Rhapsody in August (1991)
八月の狂詩曲
Drama • 1h 38m
Director: Akira Kurosawa
Cast: Sachiko Murase, Hidetaka Yoshioka, Tomoko Otakara, Mieko Suzuki, Mitsunori Isaki, Hisashi Igawa, Toshie Negishi, Chōichirō Kawarasaki, Narumi Kayashima, Richard Gere, Matsue Ono, Kappei Matsumoto, Yoshiko Maki, Noriko Honma, Natsuyo Kawakami, Kumeko Otowa, Michio Kida, Shizuko Azuma, Sachio Sakai, Yoshie Kihira, Junpei Natsuki, Setsuko Kawaguchi, Shigeo Katō, Hiroko Maki, Goichi Nagatani, Motohiro Toriki, Wasuke Izumi, Torauemon Utazawa, Eiko Koike, Yukie Shimura, Saburô Kadowaki
Best English-friendly release · updated 10 months ago
Compare the discs
slow.pics (opens in a new tab)Overview
An elderly Nagasaki hibakusha spends a summer caring for her four grandchildren, whose curiosity about the 1945 bombing stirs buried memories and moral questions. When an American nephew from Hawaii visits, the family confronts grief, guilt, and the possibility of reconciliation across generations.
Director: Akira Kurosawa
Sources: Criterion Forum (opens in a new tab)
Director: Akira Kurosawa
Sources: Criterion Forum (opens in a new tab) · blah-ray.blogspot.com (opens in a new tab)
Director: Akira Kurosawa
Director: Akira Kurosawa
Sources: Criterion Forum (opens in a new tab)
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Akira Kurosawa
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
> Criterion 4K Blu-ray see caps: https://slow.pics/c/s7AfL3XW
Grain is sharper/clearer on the new Carlotta/Criterion 4K; BFI's grain resolves slightly worse and more so in motion, being a standard Blu-ray; The Toho 4K's grain is softer, probably DNR'd.
BFI Player used to have the same mastering available to stream in 2019.
Director: Akira Kurosawa
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
Criterion NTSC DVD overall. The 4K restoration's track is denoised and sounds muffled, but has a few of moments where it edges out in detail
Audio analysis between the Criterion 4K Blu-ray, BFI Blu-ray and Toho 4K Blu-ray
Director: Akira Kurosawa
>StudioCanal UK (slightly better encoding on Eagle?)
The US Criterion DVD has some unique supplements with 2.0 surround audio - this release contains Japan end titles.
The Japan 4K Restoration Blu-ray has some exclusive features with 4.0 audio (though the release is not English-friendly)- this release contains Japan end titles.
The StudioCanal releases contain France end titles - while their 4K Blu-ray releases contain identical features.
Director: Akira Kurosawa
Director: Akira Kurosawa
Sources: Criterion Forum (opens in a new tab)
No clear winner, Criterion SDR 4K Blu-ray has better defined grain and is cleaned-up more thoroughly. But looks grayer and flatter in daytime scenes. BFI 4K Blu-ray's HDR/DV is better in contrast but the grading can be debatable.
Director: Victor Fleming
3D: Warner Bros 3D Blu-ray or Apple Vision Pro
Criterion Box Set coming October 20th with FiM encode, work done to un-Nolan the 4K master, the first ever appearance of the 35mm mono track on physical media and a new restoration/remastering of the 70mm 6-track mix.
(early pressing has errors of a shot, later pressings fixed)
Director: Terence Young
WB 4K Blu-ray despite frozen grain
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 1997 Image DVD/2001 MGM DVD for a purist version with original colors and the international mono mix
Sources: vimeo.com (opens in a new tab) · facebook.com (opens in a new tab)
2013 MGM Blu-ray for non AI transfer, 1997 Image DVD/2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: David Lynch
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
UK Arrow 4K Blu-ray in December
Subtle difference in encoding to the Criterion in encoding, trading blows in different shots, with Plaion taking a slight edge with less highlight blocking
Criterion's 2.0 sounds muffled due to noise reduction and EQ.
Plaion's 2.0 lacks bass and has a very bright EQ, more resembling the 5.1 remix. Plaion’s 2.0 doesn't have any filtering unlike the Criterion, see https://forum.blu-ray.com/showpost.php?p=23831289&postcount=110
More Drama on Blu-ray
Director: Joel Coen
Director's Cut: Disappointing UK StudioCanal/US Criterion 4K Blu-ray
Theatrical Cut: LaserDisc or 2001 UK Universal DVD
Sources: Blu-ray.com (opens in a new tab)
https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 - comparison. StudioCanal is a massive improvement to the Criterion but still flawed in some areas (chroma noise)
Director: Liliana Cavani
Sources: Criterion Forum (opens in a new tab)
Director: Iain Softley
Sources: slow.pics (opens in a new tab)
Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn included an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Shout! Factory has the exclusive The Beauty of the Baud and the You Can't Stop Us All featurettes.
Sources: Criterion Forum (opens in a new tab)
Director: Bruce Robinson
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray has stronger encode than Criterion
Director: Olivier Assayas
Sources: Criterion Forum (opens in a new tab)
Encoding is clunky on both Arrow and Criterion BDs but Arrow at least included the original stereo mix in addition to the 5.1 remix, while Criterion only included the 5.1 remix.
Director: John Woo
Sources: Criterion Forum (opens in a new tab)
review: Disk Kino
Both have better encoding than Disk Kino, some shots are better on Shout! Factory, others on Arrow
Shout Factory still has the best video while Arrow did a questionable regrade. Arrow definitely has less grain in most shots, has a worse encode and is cm v2.9 compared to Shout’s cm v4.0.
Shout! Factory/Arrow 4K Blu-ray has the original mono
2014 Japan "Hayao Miyazaki Collection" Studio Ghibli Blu-ray
Japan Studio Ghibli 4K Blu-ray announced for a November 25, 2026 release
Japanese audio: 2014 Japan "Hayao Miyazaki Collection" Studio Ghibli Blu-ray/US GKIDS Blu-ray
English dub (Disney): 1998 US Disney VHS has better sounding vocals despite altered music and sound effects, the US Disney LaserDisc has limited audio, and 2003 DVD is a fake 5.1 upmix
Releases from 2010 onward have the original music and sound effects, but distorted vocals
English dub (Streamline): 1996 Japan remastered LaserDisc, available in Ghibli Ga Ippai Collection boxset
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