Veronica Guerin (2003)
Drama, Crime, Thriller • 1h 38m
Director: Joel Schumacher
Cast: Cate Blanchett, Gerard McSorley, Ciarán Hinds, Brenda Fricker, Don Wycherley, Barry Barnes, Simon O'Driscoll, Emmet Bergin, Charlotte Bradley, Mark Lambert, Garrett Keogh, Maria McDermottroe, Paudge Behan, Joe Hanley, David Murray, Karl Shiels, Barry McEvoy, Gina Costigan, Alan Devine, Gerry O'Brien, Gabrielle Reidy, Paul Roe, David Herlihy, Darragh Kelly, Colin Farrell, Laurence Kinlan, Danielle Fox-Clarke, Sarah O'Reilly-Maloney, Paul Ronan, Philip O'Sullivan, Niall Tóibín, Kevin McHugh, Joe Taylor, Vinnie McCabe, Des Cave, Luke Hayden, Joe Gallagher, Ned Dennehy, Tommy O'Neill, Shane McCabe, Brian McGuinness, Sally Ann Doddy, Aaron Harris, Jonathan White, Maggie Wade, Anne Cassin, Elizabeth Moynihan, Jimmy Greeley, Brian Dobson, Kevin Reynolds, Gerry Ryan, Barbara Brennan, Gary Lilburn, Jane Brennan, Frank Smith, Malachy McKenna, Kieran Hurley, Terry Byrne, Mick Nolan, Barbara Ryan, Enda Oates, Martin Dunne, Helen Norton, Noelle Brown, Veronica Duffy, Brian Munn, Cathy White, Amy Shiels, Fiona Glascott, Shelly Smith, Gráinne de Buitléar, Emily Kelly, Vanessa Keogh, Joe Taylor
About the film
In this true story, Veronica Guerin is an investigative reporter for an Irish newspaper. As the drug trade begins to bleed into the mainstream, Guerin decides to take on and expose those responsible. Beginning at the bottom with addicts, Guerin then gets in touch with John Traynor, a paranoid informant. Not without some prodding, Traynor leads her to John Gilligan, the ruthless head of the operation, who does not take kindly to Guerin's nosing.
Japan GAGA 4K Blu-ray is worse
Director: Joel Schumacher
Director: Joel Schumacher
US/UK Arrow 4K Blu-ray has both the original Dolby Stereo 2.0 mix in its best quailty and the original Dolby Stereo 4-track discrete stems in 4.0.
Director: Joel Schumacher
Theatrical Dolby Digital 5.1: WB LaserDisc AC3, 1997 WB DVD 5.1
2005 5.1 retransfer: 2005 WB DVD Dolby, DTS. WB Blu-ray TrueHD
4K Blu-ray has Atmos remixes with new effects and changes. The original matrix surround track is somewhat different in its mix than the 5.1 discrete but relatively the same.
Director: Joel Schumacher
Dolby Stereo SR: WB LaserDisc (best audio mix of the film)
Dolby 5.1: WB LaserDisc AC3, WB DVD
2005 5.1 retransfer: WB DVD Dolby and DTS, WB Blu-ray TrueHD
4K Blu-ray has Atmos remixes with new effects and changes. The original matrix surround track is better mixed than the 5.1 discrete with more surround and low end engagement amazingly. It also hides the extensive ADR a bit due to the inherent quality dip comparing matrix to discrete formats.
Director: Joel Schumacher
2019 Shout! Factory Blu-ray
Sources: slow.pics (opens in a new tab)
BD 1080p Comparison: https://slow.pics/c/6hg4Y5fB (USA-Shout! vs AUS-Imprint vs GER-NamelessMedia vs AUS-Shock)
Director: Joel Schumacher
Sources: Blu-ray.com (opens in a new tab)
Sony 4K Blu-ray looks like a very nice upgrade and is maybe even more but people are debating the addition of a Kieślowski-like yellow color filter they put over a segment in the film at around 16 minutes, on the other hand, this cap of the Blu-ray looks terrible and clearly not right either, so leaning on Sony having reinstated the filter
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are low-passed even though encoded by FiM and has better contrast and highlights compared to Kino Lorber.
MGM DVD/Kino Lorber 4K Blu-ray mono
Director: Steve De Jarnatt
2024 Kino Lorber Blu-ray
UK Transmission 4K Blu-ray in January 2027
Either the 2015 Kino Lorber Blu-ray or the Arrow Blu-ray
The 2024 Kino Lorber Blu-ray is botched.
Director: Simon Wincer
Sources: Blu-ray.com (opens in a new tab)
4K is defective with color space issues and poor encoding, UHD replacement disc is also defective with worse encode. The UHD has visible artifacts from the bad encoding. The HDR is overdone and the Paramount 4K master has grain management.
The new Kino Blu-ray has none of the UHD's problems and is superior to the UHD in every way though it still uses the same Paramount master.
DVD 5.1 or LaserDisc 5.1 AC3, LD PCM 2.0 for the matrix stereo version. The LD and DVD seem to be the theatrical audio mix untouched with plenty of low end. This low end like a number of 90's Paramount titles was mixed out or tamed on subsequent releases.
