Face/Off (1997)
Action, Crime, Science Fiction • 2h 19m
Director: John Woo
Cast: John Travolta, Nicolas Cage, Joan Allen, Alessandro Nivola, Gina Gershon, Dominique Swain, Nick Cassavetes, Harve Presnell, Colm Feore, John Carroll Lynch, CCH Pounder, Robert Wisdom, Margaret Cho, James Denton, Matt Ross, Chris Bauer, Myles Jeffrey, David McCurley, Thomas Jane, Tommy Flanagan, Dana Smith, Romy Walthall, Paul Hipp, Kirk Baltz, Lauren Sinclair, Lisa Boyle, Linda Hoffman, Danny Masterson, Father Michael Rocha, Megan Paul, Mike Werb, Tom Reynolds, Steve Hytner, Carmen Thomas, John Bloom, Thomas Rosales Jr., Walter Scott, Brooke Leslie, Cam Brainard, David Warshofsky, John Neidlinger, Norm Compton, Gregg Shawzin, Clifford Einstein, Marco Kyris, Tom Fridley, Jacinto Rodriguez, Chic Daniel, Laurence Walsh, Tony Boldi, Khristian Lupo, William Morts, Darren Pele, Joan Beal, Jason Thomas Campbell, Tory Christopher, Robert 'Bobby Z' Zajonc, Del Zamora
UHD tiers
About the film
In order to foil a terrorist plot, an FBI agent undergoes facial transplant surgery and assumes the identity of a criminal mastermind. The plan turns sour when the criminal wakes up prematurely and seeks revenge.
- Featured Lists
- Is this Perfect?
Colorspace/compression issue? Original mix?
- Alternative Titles
- Face Off, Face∕Off
Director: Jean Vigo
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
Video format: UHD Blu-ray
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
France Rimini 4K Blu-ray see caps vs Artificial Eye Blu-ray
Directors: Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer
Video format: UHD Blu-ray
Director: Otakar Vávra
Sources: Blu-ray.com (opens in a new tab)
Deaf Crocodile 4K Blu-ray see nic review
Restored: Deaf Crocodile 4K Blu-ray
Unrestored: Czech PAL DVD
Preferences will vary, the restored track sounds good, but not necessarily faithful to the original elements.
Sources: Blu-ray.com (opens in a new tab)
(Indicator 4K Blu-ray, based on review)
Director: Anthony Mann
Criterion 4K Blu-ray, Universal 2008 DVD
Sources: Criterion Forum (opens in a new tab)
2008 Universal DVD mono
The mono on the Criterion is severely filtered resulting in it sounding incredibly muffled. It is nearly as filtered as the 2003 original Universal DVD which had extreme filtering and sounds horribly thin. The 2008 DVD remaster and original Laserdisc analog mastering are mostly left alone. The original LD master is from a worn element but otherwise sounds very natural. The 2008 DVD is the highest quality version we have without the heavy filtering and the defects of the LD master. It isn't perfect but easily the best of the main four sources by a dramatic margin.
The existing 4K SDR restoration looks excellent, but the Criterion extras are limited and disappointing. The classic Stewart interview commentary from the LD is ported over but given a new mastering. Compared to past releases it has been very slightly noise reduced.
Director: Basil Dearden
Excellent 4K master and encode, except for opticals grain is very fine, grading is beautifully silvery and luminous, nice HDR re-grade by Fidelity in Motion
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Director: John Woo
Sources: Criterion Forum (opens in a new tab)
US Shout! Factory or UK Arrow 4K Blu-ray > Disk Kino/WCL China import
review: Disk Kino
Both have better encoding than Disk Kino, some shots are better on Shout! Factory, others on Arrow
Shout Factory still has the best video while Arrow did a questionable regrade. Arrow definitely has less grain in most shots, has a worse encode and is cm v2.9 compared to Shout’s cm v4.0.
Shout! Factory/Arrow 4K Blu-ray has the original mono
Director: John Woo
UK Arrow 4K Blu-ray > US Shout! Factory, better encoding by Engine House and redone opening credits, errors present in Shout! Factory fixed
Mono is from an alternate higher fidelity source than Shout! Factory.
