The Shape of Water (2017)
Drama, Fantasy, Romance • 2h 3m
Director: Guillermo del Toro
Cast: Sally Hawkins, Michael Shannon, Richard Jenkins, Octavia Spencer, Michael Stuhlbarg, Doug Jones, David Hewlett, Nick Searcy, Stewart Arnott, Nigel Bennett, Lauren Lee Smith, Martin Roach, Allegra Fulton, John Kapelos, Morgan Kelly, Marvin Kaye, Dru Viergever, Wendy Lyon, Cody Ray Thompson, Diego Fuentes, Madison Ferguson, Jayden Greig, Karen Glave, Danny Waugh, Dan Lett, Deney Forrest, Brandon McKnight, Clyde Whitham, Jonelle Gunderson, Cameron Laurie, Evgeny Akimov, Sergey Nikonov, Vanessa Oude-Reimerink, Alexey Pankratov, Shane Clinton Jarvis, Dave Reachill, Amanda Smith, Maxine Grossman, Matthew MacCallum
Best English-friendly & video release · updated 11 months ago
UHD tiers
Overview
An other-worldly story, set against the backdrop of Cold War era America circa 1962, where a mute janitor working at a lab falls in love with an amphibious man being held captive there and devises a plan to help him escape.
Director: Sian Heder
Sources: slow.pics (opens in a new tab)
Apple TV 4K Blu-ray with Atmos
(Eagle Pictures is 5.1)
Director: Miloš Forman
Theatrical: WB 4K Blu-ray
Extended: Warner Bros Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Warner Bros 4K Blu-ray: Huge improvement in colors and detail. The restoration was done by the Academy instead of WB MPI which explains that there’s no grain management or issues with colors. They also accessed the original credit optical and scanned that one instead of recreating them digitally
Theatrical: WB 4K Blu-ray, according to Saentz, the 5.0 is a recreation of the original and subsequently 70mm mix from original elements.
Director: John Schlesinger
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Included Imprint Blu-Ray also has markedly better image compression than the Criterion Blu-Ray, though do note the Imprint has some adjusted color grading within roughly the first five minutes of the film
https://forum.blu-ray.com/showpost.php?p=16775595&postcount=450
https://forum.blu-ray.com/showpost.php?p=24237074&postcount=73
Sources: caps-a-holic (opens in a new tab)
Criterion 4K Blu-ray scheduled for Dec 2026 release
US Lionsgate Blu-ray looks very different from either Italy Eagle Pictures or Germany Kinowelt Blu-ray: https://caps-a-holic.com/c_list.php?c=502 but other than color grading looks better
Director: George Roy Hill
Director: Robert Wise
Sources: slow.pics (opens in a new tab)
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Sources: Criterion Forum (opens in a new tab)
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Directors: Jerome Robbins & Robert Wise
Sources: slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab) · in70mm.com (opens in a new tab)
Capelight's 5.1 is sourced from the original 6-track. The fidelity is comparable to the 4.0 from the 4-track available on previous BDs.
An alternate 5.1 mix was created for the 1999 MGM DVD / LaserDisc, It boasts better high end detail throughout, but the trade off is reduced bass.
See additional info for more detail.
West Side Story was produced as a 70mm Todd-AO presentation, with an accompanying 6-track audio mix in the following channel configuration: see diagram. 35mm presentations used a 4-track or a mono mixdown instead.
The original 6-track elements were thought to have been lost until they were recovered and restored in 2010. In 1981, for the film's 20th anniversary, a new 6-track mix was created by upmixing the available 4-track elements.
Capelight's release is sourced from original 6-track elements uncovered in 2010, but unfortunately it's not as detailed as it should be, owing to unnecessary noise reduction. It's by no means bad, but it could be better. As the Lc/Rc channels are mixed into into L/C/R, it's also essentially no different to a 4-track fold-down. This isn't exactly an issue as left/right center channels mix down to L/C/R very well, but a better way of handling this would be to use Atmos objects to position those channels where they should be, as Disney did on The Sound of Music.
The 4-track mix was included in a discrete form on MGM's previous BD, it trades blows with Capelight's 6-track-derived 5.1.
Interestingly, the 1999 MGM LaserDisc/DVD release includes a different 5.1 mix, which sounds a bit more detailed than the two other tracks. It's sound signature is on the brighter side, with a slight emphasis on the treble instead of bass like other releases. Although that accounts for some of the perceived detail, even after matching EQ there are spots where Capelight loses out. It's a slight upmix, with split surrounds and LFE. Whether it was derived from 4-track or 6-track elements is not clear, though it matters little, as the end result would have been very similar in either case. There are no booklet notes stating the source used, but it sounds very similar to the matrixed 1992 LD, which was attributed to the 6-track. Still, given that the original elements were thought to have been lost, I would assume that this refers to the 1981 mix.
Previous LaserDisc releases are similar to the discrete 1999 track. All LD releases are missing the intermission music and a brief whistling sequence.
The 7.1 upmix on MGM's Blu-ray offers little of value.
Director: John G. Avildsen
Warner Bros 2024 Ultimate Knockout Collection 4K Blu-ray/ Warner Bros 2023 Knockout Collection 4K Blu-ray (replacement disc)
Original Mono: Ultimate Knockout Collection/Knockout Collection replacement disc
> Knockout collection original.
The Mono mix on the initial release of the Knockout Collection is a fold-down of the 5.1, the replacement disc and the ultimate knockout version fixed the error.
