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Stolen Kisses (1968)
Stolen Kisses (1968) poster
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3.9

Stolen Kisses (1968)

Baisers volés

Comedy, Drama, Romance • 1h 30m

Overview

The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.

Best English-Friendly Release

Criterion The Adventures of Antoine Doinel 4K Blu-ray set

Best Video Release

Criterion 4K Blu-ray > Carlotta, with debatable color gradings from master (yellow hues).

See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821

"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."

Format

UHD Blu-ray

UHD Tiers

Solid
Criterion

Featured Lists

Length

90 mins

Type

Movie

Last Updated

9 months ago

Contributors

Best English-Friendly Release

Criterion The Adventures of Antoine Doinel 4K Blu-ray set

Best Video Release

Criterion 4K Blu-ray > Carlotta, with debatable color gradings from master (yellow hues).

See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821

"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."

Format
UHD Blu-ray
UHD Tiers
Solid
Criterion
Featured Lists
Length
90 mins
Type
Movie
Last Updated
9 months ago
Contributors

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See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821 
"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."

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See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821

"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."

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See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821

"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."

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Stolen Kisses (1968) backdrop