0): Remux vs USA UHD: https://slow.pics/c/mkrhVtpl
The International Cut, which contains alternate, more violent shots in the final act, hasn't been released on home video to date.
International Cut contains alternate, more violent shots in the final act.
Director: Tim Burton
Sources: movie-censorship.com (opens in a new tab)
Theatrical Cut: Warner Bros US 2-disc Deluxe Edition DVD set
Extended Cut: Warner Bros Blu-ray
See cut information: https://www.movie-censorship.com/report.php?ID=4167
Theatrical Cut: Cinema DTS
Extended Cut: Warner Bros Blu-ray
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed. The compression is better, but some of the grain is lost. Difference is pronounced in screen caps, but not likely to be noticed during playback, without a reference to compare it to. Comparisons
All discs use the same source transfer. It's not of the highest quality, and it includes some slight distortion, looping, clicks, pops, and hum. Criterion cleaned it up for their release, but unfortunately also lost a lot of fidelity in the process.
MGM NTSC DVD doesn't seem to have some of the more prominent distortion and has slightly different EQ but is otherwise the same.
Director: Sidney Lumet
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
1.85:1: Kino Lorber 4K / Capelight 4K
1.66:1: Criterion 4K but low pass filtered
Comparison between the 4Ks, Criterion on the AR choice
Other discs have unnecessary filtering and sound worse, the difference isn't substantial but audible
Director: Sam Peckinpah
Director: Alfonso Cuarón
Sources: Criterion Forum (opens in a new tab)
Janus and thus Criterion likely to release 4K Blu-ray in 2027
Director: Hal Ashby
Sources: slow.pics (opens in a new tab)
See caps https://slow.pics/c/lVdZaG0W
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
StudioCanal's 4K release is similar in encode quality, but has significant glitches in multiple frames. See comparisons 9-16 here: https://slow.pics/c/YkSVb3Ey
The pitch of the StudioCanal 4K's English audio is too high
Criterion has more extras than StudioCanal.
Director: Jacques Tati
Sources: Criterion Forum (opens in a new tab)
StudioCanal 4K Blu-ray (part of Jacques Tati boxset releasing December 2026)
Director: Jacques Tati
Sources: Criterion Forum (opens in a new tab)
StudioCanal 4K Blu-ray (part of Jacques Tati boxset releasing December 2026)
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