Eureka
51 Films
Eureka
51 Included Films
Eureka Entertainment, a label in the UK featuring the Masters of Cinema label.
Aliases: eureka
Type: Label/Studio/Platform
Kino Lorber Blu-ray or Eureka/Gaumont Blu-ray (preference)
Gaumont/Eureka is a newer restoration than Kino Lorber but has problems with automatic clean-up and ghosting.
Kino Lorber Blu-ray or Eureka/Gaumont Blu-ray (preference)
Gaumont/Eureka is a newer restoration than Kino Lorber but has problems with automatic clean-up and ghosting.
2022 Eureka Britain 4K Blu-ray
2022 Eureka Britain 4K Blu-ray
2022 Eureka Britain 4K Blu-ray
2022 Eureka Britain 4K Blu-ray
Director: F. W. Murnau
MoC > Kino Lorber, BFI different resto that some may prefer
2006 Restoration: Eureka Blu-ray > Kino Lorber Blu-ray (Kino Lorber has messed up framerate)
1995 photochemical restoration: BFI Blu-ray that some may prefer
Director: F. W. Murnau
MoC > Kino Lorber, BFI different resto that some may prefer
2006 Restoration: Eureka Blu-ray > Kino Lorber Blu-ray (Kino Lorber has messed up framerate)
1995 photochemical restoration: BFI Blu-ray that some may prefer
Director: Buster Keaton
Kino Lorber new Seven Chances / Sherlock Jr. Blu-ray?
Lobster Films (Kino Lorber?) > Cohen/Eureka https://slow.pics/c/3KWXoMyR The new Kino Lorber's Seven Chances / Sherlock Jr. might be using the same restoration as Lobster Films
Director: Buster Keaton
Kino Lorber new Seven Chances / Sherlock Jr. Blu-ray?
Lobster Films (Kino Lorber?) > Cohen/Eureka https://slow.pics/c/3KWXoMyR The new Kino Lorber's Seven Chances / Sherlock Jr. might be using the same restoration as Lobster Films
Director: Buster Keaton
Director: Buster Keaton
Directors: Clyde Bruckman & Buster Keaton
MoC/Cohen is 4k transfer https://forum.blu-ray.com/showthread.php?t=112722&page=5
Directors: Clyde Bruckman & Buster Keaton
MoC/Cohen is 4k transfer https://forum.blu-ray.com/showthread.php?t=112722&page=5
Director: F. W. Murnau
Director: F. W. Murnau
Director: Fritz Lang
1984 Giorgio Moroder restoration: MoC or Kino Lorber
2001 Murnau restoration: MoC > Kino Lorber
2010 Murnau complete restoration: MoC > Kino
Director: Fritz Lang
1984 Giorgio Moroder restoration: MoC or Kino Lorber
2001 Murnau restoration: MoC > Kino Lorber
2010 Murnau complete restoration: MoC > Kino
MoC audio is better, OOP but available in ebay https://forum.blu-ray.com/showthread.php?t=225532&page=3
MoC audio is better https://forum.blu-ray.com/showthread.php?t=225532&page=3
MoC audio is better, OOP but available in ebay https://forum.blu-ray.com/showthread.php?t=225532&page=3
MoC audio is better https://forum.blu-ray.com/showthread.php?t=225532&page=3
Director: Fritz Lang
Director: Fritz Lang
Eureka Blu-ray has better encode than Flicker Alley Blu-ray. Kino Lorber/BFI are older restoration and are worse.
Eureka Blu-ray has better encode than Flicker Alley Blu-ray. Kino Lorber/BFI are older restoration and are worse.
Director: Josef von Sternberg
All very old restoration, but Kino Lorber > Germany Universum > MoC. Kino Lorber Germany Blu-ray has more noise reduction while English version's noise reduction is kept at minimum. MoC has very week encoding and crushed blacks.
Sources:
caps-a-holic on MoC vs Germany
DVDBeaver on Kino Lorber vs MoC
2001 Kino Lorber DVD or 2003 Eureka DVD
Director: Josef von Sternberg
All very old restoration, but Kino Lorber > Germany Universum > MoC. Kino Lorber Germany Blu-ray has more noise reduction while English version's noise reduction is kept at minimum. MoC has very week encoding and crushed blacks.
Sources:
caps-a-holic on MoC vs Germany
DVDBeaver on Kino Lorber vs MoC
2001 Kino Lorber DVD or 2003 Eureka DVD
Director: Carl Theodor Dreyer
Director: Carl Theodor Dreyer
Director: Vittorio De Sica
Director: Vittorio De Sica
Director: John Huston
Eureka Blu-ray > StudioCanal 4K Blu-ray. Older DVD or LaserDisc probably even better
All blu-ray releases so far is from the 2010 scan.
Director: John Huston
Eureka Blu-ray > StudioCanal 4K Blu-ray. Older DVD or LaserDisc probably even better
All blu-ray releases so far is from the 2010 scan.
