Dragon Quest: Your Story (2019)
ドラゴンクエスト ユア・ストーリー
Animation, Adventure, Comedy, Fantasy, Action, Family • 1h 42m
Overview
Luca follows in his father's footsteps to rescue his mother from evil Ladja. Finding the heavenly hero who wields the Zenithian sword is his only hope.
Directors: Ryuichi Yagi & Takashi Yamazaki & Makoto Hanafusa
Director: Makoto Shinkai
Hong Kong Neofilms 4K Blu-ray
US/UK Crunchyroll 4K Blu-ray
Hong Kong Neofilms 4K Blu-ray
Hong Kong Neofilms 4K Blu-ray/Japan Toho 4K Blu-ray
Hong Kong Neofilms 4K Blu-ray has better bitrate and detail than Japan Toho 4K Blu-ray, both releases have English subtitles.
The original theatrical Atmos mix has not been given a home release.
Director: Makoto Shinkai
Hong Kong Neofilms 4K Blu-ray
US/UK Crunchyroll 4K Blu-ray
Hong Kong Neofilms 4K Blu-ray
Hong Kong Neofilms 4K Blu-ray/Japan Toho 4K Blu-ray
Hong Kong Neofilms 4K Blu-ray has better bitrate and detail than Japan Toho 4K Blu-ray, both releases have English subtitles.
The original theatrical Atmos mix has not been given a home release.
Japan Toho 4K Blu-ray for uncensored Japanese audio and original 6.1 mix
Japan Toho 4K Blu-ray is an upscale of the original 2K DI but has no English subtitles, all past releases are flawed scans from filmout sources.
Japan Toho 4K Blu-ray for uncensored Japanese audio and original 6.1 mix
Japan Toho 4K Blu-ray is an upscale of the original 2K DI but has no English subtitles, all past releases are flawed scans from filmout sources.
Directors: Shinji Higuchi & Hideaki Anno
US Toho/GKIDS 4K Blu-ray > France 4K Blu-ray > Japan Toho 4K Blu-ray; caps
US disc includes original Japanese intertitles, as well as stylized English translations for all of them, both burned-in.
US Toho/GKIDS 4K Blu-ray has no limiting, unlike other releases.
Directors: Shinji Higuchi & Hideaki Anno
US Toho/GKIDS 4K Blu-ray > France 4K Blu-ray > Japan Toho 4K Blu-ray; caps
US disc includes original Japanese intertitles, as well as stylized English translations for all of them, both burned-in.
US Toho/GKIDS 4K Blu-ray has no limiting, unlike other releases.
Director: Makoto Shinkai
Director: Makoto Shinkai
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Akira Kurosawa
Director: Akira Kurosawa
Director: Akira Kurosawa
Criterion NTSC DVD overall. The 4K restoration's track is denoised and sounds muffled, but has a few of moments where it edges out in detail
Audio analysis between the Criterion 4K Blu-ray, BFI Blu-ray and Toho 4K Blu-ray
Director: Akira Kurosawa
Criterion NTSC DVD overall. The 4K restoration's track is denoised and sounds muffled, but has a few of moments where it edges out in detail
Audio analysis between the Criterion 4K Blu-ray, BFI Blu-ray and Toho 4K Blu-ray
Director: Akira Kurosawa
Criterion 4K Blu-ray: intact grain compared to Toho/BFI UHDs' DNR'd master
Criterion 4K Blu-ray is good, derived from the 1995 Criterion LaserDisc (which would be minimally better due to its lack of filtering) see blah-ray
Director: Akira Kurosawa
Criterion 4K Blu-ray: intact grain compared to Toho/BFI UHDs' DNR'd master
Criterion 4K Blu-ray is good, derived from the 1995 Criterion LaserDisc (which would be minimally better due to its lack of filtering) see blah-ray
More Animation on Blu-ray
Japan Disney 4K Blu-ray for the original Japanese audio with the best English subtitle translation
US Funimation Blu-ray for the Bandai dub
Manga Entertainment UK Blu-ray for the Manga Entertainment dub
4K remastered US theatrical re-release in 2024 courtesy of GKIDS with either the Japanese audio with Disney's English subtitles or the English dub by Bandai
Not yet confirmed for a US home video release
Japan "4K Remastered" Disney Blu-ray has the original 6.1 mix
Japan Disney 4K Blu-ray for the DTS:X remix
Funimation US Blu-ray for the Bandai dub
Manga Entertainment UK Blu-ray for the Manga Entertainment dub
Italy Dynit Blu-ray has the best picture quality but has no English subtitles or original theatrical 6.1 mix.
