Tigerland (2000)
Drama, War • 1h 41m
Overview
A group of recruits go through Advanced Infantry Training at Fort Polk, Louisiana's infamous Tigerland, last stop before Vietnam for tens of thousands of young men in 1971.
Director: Joel Schumacher
Cast: Colin Farrell, Matthew Davis, Clifton Collins Jr., Tom Guiry, Shea Whigham, James MacDonald, Michael Shannon, Cole Hauser, Neil Brown Jr., Matt Gerald, Russell Richardson, Nick Searcy, Afemo Omilami, Keith Ewell, Stephen Fulton, Tyler Cravens, Michael Edmiston, Arian Ash, Haven Gaston, Roger Floyd, Ronnie Schafer, Frances Taylor, Matt White, Christy McKee, James Lessick Jr., Daniel Martin, Marc Macaulay, Nubia, Jack Newman, Tory Kittles, Rhynell Brumfield, Chris Huvane, Shamari Lewis, Dane Northcutt, Gerald Jackson Jr., Karolyn Arnold, Jonathan Hill, Jeff Hephner, Drew Gardner, Dennis T. Benatar, Susan Brooks, Kurt Gant, Sania R. Hahn, Anghus Houvouras, Shawn LeNoble, Michael McGruther, Geoff Mullins, Robert M. Perez, C. Eric Peterson, Garnet Tipton
Director: Joel Schumacher
Director: Joel Schumacher
Director: Joel Schumacher
Warner Bros/New Line Blu-ray
Warner Bros/New Line Blu-ray
Director: Joel Schumacher
Warner Bros/New Line Blu-ray
Warner Bros/New Line Blu-ray
Director: Joel Schumacher
Director: Joel Schumacher
Director: Joel Schumacher
US/UK Arrow 4K Blu-ray has both the original Dolby Stereo 2.0 mix in its best quailty and the original Dolby Stereo 4-track discrete stems in 4.0.
Director: Joel Schumacher
US/UK Arrow 4K Blu-ray has both the original Dolby Stereo 2.0 mix in its best quailty and the original Dolby Stereo 4-track discrete stems in 4.0.
Director: Joel Schumacher
Theatrical Dolby Digital 5.1: WB LaserDisc AC3, 1997 WB DVD 5.1
2005 5.1 retransfer: 2005 WB DVD Dolby, DTS. WB Blu-ray TrueHD
4K Blu-ray has Atmos remixes with new effects and changes. The original matrix surround track is somewhat different in its mix than the 5.1 discrete but relatively the same.
Director: Joel Schumacher
Theatrical Dolby Digital 5.1: WB LaserDisc AC3, 1997 WB DVD 5.1
2005 5.1 retransfer: 2005 WB DVD Dolby, DTS. WB Blu-ray TrueHD
4K Blu-ray has Atmos remixes with new effects and changes. The original matrix surround track is somewhat different in its mix than the 5.1 discrete but relatively the same.
Director: Joel Schumacher
Dolby Stereo SR: WB LaserDisc (best audio mix of the film)
Dolby 5.1: WB LaserDisc AC3, WB DVD
2005 5.1 retransfer: WB DVD Dolby and DTS, WB Blu-ray TrueHD
4K Blu-ray has Atmos remixes with new effects and changes. The original matrix surround track is better mixed than the 5.1 discrete with more surround and low end engagement amazingly. It also hides the extensive ADR a bit due to the inherent quality dip comparing matrix to discrete formats.
Director: Joel Schumacher
Dolby Stereo SR: WB LaserDisc (best audio mix of the film)
Dolby 5.1: WB LaserDisc AC3, WB DVD
2005 5.1 retransfer: WB DVD Dolby and DTS, WB Blu-ray TrueHD
4K Blu-ray has Atmos remixes with new effects and changes. The original matrix surround track is better mixed than the 5.1 discrete with more surround and low end engagement amazingly. It also hides the extensive ADR a bit due to the inherent quality dip comparing matrix to discrete formats.
