Falling Down (1993)
Crime, Drama, Thriller • 1h 53m
Overview
An ordinary man frustrated with the various flaws he sees in society begins to psychotically and violently lash out against them.
Director: Joel Schumacher
Cast: Michael Douglas, Robert Duvall, Barbara Hershey, Rachel Ticotin, Tuesday Weld, Frederic Forrest, Lois Smith, Joey Singer, Ebbe Roe Smith, Michael Paul Chan, Raymond J. Barry, D.W. Moffett, Steve Park, Kimberly Scott, James Keane, Macon McCalman, Richard Montoya, Bruce Beatty, Matthew Saks, Agustin Rodriguez, Eddie Frias, Pat Romano, Julian Scott Urena, Karina Arroyave, Irene Olga López, Benjamin Mouton, Dean Hallo, James Morrison, John Fleck, Brent Hinkley, Dedee Pfeiffer, Carole Androsky, Margaret Medina, Vondie Curtis-Hall, Mark Frank, Peter Radon, Spencer Rochfort, Carole Ita White, Russell Curry, John Fink, Jack Kehoe, Valentino D. Harrison, Jack Betts, Al Mancini, John Diehl, Amy Morton, Abbey Barthel, Susie Singer Carter, Wayne Duvall, Valisha Jean Malin
Director: Gordon Douglas
Shout! Factory 4K Blu-ray see caps
SF is in 1.66 aspect ratio. Whether this is the intended ratio or a compromise isn't clear.
American Film Institute's catalog and Variety's contemporary review list it as 1.66, but other sources disagree.
Exhibitor's contemporary review lists it as 1.85, IMDB and an internal pre-production note from Warner Bros. list it as 1.75.
Director: Gordon Douglas
Shout! Factory 4K Blu-ray see caps
SF is in 1.66 aspect ratio. Whether this is the intended ratio or a compromise isn't clear.
American Film Institute's catalog and Variety's contemporary review list it as 1.66, but other sources disagree.
Exhibitor's contemporary review lists it as 1.85, IMDB and an internal pre-production note from Warner Bros. list it as 1.75.
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
70mm 6-Track: Paramount US 4K Blu-ray
35mm matrixed Dolby Stereo: 1995 Live Home Video US LaserDisc
Although the provenance of Paramount's 5.1 track is not confirmed, the fidelity is outstanding and speaks for itself.
The 7.1 track on the Capelight/old Lionsgate release is just an upmix with nothing gained over the 5.1.
The original stereo mix is only present on older DVDs and LaserDiscs; all Blu-ray 2.0 tracks are downmixes.
Paramount 4K Blu-ray has no extras, Capelight 4K Blu-ray has most of the extras, Olive Films Blu-ray has a exclusive commentary
70mm 6-Track: Paramount US 4K Blu-ray
35mm matrixed Dolby Stereo: 1995 Live Home Video US LaserDisc
Although the provenance of Paramount's 5.1 track is not confirmed, the fidelity is outstanding and speaks for itself.
The 7.1 track on the Capelight/old Lionsgate release is just an upmix with nothing gained over the 5.1.
The original stereo mix is only present on older DVDs and LaserDiscs; all Blu-ray 2.0 tracks are downmixes.
Paramount 4K Blu-ray has no extras, Capelight 4K Blu-ray has most of the extras, Olive Films Blu-ray has a exclusive commentary
Director: Ken Russell
Shout! Factory 4K Blu-ray
Includes original quintaphonic (5.0) mix as well as a modernized 5.1 remix.
Director: Ken Russell
Shout! Factory 4K Blu-ray
Includes original quintaphonic (5.0) mix as well as a modernized 5.1 remix.
Director: Arthur Penn
Criterion 4K Blu-ray. caps by BR user Donald McDonald. The encode looks absolutely spotless even in the highlights and without Dolby Vision filling anything in.
Criterion 4K Blu-ray/Blu-ray
Criterion is entirely unfiltered and sounds significantly more detailed than previous tracks, see Blah-ray.
Director: Arthur Penn
Criterion 4K Blu-ray. caps by BR user Donald McDonald. The encode looks absolutely spotless even in the highlights and without Dolby Vision filling anything in.
Criterion 4K Blu-ray/Blu-ray
Criterion is entirely unfiltered and sounds significantly more detailed than previous tracks, see Blah-ray.
Director: Charles Walters
Warner Archive 4K Blu-ray is a remaster from the original VistaVision camera negaitve, FiM encode
Warner Archive 4K Blu-ray
The original mono sounds good. The Atmos remix is a mixed bag, music performances are sourced from magnetic stereo recordings and sound great, but mono dialogue/effectshas undergone destructive noise reduction and unnecessary EQ, so the jumps in fidelity are incredibly jarring.