The Steelbook and UK standard edition is the same disc as the 2023 knockout collection.
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Sources: Criterion Forum (opens in a new tab)
Wicked Vision Germany 4K Blu-ray (LSP encode) or US Criterion 4K Blu-ray?
Director: Guillermo del Toro
WB 4K Blu-ray teased by Guillermo Del Toro
CA Alliance Blu-ray or dutch Blu-ray are the same masters but have additional sharpening.
The original DVD has an isolated score and a exclusive easter egg
Director: Guillermo del Toro
Video format: UHD Blu-ray
Currently streaming on Netflix
Criterion 4K Blu-ray scheduled for October 2026 release
Director: Guillermo del Toro
Warner Bros 4K Blu-ray and 2011/2013 Optimum Blu-ray
Sources: Criterion Forum (opens in a new tab)
New 4K restoration sourced from the original camera negatives to be shown in theatres in October
Warner Bros 4K Blu-ray and 2011/2013 Optimum Blu-ray both have issues, up to preference. UK Optimum/Japan Amuse Soft Blu-ray is better, Criterion is worse
Japan Amuse Soft Blu-ray is better encoded than the Optimum, is in the original 1.85 ratio, and has the original colors
Sources: Criterion Forum (opens in a new tab)
Director: Guillermo del Toro
Sources: slow.pics (opens in a new tab)
But has AI upscaling on opticals, see caps
Kino Lorber has 5.1, Lionsgate Blu-ray has 7.1, don't know which sounds better and closest to the theatrical mix.
Director: Guillermo del Toro
Sources: Blu-ray.com (opens in a new tab)
The DTS-HD 5.1 on the 4K Blu-ray. The Atmos is compressed. https://forum.blu-ray.com/showpost.php?p=22426684&postcount=840
The Director's Cut DVD has some exclusive features like an isolated score track.
Director: Guillermo del Toro
Sources: Criterion Forum (opens in a new tab)
Criterion 4K Blu-ray with B&W Extended Director's Cut and Theatrical Cut
Criterion 4K Blu-ray with B&W Extended Director's Cut and Theatrical Cut see Chris's review
Disney 4K Blu-ray has a slightly better Atmos track for the Theatrical Cut
4K Blu-ray is missing the bonus DVD found on the 2 disc Blu-ray
Director: Guillermo del Toro
(caveat: missing bonus disc from previous Blu-ray)
4K Blu-ray is missing extras. Japan Amazon exclusive Steelbook has the missing extras as well as Target and Walmart exclusive extras
Sources: Criterion Forum (opens in a new tab)
Director: Stanley Kubrick
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering, 1.85 ratio restored for US Cut; both US and International Cuts are 4K.
US Cut: 1999 WB DVD/Criterion 4K Blu-ray
No Blu-ray or DVD release until the Criterion 4K Blu-ray has presented the US in its original theatrical aspect ratio of 1.85:1. The International Cut has never been presented in it's OAR of 1.66:1 in any home video releases.
The packaging on the back of the WB 4K Blu-ray incorrectly states it as 1.85:1 when the movie is actually 1.78:1 as is the original Blu-ray.
Director: Stanley Kubrick
Director: Stanley Kubrick
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering, 1.85 ratio restored
Mono: Criterion 4K Blu-ray (restored for the box set)/1999 WB R1 DVD
5.1 remix: Criterion 4K Blu-ray
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the Sony release without the filtering; Comparison between Sony and Criterion.
Mono: 1994 LaserDisc (marginally, unfiltered) or Criterion 4K Blu-ray (filtered)
5.1 Remix: Criterion 4K Blu-ray
Director: Stanley Kubrick
Sources: slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering Comparison between the Criterion and WB.
5.1: WB 4K Blu-ray, a remix but has higher fidelity
Mono: Criterion 4K Blu-ray (restored for the box set)
Sources: slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering; WB 4K early pressing has errors of a shot, later pressings fixed. Comparison between Criterion and WB.
6-Track 70mm mix: Criterion 4K Blu-ray (restored for the box set), 1997 MGM LaserDisc, 1998 MGM DVD
35mm Mono Mix: Criterion 4K Blu-ray
Matrixed Stereo Remix: MGM Japan LaserDisc (1985) [G158F5509]
5.1 Remix: Criterion 4K Blu-ray
Director: Michael Mann
Sources: Criterion Forum (opens in a new tab) · thedigitalbits.com (opens in a new tab) · slow.pics (opens in a new tab)
Arrow 4K Blu-ray is encoded by FiM and is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT
Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.
5.1/5.0 mix (essentially a 4-track mix in 5.1 and 5.0 containers respectively)-Arrow/Criterion 4K Blu-ray. Only imperceptible differences in bit-depth: 20 vs 24.
2.0 mix- Arrow 4K Blu-ray (original stereo)
Director: Steve James
Director: Joel Coen
Director's Cut: Disappointing UK StudioCanal/US Criterion 4K Blu-ray
Theatrical Cut: LaserDisc or 2001 UK Universal DVD
Sources: Blu-ray.com (opens in a new tab)
https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 - comparison. StudioCanal is a massive improvement to the Criterion but still flawed in some areas (chroma noise)
Sources: Criterion Forum (opens in a new tab)
Edit history

Every recommendation follows the same method — how these calls are made.






