Director: Joel Schumacher
2019 Shout! Factory Blu-ray
2019 Shout! Factory Blu-ray
BD 1080p Comparison: https://slow.pics/c/6hg4Y5fB (USA-Shout! vs AUS-Imprint vs GER-NamelessMedia vs AUS-Shock)
Director: Joel Schumacher
2019 Shout! Factory Blu-ray
2019 Shout! Factory Blu-ray
BD 1080p Comparison: https://slow.pics/c/6hg4Y5fB (USA-Shout! vs AUS-Imprint vs GER-NamelessMedia vs AUS-Shock)
UK Entertainment in Video Blu-ray
Japan GAGA 4K Blu-ray is worse
UK Entertainment in Video Blu-ray
Japan GAGA 4K Blu-ray is worse
Director: Joel Schumacher
Sony 4K Blu-ray looks like a very nice upgrade and is maybe even more but people are debating the addition of a Kieślowski-like yellow color filter they put over a segment in the film at around 16 minutes, on the other hand, this cap of the Blu-ray looks terrible and clearly not right either, so leaning on Sony having reinstated the filter
Director: Joel Schumacher
Sony 4K Blu-ray looks like a very nice upgrade and is maybe even more but people are debating the addition of a Kieślowski-like yellow color filter they put over a segment in the film at around 16 minutes, on the other hand, this cap of the Blu-ray looks terrible and clearly not right either, so leaning on Sony having reinstated the filter
Director: Joel Schumacher
Director: Joel Schumacher
Director: Danny Boyle
Sony 4K Blu-ray see caps
Recovers quite a bit of highlight detail, looks less harsh and clipped in the video footage than the old BD.
Dolby Atmos Remix: Sony 4K Blu-ray
Original 5.1 mix: old OOP Fox Blu-ray
5.1 on the 4K is a downmix of the Atmos remix.
Director: Danny Boyle
Sony 4K Blu-ray see caps
Recovers quite a bit of highlight detail, looks less harsh and clipped in the video footage than the old BD.
Dolby Atmos Remix: Sony 4K Blu-ray
Original 5.1 mix: old OOP Fox Blu-ray
5.1 on the 4K is a downmix of the Atmos remix.
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
US Paramount 4K Blu-ray, unsure whether it's the International cut released by Paramount or the Encore Cut
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
US Paramount 4K Blu-ray, unsure whether it's the International cut released by Paramount or the Encore Cut
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
3D: 2011 Fox 3D Blu-ray (exclusive with Sony 3D TV bundles in the US)
3D: 2011 Fox 3D Blu-ray
All home video releases are open matte 16:9. No home release in the theatrical scope presentation.
The original theatrical 7.1 mix has not been given a home release.
3D: 2011 Fox 3D Blu-ray (exclusive with Sony 3D TV bundles in the US)
3D: 2011 Fox 3D Blu-ray
All home video releases are open matte 16:9. No home release in the theatrical scope presentation.
The original theatrical 7.1 mix has not been given a home release.
Director: Tim Burton
-
Fox/Disney 4K Blu-ray, the compression is poor, but it still beats the previous Blu-ray. (Luminance plot)
The 4K Blu-ray only has Atmos which is possibly the original mix, but the previous Blu-ray’s 4.0 sounds good too.
Director: Tim Burton
-
Fox/Disney 4K Blu-ray, the compression is poor, but it still beats the previous Blu-ray. (Luminance plot)
The 4K Blu-ray only has Atmos which is possibly the original mix, but the previous Blu-ray’s 4.0 sounds good too.