The Lionsgate BD and Paramount BD share the same lackluster HD master with DNR and image distortion. The Lionsgate is much better encoded but has a 7.1 remix which messed up the original mix design by lessening all the great Foley work in favor of the score. The Paramount BD had a 5.1 lossless version of the original mix but it's a new version where the bass has been tamed so the track has lost its punch. The Kino Lorber UHD and Blu-ray recycle this same lesser 5.1 mastering. The original mix can still be heard on LD and DVD. The 2.0 stereo on the Kino is matrixed but also does not sound as good as the 2.0 matrix audio on DVD or LD.
Kino has a replacement program for the defective UHD to fix the color space issue. The new disc is not marked, has a worse encode AND DOES NOT FIX THE COLOR SPACE! Thus it is a worse defective disc version of the original defective disc.
The Billy Zane interview on the Kino BD has technical issues in the editing and clip quality used.
Director: Preston Sturges
No information on French Elephant Films Blu-ray
Director: Martin Scorsese
Other releases have horrendous DNR
Sources: YouTube (opens in a new tab)
Sourced from a 4K scan of the 35mm Fine Grain. Even with its unfortunate and noticeable print damage, tears, and other issues, still easily beats any prior disc release, though the Imprint BD (same master as Kino, but inferior encode) included in their Essential Film Noir Collection Vol. 3 set does include more extras. https://youtu.be/-Wrsn6-XJCo
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Criterion Box Set coming October 20th with FiM encode
Director: Paul Leni
Theatrical/Original A negative: MoC Blu-ray
European C/D negative but better picture quality: Kino Lorber 4K Blu-ray
Sources: slow.pics (opens in a new tab)
From DVDBeaver: The MoC Blu-ray is scanned from the American A negative, as opposed to the European C or D negatives used by Photoplay and others (Kino Lorber 4K Blu-ray), so it is identical with the film US audiences saw in 1927
See caps for comparison
In addition, the Kino Lorber 4K Blu-ray has sepia tinting throughout while the MoC Blu-ray has yellow for normal scenes, blue for night scenes, and some even green tintings.
Sources: Blu-ray.com (opens in a new tab)
Kino Lorber 4K Blu-ray has excellent master in SDR and a good encode. BD caps here.
Kino Lorber 4K Blu-ray has poor audio: The 2.0 is fine but unremarkable, the 5.1 is presumably an upmix with a botched, strongly raised LFE channel which makes the entire track unlistenable on well-tuned equipment. Audio graphs here.
More Drama on Blu-ray
Director: Ben Stiller
Sources: slow.pics (opens in a new tab)
Director: Gary Ross
Shout! Factory 4K Blu-ray, but a shot was cut from the film
Warner Bros Blu-ray for the uncut version, but it's an older master.
Sources: Blu-ray.com (opens in a new tab) · YouTube (opens in a new tab)
Shout! Factory 4K Blu-ray, but a shot was cut from the film. See comparison
Warner Bros Blu-ray for the uncut version, but it's an older master.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
> UK MoC 4K Blu-ray > Australia Imprint > US Kino Lorber better encoding
The MoC, Criterion and Imprint UHDs were encoded by FiM making all 3 very close. The higher bitrate helped in deciding and some luck; however Criterion is the most consistent one of all 3. Imprint has some scenes with more splotchy grain while MoC is quite close to Criterion but has some more blocking in dark scenes (e.g.: comp #27). With Criterion’s superior audio, it ensures complete consistency.
From cbc: "I'm personally quite fond of the restored track on Eureka's 4K Blu-ray. It does have spots with objectively worse fidelity, but for the most part, it sounds a lot more natural and less shrill, particularly dialogue. It seems to be a new mixdown of stems. Technically a remix, so not everyone's cup of tea, but it's not revisionist like most new movie mixes tend to be"
Both Imprint (included in their set) and Capelight (on its own/individually) offer remastered BDs. All other BDs, including the one included in The Complete Kubrick, are sourced from the same older master from around 2010.
Director: Guillermo del Toro
Criterion 4K Blu-ray also includes exclusive "Reborn Cut"
Director: Masaaki Yuasa
Director: Doug Liman
Video format: 1080p Blu-ray
The Universal Blu-ray is slightly filtered and DNR'd compared to the HD-DVD, and the Universal 4K Blu-ray, on top of being upscaled, adds additional DNR and is softer than both previous HD releases.
Versions:
- The International version contains a short additional scene (part of the "Farmhouse" extended scene from the special features). See additional detail below.
- The US version does not contain this scene during the film. Director Doug Liman confirms in his audio commentary that the scene was cut from the original US theatrical release "for time".
- "The Explosive Extended Edition" found on some DVD releases is not an alternate cut of the film, simply an access mode that plays "The Bookend Scenes" features via non-seamless branching.
Deck the Halls scene:
The U.S. release is 118:17 while the European/Australian/Japanese releases are 118:36. There is no difference between the two running times from the start, but at 81:21, the U.S. version cuts from a kitchen scene of Marie and Eamon washing dishes, to a scene of Eamon bringing blankets to Jason and Marie. On the European/Australian releases, at the same point, there is a scene of Jason, Marie, Eamon and his children eating dinner while "Deck the Halls" plays in the background. There is no dialogue, the characters just each exchange uncomfortable glances. The scene goes to 81:40, then picks up the same scene of Eamon bringing blankets. This scene is included as an extra ("Farmhouse" extended scene) albeit sans the holiday themed music. Many thanks to Rewind user Mark Bowen for comparing these releases and letting us know the difference.
Director: David Lean
Director: Akira Kurosawa
Sources: Criterion Forum (opens in a new tab)
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