Director: Charles Walters
Warner Archive 4K Blu-ray is a remaster from the original VistaVision camera negaitve, FiM encode
Warner Archive 4K Blu-ray
The original mono sounds good. The Atmos remix is a mixed bag, music performances are sourced from magnetic stereo recordings and sound great, but mono dialogue/effectshas undergone destructive noise reduction and unnecessary EQ, so the jumps in fidelity are incredibly jarring.
Director: Mario Bava
Original Italian/English dubs: UK Masters of Cinema 4K Blu-ray
Export English dub: Paramount LaserDisc
MoC ported the export dub from LaserDisc, but used a low quality transfer, with poor lossy encoding.
MST3K version: Vol XXXIX DVD / episode 1013: series finale of the original show.
Director: Mario Bava
Original Italian/English dubs: UK Masters of Cinema 4K Blu-ray
Export English dub: Paramount LaserDisc
MoC ported the export dub from LaserDisc, but used a low quality transfer, with poor lossy encoding.
MST3K version: Vol XXXIX DVD / episode 1013: series finale of the original show.
Director: John Waters
Criterion 4K is in director's preferred aspect ratio of 1.66:1.
Director: John Waters
Criterion 4K is in director's preferred aspect ratio of 1.66:1.
Director: Paul W. S. Anderson
Arrow includes the original theatrical sound mix in all its glory. All previous releases other than the 1996 AC-3 LaserDisc were tamed relative to the original theatrical DTS track.
The disc is authored by Duplitech, but doesn't exhibit any compression issues, though the image is pretty soft, that's likely just down to the stock used.
Old New Line Video LaserDiscs include an exclusive commentary track.
Director: Paul W. S. Anderson
Arrow includes the original theatrical sound mix in all its glory. All previous releases other than the 1996 AC-3 LaserDisc were tamed relative to the original theatrical DTS track.
The disc is authored by Duplitech, but doesn't exhibit any compression issues, though the image is pretty soft, that's likely just down to the stock used.
Old New Line Video LaserDiscs include an exclusive commentary track.
Director: Joel Schumacher
Director: Joel Schumacher
Director: Joel Schumacher
Warner Bros/New Line Blu-ray
Warner Bros/New Line Blu-ray
Director: Joel Schumacher
Warner Bros/New Line Blu-ray
Warner Bros/New Line Blu-ray
Director: Joel Schumacher
Director: Joel Schumacher
Director: Joel Schumacher
Director: Joel Schumacher
Director: Joel Schumacher
Theatrical Dolby Digital 5.1: WB LaserDisc AC3, 1997 WB DVD 5.1
2005 5.1 retransfer: 2005 WB DVD Dolby, DTS. WB Blu-ray TrueHD
4K Blu-ray has Atmos remixes with new effects and changes. The original matrix surround track is somewhat different in its mix than the 5.1 discrete but relatively the same.
Director: Joel Schumacher
Theatrical Dolby Digital 5.1: WB LaserDisc AC3, 1997 WB DVD 5.1
2005 5.1 retransfer: 2005 WB DVD Dolby, DTS. WB Blu-ray TrueHD
4K Blu-ray has Atmos remixes with new effects and changes. The original matrix surround track is somewhat different in its mix than the 5.1 discrete but relatively the same.
Director: Joel Schumacher
Dolby Stereo SR: WB LaserDisc (best audio mix of the film)
Dolby 5.1: WB LaserDisc AC3, WB DVD
2005 5.1 retransfer: WB DVD Dolby and DTS, WB Blu-ray TrueHD
4K Blu-ray has Atmos remixes with new effects and changes. The original matrix surround track is better mixed than the 5.1 discrete with more surround and low end engagement amazingly. It also hides the extensive ADR a bit due to the inherent quality dip comparing matrix to discrete formats.
Director: Joel Schumacher
Dolby Stereo SR: WB LaserDisc (best audio mix of the film)
Dolby 5.1: WB LaserDisc AC3, WB DVD
2005 5.1 retransfer: WB DVD Dolby and DTS, WB Blu-ray TrueHD
4K Blu-ray has Atmos remixes with new effects and changes. The original matrix surround track is better mixed than the 5.1 discrete with more surround and low end engagement amazingly. It also hides the extensive ADR a bit due to the inherent quality dip comparing matrix to discrete formats.