Director: Chris Nahon
Director: Chris Nahon
Director: Chris Columbus
4K Streaming master
Old Fox Blu-ray master is stretched and sharpened
Disney 4K Blu-ray announced for September 29, 2026
4K Streaming master
Old Fox Blu-ray master is stretched and sharpened
Director: Chris Columbus
4K Streaming master
Old Fox Blu-ray master is stretched and sharpened
Disney 4K Blu-ray announced for September 29, 2026
4K Streaming master
Old Fox Blu-ray master is stretched and sharpened
Director: John McTiernan
Director: John McTiernan
More Drama on Blu-ray
Director: Mervyn LeRoy
Warner Bros 2011 Blu-ray
The older track sounds significantly more natural. The WAC BD uses a new mastering which sounds much worse. A lot of the dialogue sounds off, sort of echoey, garbled or even artifacted. Its overzealous click removal also erased some sounds. Its only positive is a new EQ that brings out the bass more making some of the score more effective.
It seems that the new mastering likely uses AI "enhancement" or some other form of aggressive filtering, resulting in extended peaks despite losing real high end detail (most pronounced on sample 3).
Samples (WAC is mislabeled as UHD)
Commentary is mono on the Blu-rays and panned stereo on NTSC DVD (different channels for each speaker).
Director: Mervyn LeRoy
Warner Bros 2011 Blu-ray
The older track sounds significantly more natural. The WAC BD uses a new mastering which sounds much worse. A lot of the dialogue sounds off, sort of echoey, garbled or even artifacted. Its overzealous click removal also erased some sounds. Its only positive is a new EQ that brings out the bass more making some of the score more effective.
It seems that the new mastering likely uses AI "enhancement" or some other form of aggressive filtering, resulting in extended peaks despite losing real high end detail (most pronounced on sample 3).
Samples (WAC is mislabeled as UHD)
Commentary is mono on the Blu-rays and panned stereo on NTSC DVD (different channels for each speaker).
Director: Bertrand Blier
The older Studio Canal disc has incorrect pitch - 0.7 semitones lower than it should be. As their PAL DVD release was pitched correctly despite running at 25 FPS, it's likely they just took that master and slowed it down without accounting for that.
Director: Bertrand Blier
The older Studio Canal disc has incorrect pitch - 0.7 semitones lower than it should be. As their PAL DVD release was pitched correctly despite running at 25 FPS, it's likely they just took that master and slowed it down without accounting for that.
Director: Richard Linklater
Criterion has English subtitles burned in for the entire film, stylized to look like an old film print.
Director: Richard Linklater
Criterion has English subtitles burned in for the entire film, stylized to look like an old film print.
Directors: Jerome Robbins & Robert Wise
Capelight's 5.1 is sourced from the original 6-track. The fidelity is comparable to the 4.0 from the 4-track available on previous BDs.
An alternate 5.1 mix was created for the 1999 MGM DVD / LaserDisc, It boasts better high end detail throughout, but the trade off is reduced bass.
See additional info for more detail.
West Side Story was produced as a 70mm Todd-AO presentation, with an accompanying 6-track audio mix in the following channel configuration: see diagram. 35mm presentations used a 4-track or a mono mixdown instead.
The original 6-track elements were thought to have been lost until they were recovered and restored in 2010. In 1981, for the film's 20th anniversary, a new 6-track mix was created by upmixing the available 4-track elements.
Capelight's release is sourced from original 6-track elements uncovered in 2010, but unfortunately it's not as detailed as it should be, owing to unnecessary noise reduction. It's by no means bad, but it could be better. As the Lc/Rc channels are mixed into into L/C/R, it's also essentially no different to a 4-track fold-down. This isn't exactly an issue as left/right center channels mix down to L/C/R very well, but a better way of handling this would be to use Atmos objects to position those channels where they should be, as Disney did on The Sound of Music.
The 4-track mix was included in a discrete form on MGM's previous BD, it trades blows with Capelight's 6-track-derived 5.1.
