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Love on the Run (1979)
Love on the Run (1979) poster
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3.6

Love on the Run (1979)

L'Amour en fuite

Romance, Drama, Comedy • 1h 33m

Overview

Antoine is now 30, working as a proofreader and getting divorced from his wife. It's the first "no-fault" divorce in France and a media circus erupts, dredging up Antoine's past. Indecisive about his new love with a store clerk, he impulsively takes off with an old flame.

Best English-Friendly Release

Criterion The Adventures of Antoine Doinel 4K Blu-ray set

Best Video Release

Criterion 4K Blu-ray > Carlotta, with debatable color gradings from master.

See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821

"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."

Format

UHD Blu-ray

UHD Tiers

Solid
Criterion

Length

93 mins

Type

Movie

Last Updated

9 months ago

Contributors

Best English-Friendly Release

Criterion The Adventures of Antoine Doinel 4K Blu-ray set

Best Video Release

Criterion 4K Blu-ray > Carlotta, with debatable color gradings from master.

See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821

"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."

Format
UHD Blu-ray
UHD Tiers
Solid
Criterion
Length
93 mins
Type
Movie
Last Updated
9 months ago
Contributors

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See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821 
"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."

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Criterion 4K Blu-ray > Carlotta, with debatable color gradings from master.

See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821 
"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."

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See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821

"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."

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See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821

"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."

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Love on the Run (1979) backdrop