Project A (1983)
A計劃
Action, Adventure, Comedy • 1h 44m
Overview
In late 19th century Hong Kong, the British may rule the land, but the pirates rule the waters. Coast Guard officer Dragon Ma is determined that his beloved Coast Guard will not be made a fool of.
Director: Jackie Chan
Cast: Jackie Chan, Sammo Hung Kam-Bo, Yuen Biao, Dick Wei, Mars, Tai Bo, Isabella Wong, Kwan Hoi-San, Lau Hak-Suen, Lee Hoi-Sang, Wong Wai, John Cheung Ng-Long, Wan Fat, Law Ho-Kai, Wu Ma, Tong Kam-Tong, Bruce Tong Yim-Chaan, Benny Lai Keung-Kuen, Lily Ng Lai-Chu, Man Git-Wan, Kwon Yeong-Moon, Chuen Yan, Chan Chi-Fai, Chan Leung, Chan Ling-Wai, Chang Seng-Kwong, Cheung Chok-Chow, Johnny Cheung Wa, Chin Ka-Lok, Choi Hin-Cheung, Danny Chow Yun-Kin, Chu Tau, Chun Kang Wang, Lola Forner, Fung Ging-Man, Fung Ming, Ha Kwok-Wing, Hoh Wan, Hon Yee-Sang, Hsiao Yu, Hung San-Nam, Lai Sau-Kit, Lam Foo-Wai, Lam Yuen, Wynn Lau Chun-Fai, Lau Fong-Sai, Law Chi, Lee Fat-Yuen, Chris Lee Kin-Sang, Leung Seung-Wan, Lo Wai, Steve Mak Fei-Hung, Man Ngai-Tik, Ng Kit-Keung, Ng Kwok-Kai, Ng Min-Kan, Frankie Poon Bin-Chung, Sa Au, Siu Yuk-Lung, Suen Chi-Wai, Tam Chuen-Hing, Tam Wing-Git, To Siu-Ming, To Wai-Wo, Tong Pau-Chung, Wan Seung-Lam, Paul Wong Kwan, Wong Kim-Bun, Wong Siu-Ming, Yiu Man-Kei, Yue Tau-Wan, Yuen Shing-Chau, Sek Gwai-Chai
Directors: Jackie Chan & Benny Chan
Arrow 4K Blu-ray from the Jackie Chan Boxset
Arrow 4K Blu-ray from the Jackie Chan Boxset
Directors: Jackie Chan & Benny Chan
Arrow 4K Blu-ray from the Jackie Chan Boxset
Arrow 4K Blu-ray from the Jackie Chan Boxset
Director: Jackie Chan
88 Films 4K Blu-ray > Germany Nameless Media 4K Blu-ray
Director: Jackie Chan
88 Films 4K Blu-ray > Germany Nameless Media 4K Blu-ray
Director: Jackie Chan
Eureka 4K Blu-ray, good 4K Blu-ray upgrades of Ritrovata's flawed restorations
Director: Jackie Chan
Eureka 4K Blu-ray, good 4K Blu-ray upgrades of Ritrovata's flawed restorations
Director: Jackie Chan
Eureka 4K Blu-ray, good 4K Blu-ray upgrades of Ritrovata's flawed restorations
Director: Jackie Chan
Eureka 4K Blu-ray, good 4K Blu-ray upgrades of Ritrovata's flawed restorations
Director: Jackie Chan
Director: Jackie Chan
Director: Michael Mann
Shout! Factory 4K Blu-ray upcoming, Director's Final Cut premiering October 3rd; will receive home video release in the future
Director: Michael Mann
Shout! Factory 4K Blu-ray upcoming, Director's Final Cut premiering October 3rd; will receive home video release in the future
Director: Deran Sarafian
MVD 4K Blu-ray beautiful remaster but with frame rate skips (encoding error)
Director: Deran Sarafian
MVD 4K Blu-ray beautiful remaster but with frame rate skips (encoding error)
Directors: Brian Taylor & Mark Neveldine
Directors: Brian Taylor & Mark Neveldine
US Toy Robot and UK 88 Films 4K Blu-ray
US Toy Robot and UK 88 Films 4K Blu-ray
88 Films and Vinegar Syndrome have different extras
88 Films and Vinegar Syndrome have different extras
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
UK 88 Films 4K Blu-ray See caps
DE Nameless 4K Blu-ray is an extremely poor AI upscale. See caps
UK 88 Films 4K Blu-ray See caps
DE Nameless 4K Blu-ray is an extremely poor AI upscale. See caps
Director: Charles Band
Full Moon Features Blu-ray or 88 Films Blu-ray is better than 4K Blu-ray, which is poorly encoded
Director: Charles Band
Full Moon Features Blu-ray or 88 Films Blu-ray is better than 4K Blu-ray, which is poorly encoded
Director: Iain Softley
Capelight Germany 4K Blu-ray. Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn include an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Director: Iain Softley
Capelight Germany 4K Blu-ray. Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn include an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Director: Roger Donaldson
88 Films & Scream Factory 4K Blu-ray
Imprint 4K Blu-ray scheduled for August 2026 release
88 Films tied with Scream Factory 4K Blu-ray (88 Films is FiM encoded)
88 Films and Scream Factory have exclusive extras
Director: Roger Donaldson
88 Films & Scream Factory 4K Blu-ray
Imprint 4K Blu-ray scheduled for August 2026 release
88 Films tied with Scream Factory 4K Blu-ray (88 Films is FiM encoded)
88 Films and Scream Factory have exclusive extras
More Action on Blu-ray
Director: S. S. Rajamouli
Zee5 Streaming has the original Telugu audio and English subtitles (albeit with English portions also overdubbed in Telugu)
Netflix Streaming only has the Hindi dub but better video quality
France Carlotta 4K Blu-ray coming in December
Japan Twin Co. 4K Blu-ray
Japan Twin Co. 4K Blu-ray has original Telugu Atmos audio
Director: S. S. Rajamouli
Zee5 Streaming has the original Telugu audio and English subtitles (albeit with English portions also overdubbed in Telugu)
Netflix Streaming only has the Hindi dub but better video quality
France Carlotta 4K Blu-ray coming in December
Japan Twin Co. 4K Blu-ray
Japan Twin Co. 4K Blu-ray has original Telugu Atmos audio
France M6 4K Blu-ray has Dolby Vision, but is inferior with more washed out colors and inferior encoding plus no hardcoded subtitles for the Portuguese language parts
France M6 4K Blu-ray has Dolby Vision, but is inferior with more washed out colors and inferior encoding plus no hardcoded subtitles for the Portuguese language parts
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1.