Interestingly, the 1999 MGM LaserDisc/DVD release includes a different 5.1 mix, which sounds a bit more detailed than the two other tracks. It's sound signature is on the brighter side, with a slight emphasis on the treble instead of bass like other releases. Although that accounts for some of the perceived detail, even after matching EQ there are spots where Capelight loses out. It's a slight upmix, with split surrounds and LFE. Whether it was derived from 4-track or 6-track elements is not clear, though it matters little, as the end result would have been very similar in either case. There are no booklet notes stating the source used, but it sounds very similar to the matrixed 1992 LD, which was attributed to the 6-track. Still, given that the original elements were thought to have been lost, I would assume that this refers to the 1981 mix.
Previous LaserDisc releases are similar to the discrete 1999 track. All LD releases are missing the intermission music and a brief whistling sequence.
The 7.1 upmix on MGM's Blu-ray offers little of value.
Directors: Jerome Robbins & Robert Wise
Capelight's 5.1 is sourced from the original 6-track. The fidelity is comparable to the 4.0 from the 4-track available on previous BDs.
An alternate 5.1 mix was created for the 1999 MGM DVD / LaserDisc, It boasts better high end detail throughout, but the trade off is reduced bass.
See additional info for more detail.
West Side Story was produced as a 70mm Todd-AO presentation, with an accompanying 6-track audio mix in the following channel configuration: see diagram. 35mm presentations used a 4-track or a mono mixdown instead.
The original 6-track elements were thought to have been lost until they were recovered and restored in 2010. In 1981, for the film's 20th anniversary, a new 6-track mix was created by upmixing the available 4-track elements.
Capelight's release is sourced from original 6-track elements uncovered in 2010, but unfortunately it's not as detailed as it should be, owing to unnecessary noise reduction. It's by no means bad, but it could be better. As the Lc/Rc channels are mixed into into L/C/R, it's also essentially no different to a 4-track fold-down. This isn't exactly an issue as left/right center channels mix down to L/C/R very well, but a better way of handling this would be to use Atmos objects to position those channels where they should be, as Disney did on The Sound of Music.
The 4-track mix was included in a discrete form on MGM's previous BD, it trades blows with Capelight's 6-track-derived 5.1.
Interestingly, the 1999 MGM LaserDisc/DVD release includes a different 5.1 mix, which sounds a bit more detailed than the two other tracks. It's sound signature is on the brighter side, with a slight emphasis on the treble instead of bass like other releases. Although that accounts for some of the perceived detail, even after matching EQ there are spots where Capelight loses out. It's a slight upmix, with split surrounds and LFE. Whether it was derived from 4-track or 6-track elements is not clear, though it matters little, as the end result would have been very similar in either case. There are no booklet notes stating the source used, but it sounds very similar to the matrixed 1992 LD, which was attributed to the 6-track. Still, given that the original elements were thought to have been lost, I would assume that this refers to the 1981 mix.
Previous LaserDisc releases are similar to the discrete 1999 track. All LD releases are missing the intermission music and a brief whistling sequence.
The 7.1 upmix on MGM's Blu-ray offers little of value.
Director: Morton DaCosta
Warner Archive 4K Blu-ray from 12K scan
Warner Bros NTSC DVD
For the most part, the mono track available on the BD and UHD is fine, but there's an 8 minutes long segment which sounds terrible with artificially expanded frequency range causing very audible artifacting. The 5.1 remix doesn't have that issue. Sample
Director: Morton DaCosta
Warner Archive 4K Blu-ray from 12K scan
Warner Bros NTSC DVD
For the most part, the mono track available on the BD and UHD is fine, but there's an 8 minutes long segment which sounds terrible with artificially expanded frequency range causing very audible artifacting. The 5.1 remix doesn't have that issue. Sample
Director: Mamoru Hosoda
Sony 4K Blu-ray has the original theatrical Dolby Atmos mix
Director: Mamoru Hosoda
Sony 4K Blu-ray has the original theatrical Dolby Atmos mix
Director: Martin Ritt
Director: Martin Ritt
Director: Atom Egoyan
Criterion Blu-ray: from 4K restoration but exhibits compression artifacts
Director: Atom Egoyan
Criterion Blu-ray: from 4K restoration but exhibits compression artifacts
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