Director: Fred Zinnemann
MoC 4K Blu-ray, both Kino Lorber and Germany Filmjuwelen 4K Blu-ray have poor encode. See nicolas review on Eureka Blu-ray. It seems the 4K restoration on that disc and the Olive Films Signature US release served as the basis for the HDR master Kino Lorber commissioned. There are the same traces of grain management in the opticals and the small number of shots from a lower quality source that were spliced in between the OCN footage. The SDR grayscale looks great though and after having compared everything, I would’ve preferred a 4K SDR release. The Eureka Blu-ray release wasn’t encoded by FiM and it shows. For those with the Blu-ray and an appreciation for optimal encoding, consider an upgrade.Kino Lorber 4K Blu-ray: It seems that Kino Lorber commissioned the HDR/DV grade and some additional cosmetic work on the master. They used to mention "… brand new master by studio X" on their back covers when they were supplied with ready-made materials. This isn’t the case here but maybe someone’s in the know and things are different. The HDR grade is darker than the SDR one and flattened the grayscale quite significantly. I mentioned this in the Sabrina and Sunset Boulevard thread as well but I’m not really a fan of these grades and doubt that they’re enhancing the grayscales to make them appear more film-like. I’ve seen worse and it’s not the end of the world when the film is viewed in a dark environment but don’t expect anything as luminous and sparkly as The Big Heat. Kino Lorber’s encoding can be seen here via ko8ebryant’s caps.Eureka 4K Blu-ray (BD-100): Same 4K master and same HDR grade as on the Kino Lorber 4K but now expertly encoded. Thanks to no compression anomalies standing in the way, we can now scrutinize the master much better. In comparison with the SDR master, I noticed that there are opticals that got hit with further noise reduction and sometimes egregiously so, such as in the scene with Grace Kelly at the train station at roughly 18 minutes into the film. Parts of that scene were sourced from a lower-quality source. In the HDR master, grain was practically erased altogether whereas in the 4K SDR master on the Eureka Blu-ray, grain is visible in the same shot despite the iffy encoding.I’d still recommend the Eureka 4K Blu-ray as the OCN shots and scenes are frequently gorgeous, beautifully detailed and at most only minimally tampered with. The imperfect HDR grade bugs me but I’ll still use Eureka’s 4K Blu-ray for my future viewings due to the FiM encode.
1992 Republic LaserDisc
Director: Fred Zinnemann
MoC 4K Blu-ray, both Kino Lorber and Germany Filmjuwelen 4K Blu-ray have poor encode. See nicolas review on Eureka Blu-ray. It seems the 4K restoration on that disc and the Olive Films Signature US release served as the basis for the HDR master Kino Lorber commissioned. There are the same traces of grain management in the opticals and the small number of shots from a lower quality source that were spliced in between the OCN footage. The SDR grayscale looks great though and after having compared everything, I would’ve preferred a 4K SDR release. The Eureka Blu-ray release wasn’t encoded by FiM and it shows. For those with the Blu-ray and an appreciation for optimal encoding, consider an upgrade.Kino Lorber 4K Blu-ray: It seems that Kino Lorber commissioned the HDR/DV grade and some additional cosmetic work on the master. They used to mention "… brand new master by studio X" on their back covers when they were supplied with ready-made materials. This isn’t the case here but maybe someone’s in the know and things are different. The HDR grade is darker than the SDR one and flattened the grayscale quite significantly. I mentioned this in the Sabrina and Sunset Boulevard thread as well but I’m not really a fan of these grades and doubt that they’re enhancing the grayscales to make them appear more film-like. I’ve seen worse and it’s not the end of the world when the film is viewed in a dark environment but don’t expect anything as luminous and sparkly as The Big Heat. Kino Lorber’s encoding can be seen here via ko8ebryant’s caps.Eureka 4K Blu-ray (BD-100): Same 4K master and same HDR grade as on the Kino Lorber 4K but now expertly encoded. Thanks to no compression anomalies standing in the way, we can now scrutinize the master much better. In comparison with the SDR master, I noticed that there are opticals that got hit with further noise reduction and sometimes egregiously so, such as in the scene with Grace Kelly at the train station at roughly 18 minutes into the film. Parts of that scene were sourced from a lower-quality source. In the HDR master, grain was practically erased altogether whereas in the 4K SDR master on the Eureka Blu-ray, grain is visible in the same shot despite the iffy encoding.I’d still recommend the Eureka 4K Blu-ray as the OCN shots and scenes are frequently gorgeous, beautifully detailed and at most only minimally tampered with. The imperfect HDR grade bugs me but I’ll still use Eureka’s 4K Blu-ray for my future viewings due to the FiM encode.
1992 Republic LaserDisc
Director: George Stevens
Kino Lorber 4K Blu-ray has unusually strong encode but only a minimal upgrade over the excellent Eureka Blu-ray
Director: George Stevens
Kino Lorber 4K Blu-ray has unusually strong encode but only a minimal upgrade over the excellent Eureka Blu-ray
Director: Josef von Sternberg
MoC slightly better than Kino Lorber http://www.dvdbeaver.com/film6/blu-ray_reviews_76/anatahan_blu-ray.htm
Director: Josef von Sternberg
MoC slightly better than Kino Lorber http://www.dvdbeaver.com/film6/blu-ray_reviews_76/anatahan_blu-ray.htm
51 films