Gaumont
22 Films
Gaumont
22 Included Films
Aliases: gaumont
Type: Label/Studio/Platform

Kino Lorber Blu-ray or Eureka/Gaumont Blu-ray (preference)
Gaumont/Eureka is a newer restoration than Kino Lorber but has problems with automatic clean-up and ghosting.

Kino Lorber Blu-ray or Eureka/Gaumont Blu-ray (preference)
Gaumont/Eureka is a newer restoration than Kino Lorber but has problems with automatic clean-up and ghosting.

Director: Jean Vigo

Director: Jean Vigo



Director: René Clair

Director: René Clair



Gaumont Blu-ray but no English subtitles: https://www.blu-ray.com/movies/Deux-sous-de-violettes-Blu-ray/288976/

Gaumont Blu-ray but no English subtitles: https://www.blu-ray.com/movies/Deux-sous-de-violettes-Blu-ray/288976/

Director: René Clair

Director: René Clair

Director: Jean Renoir

Director: Jean Renoir


Director: Henri Verneuil

Director: Henri Verneuil

Director: René Clair

Director: René Clair

Director: Maurice Pialat

Director: Maurice Pialat



Director: Robert Bresson

Director: Robert Bresson

Director: Federico Fellini

Director: Federico Fellini



Director: Maurice Pialat

Director: Maurice Pialat


Director: Luc Besson
StudioCanal / Gaumont / Sony 4K Blu-ray
SC caps. Great-looking 4K master except for DNR'd higher-gen shots such as the opening sequence. Studiocanal resolves finer detail but has encoding issues in highlights, the non-OCN shots and traces of chroma noise. Sony used a low-pass filter which makes the film look less sharp and finely detailed but the encode is more consistent.

Director: Luc Besson
StudioCanal / Gaumont / Sony 4K Blu-ray
SC caps. Great-looking 4K master except for DNR'd higher-gen shots such as the opening sequence. Studiocanal resolves finer detail but has encoding issues in highlights, the non-OCN shots and traces of chroma noise. Sony used a low-pass filter which makes the film look less sharp and finely detailed but the encode is more consistent.

Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate.
2025 Sony US 4K Blu-ray has the original 5.1
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-Ray omits all the extras from previous releases, being barebones.

Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate.
2025 Sony US 4K Blu-ray has the original 5.1
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-Ray omits all the extras from previous releases, being barebones.
22 films