Nashville (1975)
Drama, Music, Comedy • 2h 40m
Overview
The intersecting stories of twenty-four characters—from country star to wannabe to reporter to waitress—connect to the music business in Nashville, Tennessee.
Director: Robert Altman
Cast: David Arkin, Barbara Baxley, Ned Beatty, Karen Black, Ronee Blakley, Timothy Brown, Keith Carradine, Geraldine Chaplin, Robert DoQui, Shelley Duvall, Allen Garfield, Henry Gibson, Scott Glenn, Jeff Goldblum, Barbara Harris, David Hayward, Michael Murphy, Allan F. Nicholls, Dave Peel, Cristina Raines, Bert Remsen, Lily Tomlin, Gwen Welles, Keenan Wynn, Merle Kilgore, James Dan Calvert, Donna Denton, Carol McGinnis, Sheila Bailey, Patti Bryant, Richard Baskin, Jonnie Barnett, Vassar Clements, Sue Barton, Elliott Gould, Julie Christie, Steve Earle, Gailard Sartain, Joan Tewkesbury, Thomas Hal Phillips, Howard K. Smith
Director: Brad Bird
Disney 4K Blu-ray has the original DTS-ES 6.1 mix in DTS-HD MA 6.1. Inferior Dolby Atmos remix is set to default.
Director: Brad Bird
Disney 4K Blu-ray has the original DTS-ES 6.1 mix in DTS-HD MA 6.1. Inferior Dolby Atmos remix is set to default.
Director: Andrew Stanton
Criterion 4K Blu-ray > Disney 4K Blu-ray: HDR10 same as the Disney disc, but Criterion's new Dolby Vision layer improves presentation in some aspects, and has very good extras
Original DTS-ES 6.1 mix: Both are equal. ES rear centre channel maintained on both releases, but is unflagged on the Criterion 4K Blu-ray.
Dolby Atmos remix: Criterion 4K Blu-ray > Disney 4K Blu-ray.
Director: Andrew Stanton
Criterion 4K Blu-ray > Disney 4K Blu-ray: HDR10 same as the Disney disc, but Criterion's new Dolby Vision layer improves presentation in some aspects, and has very good extras
Original DTS-ES 6.1 mix: Both are equal. ES rear centre channel maintained on both releases, but is unflagged on the Criterion 4K Blu-ray.
Dolby Atmos remix: Criterion 4K Blu-ray > Disney 4K Blu-ray.
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
2015 Lionsgate Blu-ray or 35mm scan for Theatrical Cut
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
2015 Lionsgate Blu-ray (missing the Ultimate Edition with the T-1000 searching John's room and the happy future ending, which is on the 2009 Skynet Blu-ray, which is DNRed)
2017 StudioCanal 4K Blu-ray (and subsequent 4Ks) is heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available. For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
Original Kodak/ORC CDS mix 5.1: likely on the Artisan DVD and other Pioneer Japan DVD.
Original Dolby Stereo SR: USA Widescreen LaserDisc and others.
Differences and review of the mix. There are earlier stereo mixes and many subsequent remixes on DVDs but it is unclear how many of them are really unique.
2017 Blu-Ray (which has the DNRed transfer), the 2009 Skynet Edition Blu-Ray, and the 2000 Ultimate Edition DVD have exclusive extras. The 2003 Extreme Edition DVD has some exclusive easter eggs.
2015 Lionsgate Blu-ray or 35mm scan for Theatrical Cut
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
2015 Lionsgate Blu-ray (missing the Ultimate Edition with the T-1000 searching John's room and the happy future ending, which is on the 2009 Skynet Blu-ray, which is DNRed)
2017 StudioCanal 4K Blu-ray (and subsequent 4Ks) is heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available. For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
Original Kodak/ORC CDS mix 5.1: likely on the Artisan DVD and other Pioneer Japan DVD.
Original Dolby Stereo SR: USA Widescreen LaserDisc and others.
Differences and review of the mix. There are earlier stereo mixes and many subsequent remixes on DVDs but it is unclear how many of them are really unique.
2017 Blu-Ray (which has the DNRed transfer), the 2009 Skynet Edition Blu-Ray, and the 2000 Ultimate Edition DVD have exclusive extras. The 2003 Extreme Edition DVD has some exclusive easter eggs.
