Daniel Mesguich
1 Film
Daniel Mesguich
1 Included Film
Daniel Mesguich (born 15 July 1952) is a French actor and director in theater and opera, and professor of stage acting school. In 1970, he was admitted into the Conservatoire National Supérieur d'Art Dramatique, after which he opened the Théâtre du Miroir ("Mirror Theater"), with whom he opened a course in drama. After ten years, he returned to the school to teach at the request of Jean-Pierre Miquel, becoming the youngest professor on campus. He is currently the director of the school. He has acted in over a hundred plays, fifty operas in France and abroad, and some 40 movies and television pieces. The actor William Mesguich is his son. Source: Article "Daniel Mesguich" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Director: François Truffaut
Criterion The Adventures of Antoine Doinel 4K Blu-ray set
Criterion 4K Blu-ray > Carlotta, with debatable color gradings from master.
See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821
"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."
Director: François Truffaut
Criterion The Adventures of Antoine Doinel 4K Blu-ray set
Criterion 4K Blu-ray > Carlotta, with debatable color gradings from master.
See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821
"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."
1 film