TSPDT
1,020 films · page 18 of 51
Director: Arthur Penn
Director: D.W. Griffith
Director: Robert Aldrich
Sources: Criterion Forum (opens in a new tab)
HD transfer slightly better than Carlotta
Sources: Criterion Forum (opens in a new tab)
2023 Curzon 4K Blu-ray
Director: James Cameron
Sources: YouTube (opens in a new tab)
Disney 4K Blu-ray has AI enhancement see youtube comparison
Theatrical Cut: 2022 Sony 4K Blu-ray
Director's Cut: 2023 Criterion 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
Better compression than Sony
Director: David Lynch
Sources: Criterion Forum (opens in a new tab)
SDR: Criterion 4K Blu-ray
HDR: StudioCanal 4K Blu-ray
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Director: Jean-Luc Godard
Sources: Criterion Forum (opens in a new tab)
Criterion, 2k transfer
Director: John Cassavetes
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab)
Criterion is warmer and more lifelike than BFI. See DVDBeaver review for more caps
BFI suffers from Quicktime Gamma Bug
Criterion has better encoding and doesn't have the bug so that's preferable.
Director: King Hu
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
2025 Carlotta France 4K Blu-ray
With better detail and grading than the China 4K Blu-ray. Comparisons
But all are within the margin of error, minus Criterion
Director: Hou Hsiao-hsien
Sources: fareastfilm.com (opens in a new tab)
New resto, no discs https://www.fareastfilm.com/eng/news/far-east-film-festival-26/?IDLYT=13308



