Director: James Cameron
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
4K Blu-ray is AI upscaled
The 4K Blu-ray bonus disc, the 2012 Blu-ray bonus disc, and the 2005 3 disc DVD have exclusive extras.
Director: James Cameron
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
4K Blu-ray is AI upscaled
The 4K Blu-ray bonus disc, the 2012 Blu-ray bonus disc, and the 2005 3 disc DVD have exclusive extras.
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set, same master, but less bitrate starved.
The encode on the BD is preferable to the UHD. Same master, but less bitrate starved: https://x.com/SadHillDevan/status/1530057783885721607?s=20 and see caps
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set, same master, but less bitrate starved.
The encode on the BD is preferable to the UHD. Same master, but less bitrate starved: https://x.com/SadHillDevan/status/1530057783885721607?s=20 and see caps
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: George Lucas
Director: George Lucas
Director: Robert Altman
Director: Robert Altman
Director: Robert Altman
Director: Robert Altman
Director: Robert Altman
Kino Lorber has new 4k resto, not sure about color grading
Kino Lorber has new 4k resto, not sure about color grading
?
Director: Robert Altman
Kino Lorber has new 4k resto, not sure about color grading
Kino Lorber has new 4k resto, not sure about color grading
?
Director: Robert Altman
Director: Robert Altman
Director: Robert Altman
Director: Robert Altman
Director: Robert Altman
Director: Robert Altman
Director: Robert Altman
Vinegar Syndrome Cinématographe 4K Blu-ray
Vinegar Syndrome Cinématographe 4K Blu-ray
Director: Robert Altman
Vinegar Syndrome Cinématographe 4K Blu-ray
Vinegar Syndrome Cinématographe 4K Blu-ray
Director: Robert Altman
Director: Robert Altman
70mm 6-Track: Paramount US 4K Blu-ray
35mm matrixed Dolby Stereo: 1995 Live Home Video US LaserDisc
Although the provenance of Paramount's 5.1 track is not confirmed, the fidelity is outstanding and speaks for itself.
The 7.1 track on the Capelight/old Lionsgate release is just an upmix with nothing gained over the 5.1.
The original stereo mix is only present on older DVDs and LaserDiscs; all Blu-ray 2.0 tracks are downmixes.
Paramount 4K Blu-ray has no extras, Capelight 4K Blu-ray has most of the extras, Olive Films Blu-ray has a exclusive commentary
70mm 6-Track: Paramount US 4K Blu-ray
35mm matrixed Dolby Stereo: 1995 Live Home Video US LaserDisc
Although the provenance of Paramount's 5.1 track is not confirmed, the fidelity is outstanding and speaks for itself.
The 7.1 track on the Capelight/old Lionsgate release is just an upmix with nothing gained over the 5.1.
The original stereo mix is only present on older DVDs and LaserDiscs; all Blu-ray 2.0 tracks are downmixes.
Paramount 4K Blu-ray has no extras, Capelight 4K Blu-ray has most of the extras, Olive Films Blu-ray has a exclusive commentary
Director: Sean S. Cunningham
4K Blu-ray: DNR is strong in places; editing error introduced where the prologue no longer fades to white; HDR is messed up.
BDs: 2021 Paramount Blu-ray has better encode than Shout! Factory but is 1.78:1 instead of 1.85:1 and doesn't have the mono track
Director: Sean S. Cunningham
4K Blu-ray: DNR is strong in places; editing error introduced where the prologue no longer fades to white; HDR is messed up.
BDs: 2021 Paramount Blu-ray has better encode than Shout! Factory but is 1.78:1 instead of 1.85:1 and doesn't have the mono track
Director: Federico Fellini
2022 Paramount Blu-ray
2014 Criterion Blu-ray is from the same master and has only slightly worse compression. JP/DE/FR releases all have incorrect levels. Caps
2022 Paramount Blu-ray
All Blu-ray releases are from the same mastering, superior to the one on older DVD releases which is sourced from a higher generation source. They all sound about the same, with the exception of Criterion, which sounds worse due to extraneous filtering.
Paramount's disc also includes a contemporary English dub, previously unreleased on home video.