All "4K Remastered" and 4K Blu-ray releases (including from Disney) are taken from a 35mm filmout rather than the original digital source, and then heavily DNR'd, destroying original detail and making lines smearier than before. The Japan Disney 4K Blu-ray is the least bad presentation of the 4K remaster, being encoded with a very healthy bitrate and HDR10+ metadata, and with a top-notch DTS:X remix, with the original 6.1 mix included on the pack-in "4K Remastered" Blu-ray.
The film has multiple English subtitle translations, and the Disney subtitles done by Linda Hoaglund and Judith Aley with Aura are often seen as the best translation, with these subtitles present on the Japan Disney 4K Blu-ray, making this the definitive option for viewers who want to watch the film in Japanese with English subtitles.
Japan Disney 4K Blu-ray for the original Japanese audio with the best English subtitle translation
US Funimation Blu-ray for the Bandai dub
Manga Entertainment UK Blu-ray for the Manga Entertainment dub
4K remastered US theatrical re-release in 2024 courtesy of GKIDS with either the Japanese audio with Disney's English subtitles or the English dub by Bandai
Not yet confirmed for a US home video release
Japan "4K Remastered" Disney Blu-ray has the original 6.1 mix
Japan Disney 4K Blu-ray for the DTS:X remix
Funimation US Blu-ray for the Bandai dub
Manga Entertainment UK Blu-ray for the Manga Entertainment dub
Italy Dynit Blu-ray has the best picture quality but has no English subtitles or original theatrical 6.1 mix.
All "4K Remastered" and 4K Blu-ray releases (including from Disney) are taken from a 35mm filmout rather than the original digital source, and then heavily DNR'd, destroying original detail and making lines smearier than before. The Japan Disney 4K Blu-ray is the least bad presentation of the 4K remaster, being encoded with a very healthy bitrate and HDR10+ metadata, and with a top-notch DTS:X remix, with the original 6.1 mix included on the pack-in "4K Remastered" Blu-ray.
The film has multiple English subtitle translations, and the Disney subtitles done by Linda Hoaglund and Judith Aley with Aura are often seen as the best translation, with these subtitles present on the Japan Disney 4K Blu-ray, making this the definitive option for viewers who want to watch the film in Japanese with English subtitles.
Majority of the episodes: US GKIDS/UK Anime, Ltd. Blu-ray
Episode 16: Perfect Collection DVD Box Set
Original broadcast versions of E21-24: Perfect Collection DVD Box Set
Majority of the episodes: US GKIDS/UK Anime, Ltd. Blu-ray
Episode 16: Archives of Evangelion Japan DVD Box Set for the original TV master (all other home media releases including the Blu-rays use a low quality 35mm internegative as it's main source after the original 16mm negatives became lost. Comparison)
Original broadcast versions of E21-24: Archives of Evangelion Japan DVD Box Set Comparison of both cuts for each episode
Perfect Collection DVD Box Set uses the same master as the AoE DVD but it's at a lower bitrate and slightly altered colour grading
Majority of the episodes: US GKIDS/UK Anime, Ltd. Blu-ray
Episode 16: Perfect Collection DVD Box Set
Original broadcast versions of E21-24: Perfect Collection DVD Box Set
Majority of the episodes: US GKIDS/UK Anime, Ltd. Blu-ray
Episode 16: Archives of Evangelion Japan DVD Box Set for the original TV master (all other home media releases including the Blu-rays use a low quality 35mm internegative as it's main source after the original 16mm negatives became lost. Comparison)
Original broadcast versions of E21-24: Archives of Evangelion Japan DVD Box Set Comparison of both cuts for each episode
Perfect Collection DVD Box Set uses the same master as the AoE DVD but it's at a lower bitrate and slightly altered colour grading
Director: Pete Docter
Original credits: 2009 Blu-ray/2013 3D Blu-ray
Outtake credits: 2002 Collector's Edition DVD
Original credits: 2009 Blu-ray/2013 3D Blu-ray (preference: the 2009 Blu-ray has rendering errors not on the DVD release or the 3D version but does have the original Disney and Pixar logos caps. Fur textures are differently animated on the 3D version as well) 4K Blu-ray is an upscale.