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1.
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 2001 MGM DVD for a purist version with original colors and the international mono mix
2013 MGM Blu-ray for non AI transfer, 2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 2001 MGM DVD for a purist version with original colors and the international mono mix
2013 MGM Blu-ray for non AI transfer, 2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Phillip Noyce
Director: Phillip Noyce
Director: Mamoru Oshii
Bandai Japan 4K Blu-ray
Bandai JP 4K Blu-ray
All 4K releases are sourced from the same mediocre transfer provided by Bandai, with various amounts of tweaks. Japanese disc presents it with the least tinkering.
The best attempt at improving it comes from the German/French releases from KSM/All the Anime, both of which use the same master with HDR regrading (original grade is SDR in HDR container), tasteful regraining and sharpening, in an attempt to breathe some life into the middling transfer, making for an arguably more pleasing viewing experience.
All earlier releases are from an even worse transfer, with significant black crush, with the exception of a Japanese TV airing, which doesn't suffer from that issue, but instead is heavily sharpened and suffers from poor encoding.
Comparisons: JPN UHD, USA UHD, FRA/GER UHD, ITA UHD (tonemapped), JPN UHD, USA UHD, FRA/GER UHD, ITA UHD, ESP UHD (PQ), All 1080p BDs, HDTV, HDTV filtered
Original matrixed stereo mix: Bandai JP 4K Blu-ray
Most discs include this track with comparable fidelity (which is excellent).
Dolby Atmos remix: Lionsgate US 4K / All the Anime FR 4K
6.1 remix (from Ghost in the Shell 2.0): KSM DE 4K / All the Anime FR 4K
All tracks on the Lionsgate US 4K replace the original ending song with the one heard on the English dub. As the Atmos track on the FR 4K is just a port, it also has this song replaced.
Japanese 4K includes English dub and subtitles.
French/German 4Ks are not English friendly, with no dub or subtitles.
French disc includes the Atmos track, but the German disc does not.
Director: Mamoru Oshii
Bandai Japan 4K Blu-ray
Bandai JP 4K Blu-ray
All 4K releases are sourced from the same mediocre transfer provided by Bandai, with various amounts of tweaks. Japanese disc presents it with the least tinkering.
The best attempt at improving it comes from the German/French releases from KSM/All the Anime, both of which use the same master with HDR regrading (original grade is SDR in HDR container), tasteful regraining and sharpening, in an attempt to breathe some life into the middling transfer, making for an arguably more pleasing viewing experience.
All earlier releases are from an even worse transfer, with significant black crush, with the exception of a Japanese TV airing, which doesn't suffer from that issue, but instead is heavily sharpened and suffers from poor encoding.
Comparisons: JPN UHD, USA UHD, FRA/GER UHD, ITA UHD (tonemapped), JPN UHD, USA UHD, FRA/GER UHD, ITA UHD, ESP UHD (PQ), All 1080p BDs, HDTV, HDTV filtered
Original matrixed stereo mix: Bandai JP 4K Blu-ray
Most discs include this track with comparable fidelity (which is excellent).
Dolby Atmos remix: Lionsgate US 4K / All the Anime FR 4K
6.1 remix (from Ghost in the Shell 2.0): KSM DE 4K / All the Anime FR 4K
All tracks on the Lionsgate US 4K replace the original ending song with the one heard on the English dub. As the Atmos track on the FR 4K is just a port, it also has this song replaced.
Japanese 4K includes English dub and subtitles.
French/German 4Ks are not English friendly, with no dub or subtitles.
French disc includes the Atmos track, but the German disc does not.
Director: Mamoru Hosoda
Sony 4K Blu-ray has the original theatrical Dolby Atmos mix
Director: Mamoru Hosoda
Sony 4K Blu-ray has the original theatrical Dolby Atmos mix
Director: Wolfgang Petersen
Arrow 4K Blu-ray Both cuts are excellent in 4K. See caps
Director's cut: 2007 WB Blu-ray; Arrow is a lossy transcode with dynamics compression.
2007 BD's AC-3 track with dynamic range compression enabled is nearly identical to Arrow's, see comparison
Theatrical cut is fine.
Director: Wolfgang Petersen
Arrow 4K Blu-ray Both cuts are excellent in 4K. See caps
Director's cut: 2007 WB Blu-ray; Arrow is a lossy transcode with dynamics compression.
2007 BD's AC-3 track with dynamic range compression enabled is nearly identical to Arrow's, see comparison
Theatrical cut is fine.
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