Director: Federico Fellini
2022 Paramount Blu-ray
2014 Criterion Blu-ray is from the same master and has only slightly worse compression. JP/DE/FR releases all have incorrect levels. Caps
2022 Paramount Blu-ray
All Blu-ray releases are from the same mastering, superior to the one on older DVD releases which is sourced from a higher generation source. They all sound about the same, with the exception of Criterion, which sounds worse due to extraneous filtering.
Paramount's disc also includes a contemporary English dub, previously unreleased on home video.
Director: Craig Brewer
Old Paramount Blu-ray better than new 4K Blu-ray: smeary grain/detail, poor contrast
4K Blu-ray and New Blu-ray has lossless TrueHD, Old Blu-ray just has lossy Dolby Digital
Director: Craig Brewer
Old Paramount Blu-ray better than new 4K Blu-ray: smeary grain/detail, poor contrast
4K Blu-ray and New Blu-ray has lossless TrueHD, Old Blu-ray just has lossy Dolby Digital
Director: Oliver Stone
2025 Shout! Factory 4K Blu-ray
2025 Shout! Factory 4K Blu-ray
Atmos remix: 2025 Shout! Factory 4K Blu-ray
Original 5.1 surround mix: 2007 Paramount Blu-ray (lossy AC-3 640k)
The original mix has better dynamics range. The 5.1 tracks on the SF release are downmixes.
Target exclusive 3 disc DVD have extras omitted from the Shout! Factory release
Director: Oliver Stone
2025 Shout! Factory 4K Blu-ray
2025 Shout! Factory 4K Blu-ray
Atmos remix: 2025 Shout! Factory 4K Blu-ray
Original 5.1 surround mix: 2007 Paramount Blu-ray (lossy AC-3 640k)
The original mix has better dynamics range. The 5.1 tracks on the SF release are downmixes.
Target exclusive 3 disc DVD have extras omitted from the Shout! Factory release
Director: Billy Wilder
Kino Lorber 4K Blu-ray is a fine release with no glaring encode issues, the new master is also fine but graded to look quite dim in HDR/DV. Unsure whether that's really respectful to the source
Kino Lorber 4K Blu-ray / Paramount EU Blu-ray
Old Warner Bros US release is inferior.
Director: Billy Wilder
Kino Lorber 4K Blu-ray is a fine release with no glaring encode issues, the new master is also fine but graded to look quite dim in HDR/DV. Unsure whether that's really respectful to the source
Kino Lorber 4K Blu-ray / Paramount EU Blu-ray
Old Warner Bros US release is inferior.
Director: Mario Bava
Original Italian/English dubs: UK Masters of Cinema 4K Blu-ray
Export English dub: Paramount LaserDisc
MoC ported the export dub from LaserDisc, but used a low quality transfer, with poor lossy encoding.
MST3K version: Vol XXXIX DVD / episode 1013: series finale of the original show.
Director: Mario Bava
Original Italian/English dubs: UK Masters of Cinema 4K Blu-ray
Export English dub: Paramount LaserDisc
MoC ported the export dub from LaserDisc, but used a low quality transfer, with poor lossy encoding.
MST3K version: Vol XXXIX DVD / episode 1013: series finale of the original show.
StudioCanal UK 4K Blu-ray, original aspect ratio and much better encoding; caps
Paramount JP LaserDisc. Both UHDs only have 5.1 and a downmix. Paramount US Blu-ray sounds okay, close to the LaserDisc.
StudioCanal UK 4K Blu-ray, original aspect ratio and much better encoding; caps
Paramount JP LaserDisc. Both UHDs only have 5.1 and a downmix. Paramount US Blu-ray sounds okay, close to the LaserDisc.
Director: David Lynch
Criterion 4K Blu-ray in July
Criterion 4K Blu-ray has a confirmed Lynch-approved SDR presentation
The 2020 StudioCanal UK 4K Blu-ray has DV/HDR but is not confirmed to be supervised by Lynch and people mostly find it less preferable to Criterion's SDR. It also misses a fade that Criterion is able to fix
See caps for comparison
Director: David Lynch
Criterion 4K Blu-ray in July
Criterion 4K Blu-ray has a confirmed Lynch-approved SDR presentation
The 2020 StudioCanal UK 4K Blu-ray has DV/HDR but is not confirmed to be supervised by Lynch and people mostly find it less preferable to Criterion's SDR. It also misses a fade that Criterion is able to fix
See caps for comparison
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