Outtake credits: 2002 UK Collector's Edition DVD (US release has the outtakes only in the fullscreen version)
AC3 5.1, Cinema DTS, or half bitrate DTS DVD (only on the UK Collector's Edition)
Isolated score is on the DVD
Director: Pete Docter
Original credits: 2009 Blu-ray/2013 3D Blu-ray
Outtake credits: 2002 Collector's Edition DVD
Original credits: 2009 Blu-ray/2013 3D Blu-ray (preference: the 2009 Blu-ray has rendering errors not on the DVD release or the 3D version but does have the original Disney and Pixar logos caps. Fur textures are differently animated on the 3D version as well) 4K Blu-ray is an upscale.
Outtake credits: 2002 UK Collector's Edition DVD (US release has the outtakes only in the fullscreen version)
AC3 5.1, Cinema DTS, or half bitrate DTS DVD (only on the UK Collector's Edition)
Isolated score is on the DVD
Director: Mark Osborne
2015 Paramount France 3D Blu-ray
2015 Paramount France 3D Blu-ray
2015 Paramount France 3D Blu-ray
Paramount France 3D Blu-ray has both 3D and 2D formats included, as well as both the original French audio with English subtitles and the English dub.
Director: Mark Osborne
2015 Paramount France 3D Blu-ray
2015 Paramount France 3D Blu-ray
2015 Paramount France 3D Blu-ray
Paramount France 3D Blu-ray has both 3D and 2D formats included, as well as both the original French audio with English subtitles and the English dub.
Directors: Chris Appelhans & Maggie Kang
Currently streaming on Netflix
2026 Criterion 4K Blu-ray
Currently streaming on Netflix
Directors: Chris Appelhans & Maggie Kang
Currently streaming on Netflix
2026 Criterion 4K Blu-ray
Currently streaming on Netflix
Director: John Lasseter
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray (every version since the 2000 DVD release including the 2D 2010 Blu-ray has animation errors. The majority of those were corrected for the 3D rerelease.) The 4K Blu-ray is merely upscaled from the 2K render.
Stereo Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
5.1 AC3 Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
The 1997 DTS LaserDisc is a virtually untouched transfer of the theatrical 5.1 mix and should theoretically sound the best being that DTS has higher bitrates than AC3. However, the original pressing of the DTS LaserDisc has an error where the right channel is 8.5db lower than the rest. This is an easy fix in a program like Audacity, and if you can find a corrected transfer, like the ones on various fan projects online, it should be the best sounding version of the film.
The AC3 audio on Side 2 of the CLV LaserDisc has the LFE channel muted. This was left intact for the CAV release.
The 2000 and 2005 UK DVD has an error where one of the shots is brightened up way too high (when the rest of the toys hold onto Slinky as he clings onto Woody during the moving truck rescue). Plus the end credits are interlaced (the PSP UMD video is the only way to get that version of the credits without interlacing).
The 4K Blu-ray has a further remixed Atmos track.
Director: John Lasseter
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray (every version since the 2000 DVD release including the 2D 2010 Blu-ray has animation errors. The majority of those were corrected for the 3D rerelease.) The 4K Blu-ray is merely upscaled from the 2K render.
Stereo Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
5.1 AC3 Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
The 1997 DTS LaserDisc is a virtually untouched transfer of the theatrical 5.1 mix and should theoretically sound the best being that DTS has higher bitrates than AC3. However, the original pressing of the DTS LaserDisc has an error where the right channel is 8.5db lower than the rest. This is an easy fix in a program like Audacity, and if you can find a corrected transfer, like the ones on various fan projects online, it should be the best sounding version of the film.
The AC3 audio on Side 2 of the CLV LaserDisc has the LFE channel muted. This was left intact for the CAV release.