Director: Joel Schumacher
2019 Shout! Factory Blu-ray
2019 Shout! Factory Blu-ray
BD 1080p Comparison: https://slow.pics/c/6hg4Y5fB (USA-Shout! vs AUS-Imprint vs GER-NamelessMedia vs AUS-Shock)
Director: Joel Schumacher
2019 Shout! Factory Blu-ray
2019 Shout! Factory Blu-ray
BD 1080p Comparison: https://slow.pics/c/6hg4Y5fB (USA-Shout! vs AUS-Imprint vs GER-NamelessMedia vs AUS-Shock)
UK Entertainment in Video Blu-ray
Japan GAGA 4K Blu-ray is worse
UK Entertainment in Video Blu-ray
Japan GAGA 4K Blu-ray is worse
Director: Joel Schumacher
Sony 4K Blu-ray looks like a very nice upgrade and is maybe even more but people are debating the addition of a Kieślowski-like yellow color filter they put over a segment in the film at around 16 minutes, on the other hand, this cap of the Blu-ray looks terrible and clearly not right either, so leaning on Sony having reinstated the filter
Director: Joel Schumacher
Sony 4K Blu-ray looks like a very nice upgrade and is maybe even more but people are debating the addition of a Kieślowski-like yellow color filter they put over a segment in the film at around 16 minutes, on the other hand, this cap of the Blu-ray looks terrible and clearly not right either, so leaning on Sony having reinstated the filter
Director: Joel Schumacher
Director: Joel Schumacher
Director: George Cukor
Director: George Cukor
Arrow UK 4K Blu-ray (damage removed, improved color/HDR, and best audio) or Capelight DE 4K Blu-ray (best compression but no damage removal and LaserDisc audio from Arrow)
Arrow UK 4K Blu-ray >
Capelight DE 4K Blu-ray Kino Lorber US Blu-ray, see caps
Arrow has done additional cleanup work removing nearly all the damage in the transfer. They have massaged the color timing and HDR to try and improve what they could. The Capelight may have better encoding but it does not have these improvements. The Arrow encoding is solid and in motion there are no issues whatsoever. The Kino release has the damage and other issues plus frequent noise due to the lesser encoding.
Some scenes in the Arrow transfer are better, some better in the Capelight.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms) This track has the best fidelity of any release but does have some channel bleeding baked in. The 2017 2.0 on the Arrow and Shout BDs was the Dolby Stereo original mix without channel bleeding but that had heavy noise reduction resulting in a very flat and underwhelming presentation. The surround winds up being lessened as well due to the processing. It's a tough choice between the two but the Image LD audio wins out because it hasn't been messed with and the impact is so unrestrained that no other version hits in the same way.
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a painfully defective 2.0 track sourced from somewhere with limited fidelity, volume spikes and screechy high end which frequently ruins the music. The 5.1 remix on most modern release is a processed version that does not sound as good as it once did.
The best and most accurate of the 5.1 mixes is the original version from the 2003 Special Edition DVD in lossy AC3 form.
Arrow UK 4K Blu-ray (damage removed, improved color/HDR, and best audio) or Capelight DE 4K Blu-ray (best compression but no damage removal and LaserDisc audio from Arrow)
Arrow UK 4K Blu-ray >
Capelight DE 4K Blu-ray Kino Lorber US Blu-ray, see caps
Arrow has done additional cleanup work removing nearly all the damage in the transfer. They have massaged the color timing and HDR to try and improve what they could. The Capelight may have better encoding but it does not have these improvements. The Arrow encoding is solid and in motion there are no issues whatsoever. The Kino release has the damage and other issues plus frequent noise due to the lesser encoding.
Some scenes in the Arrow transfer are better, some better in the Capelight.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms) This track has the best fidelity of any release but does have some channel bleeding baked in. The 2017 2.0 on the Arrow and Shout BDs was the Dolby Stereo original mix without channel bleeding but that had heavy noise reduction resulting in a very flat and underwhelming presentation. The surround winds up being lessened as well due to the processing. It's a tough choice between the two but the Image LD audio wins out because it hasn't been messed with and the impact is so unrestrained that no other version hits in the same way.
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a painfully defective 2.0 track sourced from somewhere with limited fidelity, volume spikes and screechy high end which frequently ruins the music. The 5.1 remix on most modern release is a processed version that does not sound as good as it once did.
The best and most accurate of the 5.1 mixes is the original version from the 2003 Special Edition DVD in lossy AC3 form.
Director: Mike Flanagan
US Shout! Factory or UK Arrow 4K Blu-ray (similar encoding)
Director: Mike Flanagan
US Shout! Factory or UK Arrow 4K Blu-ray (similar encoding)
Director: James Foley
Director: James Foley
Director: Richard Fleischer
Director: Richard Fleischer
Director: Terence Young
US Arrow > UK StudioCanal 4K Blu-ray, better color grading
Director: Terence Young
US Arrow > UK StudioCanal 4K Blu-ray, better color grading
Director: John Woo
UK Arrow 4K Blu-ray > US Shout! Factory, better encoding by Engine House and redone opening credits, errors present in Shout! Factory fixed
Arrow 4K Blu-ray, mono is from an alternate higher fidelity source than Shout! Factory.
Director: John Woo
UK Arrow 4K Blu-ray > US Shout! Factory, better encoding by Engine House and redone opening credits, errors present in Shout! Factory fixed
Arrow 4K Blu-ray, mono is from an alternate higher fidelity source than Shout! Factory.
Arrow 4K Blu-ray from the Jackie Chan Boxset
Arrow 4K Blu-ray from the Jackie Chan Boxset
Arrow 4K Blu-ray from the Jackie Chan Boxset
Arrow 4K Blu-ray from the Jackie Chan Boxset
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