Director: John Woo
Director: John Woo
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Correct grade and archival extras missing from the Shout! Factory 4K Blu-ray
Both Arrow 4K Blu-ray and Shout! Factory 4K Blu-ray are worse.
Criterion USA LaserDisc [CC1397L]: Original Cantonese mono.
Best Cantonese mono still was from Criterion LaserDisc, as the Shout one was boosted with clipping, with some filtering and losing dynamic range over the Criterion LD.
There’s no need for other Cantonese audio, as all 5.1 remixes are extremely bad and not worth including.
For English Dub the Shout offered the best, it was pure mono. All other 5.1 remixed of said dub are also terrible and offer no value, only less fidelity and more echo.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed. The compression is better, but some of the grain is lost. Difference is pronounced in screen caps, but not likely to be noticed during playback, without a reference to compare it to. Comparisons
All discs use the same source transfer. It's not of the highest quality, and it includes some slight distortion, looping, clicks, pops, and hum. Criterion cleaned it up for their release, but unfortunately also lost a lot of fidelity in the process.
MGM NTSC DVD doesn't seem to have some of the more prominent distortion and has slightly different EQ but is otherwise the same.
Director: Sidney Lumet
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
1.85:1: Kino Lorber 4K / Capelight 4K
1.66:1: Criterion 4K but low pass filtered
Comparison between the 4Ks, Criterion on the AR choice
Other discs have unnecessary filtering and sound worse, the difference isn't substantial but audible
Director: Buster Keaton
Kino Lorber new Seven Chances / Sherlock Jr. Blu-ray?
Sources: slow.pics (opens in a new tab)
MoC 4K Blu-ray late 2027
Lobster Films (Kino Lorber?) > Cohen/Eureka https://slow.pics/c/3KWXoMyR The new Kino Lorber's Seven Chances / Sherlock Jr. might be using the same restoration as Lobster Films
Director: Tony Gilroy
Director: Robert Zemeckis
Director: George Stevens
Sources: Blu-ray.com (opens in a new tab)
Kino Lorber 4K Blu-ray has unusually strong encode but only a minimal upgrade over the excellent Eureka Blu-ray
Director: Steve De Jarnatt
2024 Kino Lorber Blu-ray
UK Transmission 4K Blu-ray in January 2027
Either the 2015 Kino Lorber Blu-ray or the Arrow Blu-ray
The 2024 Kino Lorber Blu-ray is botched.
Director: Simon Wincer
Sources: Blu-ray.com (opens in a new tab)
4K is defective with color space issues and poor encoding, UHD replacement disc is also defective with worse encode. The UHD has visible artifacts from the bad encoding. The HDR is overdone and the Paramount 4K master has grain management.
The new Kino Blu-ray has none of the UHD's problems and is superior to the UHD in every way though it still uses the same Paramount master.
DVD 5.1 or LaserDisc 5.1 AC3, LD PCM 2.0 for the matrix stereo version. The LD and DVD seem to be the theatrical audio mix untouched with plenty of low end. This low end like a number of 90's Paramount titles was mixed out or tamed on subsequent releases.
The Lionsgate BD and Paramount BD share the same lackluster HD master with DNR and image distortion. The Lionsgate is much better encoded but has a 7.1 remix which messed up the original mix design by lessening all the great Foley work in favor of the score. The Paramount BD had a 5.1 lossless version of the original mix but it's a new version where the bass has been tamed so the track has lost its punch. The Kino Lorber UHD and Blu-ray recycle this same lesser 5.1 mastering. The original mix can still be heard on LD and DVD. The 2.0 stereo on the Kino is matrixed but also does not sound as good as the 2.0 matrix audio on DVD or LD.
Kino has a replacement program for the defective UHD to fix the color space issue. The new disc is not marked, has a worse encode AND DOES NOT FIX THE COLOR SPACE! Thus it is a worse defective disc version of the original defective disc.
The Billy Zane interview on the Kino BD has technical issues in the editing and clip quality used.
Director: Preston Sturges
No information on French Elephant Films Blu-ray
Director: Martin Scorsese
Other releases have horrendous DNR
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