The 2000 and 2005 UK DVD has an error where one of the shots is brightened up way too high (when the rest of the toys hold onto Slinky as he clings onto Woody during the moving truck rescue). Plus the end credits are interlaced (the PSP UMD video is the only way to get that version of the credits without interlacing).
The 4K Blu-ray has a further remixed Atmos track.
Director: Mamoru Oshii
Bandai Japan 4K Blu-ray
All the Anime FRA 4K Blu-ray | Caps comparison: Ghost in the Shell (1995) | Slowpoke Pics
All the Anime FRA 4K Blu-ray
The All the Anime FRA and the Lionsgate USA run to the same frame and come from the same source, while the Bandai JPN is a separate assembly, and these three discs do not share a master and are graded differently. The French and the Japanese hold the same hue throughout; the Lionsgate is shifted, and by different amounts from scene to scene. The Lionsgate is the only Dolby Vision Profile 7 FEL (when the All the Anime is Dolby Vision Profile 7 MEL and The Bandai is only HDR10) and the extra coding precision is genuine, but it buys nothing here: the grain dithers the gradients on its own and none of the three discs bands.
What separates them is texture, and it is not close. The All the Anime FRA is very clearly superior to both others: far more fine detail, tighter edges with no sign of sharpening, and real gradation in the shadows where the other two simply go to black. It is a beautiful master, filmic and untouched. Both the US and the Japanese discs have had DNR applied: flat areas and edges are smoothed alike, so a great deal of the texture the French keeps is simply gone. The Lionsgate also falls apart on darker shots, and the Bandai is the softest of the three on top of a very conservative grade.
The French disc is the one to get, by a wide margin.
Caps comparison: Ghost in the Shell (1995) | Slowpoke Pics
Be warned that the All the Anime FRA is not English-friendly at all: it carries no English audio track and no English subtitles while being well served on the Japanese side, with the 6.1 mix from Ghost in the Shell 2.0 and the original 2.0 mix, both retaining the original 1995 end credits music, alongside the modern Dolby Atmos track.
Worth noting: the KSM GER release may carry the same master as the All the Anime FRA, but without a copy on hand I can neither confirm nor rule it out.
Director: Mamoru Oshii
Bandai Japan 4K Blu-ray
All the Anime FRA 4K Blu-ray | Caps comparison: Ghost in the Shell (1995) | Slowpoke Pics
All the Anime FRA 4K Blu-ray
The All the Anime FRA and the Lionsgate USA run to the same frame and come from the same source, while the Bandai JPN is a separate assembly, and these three discs do not share a master and are graded differently. The French and the Japanese hold the same hue throughout; the Lionsgate is shifted, and by different amounts from scene to scene. The Lionsgate is the only Dolby Vision Profile 7 FEL (when the All the Anime is Dolby Vision Profile 7 MEL and The Bandai is only HDR10) and the extra coding precision is genuine, but it buys nothing here: the grain dithers the gradients on its own and none of the three discs bands.
What separates them is texture, and it is not close. The All the Anime FRA is very clearly superior to both others: far more fine detail, tighter edges with no sign of sharpening, and real gradation in the shadows where the other two simply go to black. It is a beautiful master, filmic and untouched. Both the US and the Japanese discs have had DNR applied: flat areas and edges are smoothed alike, so a great deal of the texture the French keeps is simply gone. The Lionsgate also falls apart on darker shots, and the Bandai is the softest of the three on top of a very conservative grade.
The French disc is the one to get, by a wide margin.
Caps comparison: Ghost in the Shell (1995) | Slowpoke Pics
Be warned that the All the Anime FRA is not English-friendly at all: it carries no English audio track and no English subtitles while being well served on the Japanese side, with the 6.1 mix from Ghost in the Shell 2.0 and the original 2.0 mix, both retaining the original 1995 end credits music, alongside the modern Dolby Atmos track.
Worth noting: the KSM GER release may carry the same master as the All the Anime FRA, but without a copy on hand I can neither confirm nor rule it out.
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Paramount 4K Blu-ray has the original colour grade
Paramount 4K Blu-ray has the original colour grade
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