Broken Lullaby (1932)
Drama • 1h 16m
Director: Ernst Lubitsch
Cast: Lionel Barrymore, Phillips Holmes, Nancy Carroll, Louise Carter, Lucien Littlefield, Tom Douglas, Zasu Pitts, Frank Sheridan, George Bickel, Emma Dunn, Reginald Pasch, Rodney McLennan, George Irving, Marjorie Main, Tully Marshall, George Davis, Robert Dudley, Lillian Elliott, Julia Swayne Gordon, Kate MacKenna, Torben Meyer, Russ Powell, Joan Standing, Marvin Stephens, John Steppling, Louis Van der Ecker, Anton Vaverka, Dorothy Vernon, Paul Weigel, Lottie Williams
Best audio release
2021 Kino Lorber Blu-ray
Additional info
Video comparisons: https://slow.pics/c/ryvPN8Uu
Audio comparisons: https://slow.pics/c/KEs7dwRg
About the film
A young French soldier in World War I is overcome with guilt when he kills a German soldier who, like himself, is a musically gifted conscript, each having attended the same musical conservatory in France. The fact that the incident occurred in war does not assuage his guilt. He travels to Germany to meet the man's family.
- Alternative Titles
- The Man I Killed
Director: Ernst Lubitsch
4K restoration from Original Camera Negative
Criterion 4K Blu-ray scheduled for Dec 2026 release
Indicator Blu-ray > Kino Lorber see DVDBeaver
Indicator is using a different restoration from earlier Kino Lorber Blu-ray and it has much better contrast and slightly better grain resolution
Director: Ernst Lubitsch
Subjective, but the concertina score by Bernard Wrigley on the OOP MoC Blu-ray is generally regarded as very weak. For example, it frequently doesn't match the action. The Meg Morley score on the Kino Lorber Blu-ray is considered superior.
Director: Ernst Lubitsch
Director: Ernst Lubitsch
Kino Lorber 4k resto
The audio on the Kino Lorber Blu-ray comes from a better source than the various DVDs and the previous HD version on streaming. This audio is relatively untampered with, and is likely the best available source as no laserdisc was ever issued.
Director: Ernst Lubitsch
MoC OOP Blu-ray is likely to have better encoding than Kino Lorber Blu-ray judging from other movies in the boxset
Director: Ernst Lubitsch
MoC OOP Blu-ray is likely to have better encoding than Kino Lorber Blu-ray judging from other movies in the boxset
Directors: Allison Anders & Alexandre Rockwell & Robert Rodriguez & Quentin Tarantino
See caps
Director: Todd Haynes
Video format: UHD Blu-ray
French BubbelPop 4K Blu-ray has EN audio but doesn't have EN subtitles see caps
Caveat of Kino Lorber: "Hero" segment is stretched from 4:3 to 16:9, 1999 Fox Lorber DVD features original framing
Director: Anthony Mann
Kino Lorber Blu-ray reissue (4K restoration)
Massive picture upgrade as the 4K restoration addresses the massive color fringing that has plagued all previous dated masters. Oddly the titles are a different color now.
4K restoration is a gigantic and essential picture upgrade but only available on the Kino Blu-ray reissue. No UHD has been made or announced by anyone.
Director: Anthony Mann
This is an ancient Universal master of a film in dire need of restoration. This only looks somewhat better than the old Universal DVD upscaled and is clearly the same master. Tons of wear, color fringing and other issues abound. The film is stuck at the theatrical widescreen ratio of 1.85:1 when it was composed for Academy ratio. The proper ratio is only found on the trailer, original VHS master and Region 2 PAL DVD. The Kino Lorber Blu-ray is their usual barebones affair except for flawed low res trailer files and a basic commentary. The film's 3.0 stereo mix is intact alongside the more limited mono mix thankfully. The Blu-ray does edge out over the old Universal DVD but that is merely due to it being the same master resolving better in 1080p. This presentation is sadly poor and the film deserves much better.
Director: James Neilson
The Universal HD master is appalling. This is a large format early Technirama film that has been hit with a massive amount of DNR resulting in a smeary appearance throughout with little detail. On one hand it is still a better scan than the old DVD with better color and element issues addressed. On the other it is barely above the DVD upscaled in other moments. The mono audio has been horribly processed to sound thin, canned and lacking in overall fidelity. The DVD clearly uses the same source element for picture and sound and here the sound is left alone. It sounds miles better. The Kino Lorber Blu-ray is technically the best US release but this master has been released in Europe where it likely has better encoding. The Kino Lorber Blu-ray adds a basic commentary. This film needs a proper transfer and audio presentation desperately. The HD master is so lackluster that the DVD despite its age is arguably preferable in visuals and certainly far superior in audio.
Director: Wong Kar-Wai
Video format: 1080p Blu-ray
2010 US Kino Lorber or 2012 UK Artificial Eye
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible. However, Artificial Eye also includes the 2.0 stereo mix in addition to the 5.1 mix, while Kino only includes 5.1 mix.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Wong Kar-Wai on the framing:
With Fallen Angels, I have changed the format to cinemascope, because it was originally what I had intended to release the film in. When we were cutting the film, we accidentally turned the Steenbeck on anamorphic instead of standard. I felt that the film looked much more interesting because it enhanced the distance of the characters on top of the extreme wide angle that we shot on. Back then, it was impossible to shoot a film in standard and release it in anamorphic. With this restoration, we have successfully fulfilled this wish.
Director: Stanley Kubrick
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed. The compression is better, but some of the grain is lost. Difference is pronounced in screen caps, but not likely to be noticed during playback, without a reference to compare it to. Comparisons
All discs use the same source transfer. It's not of the highest quality, and it includes some slight distortion, looping, clicks, pops, and hum. Criterion cleaned it up for their release, but unfortunately also lost a lot of fidelity in the process.
MGM NTSC DVD doesn't seem to have some of the more prominent distortion and has slightly different EQ but is otherwise the same.
Director: Sidney Lumet
1.85:1: Kino Lorber 4K / Capelight 4K
1.66:1: Criterion 4K but low pass filtered
Comparison between the 4Ks, Criterion on the AR choice
Other discs have unnecessary filtering and sound worse, the difference isn't substantial but audible
Director: Buster Keaton
Kino Lorber new Seven Chances / Sherlock Jr. Blu-ray?
MoC 4K Blu-ray late 2027
Lobster Films (Kino Lorber?) > Cohen/Eureka https://slow.pics/c/3KWXoMyR The new Kino Lorber's Seven Chances / Sherlock Jr. might be using the same restoration as Lobster Films
More Drama on Blu-ray
Director: Richard Rush
> Shout! Factory 4K Blu-ray (FiM encode on Radiance compared to Duplitech encode on Shout! Factory)
Director: Victor Sjöström
Video format: 1080p Blu-ray
Director: Victor Sjöström
Video format: 1080p Blu-ray
Director: Paul Verhoeven
Video format: UHD Blu-ray
Director: Philip Kaufman
Criterion 4K Blu-ray is a significant upgrade over previous WB Blu-ray see comparison
Criterion for the first time on home video have provided the 70mm 6-track as well as the Dolby stereo which was previously on LaserDisc. Both tracks are unique so included both with the 6-track default. Criterion’s 5.1 remix is lossless compared to the lossy tracks of the previous blu-rays and DVDs.
See comparison
New 4K restoration recently screened at Venice Film Festival https://variety.com/2026/film/news/apichatpong-weerasethakuls-4k-restorations-match-factory-1236843949/
Director: Robert De Niro
2027 FreeWind Media UK 4K Blu-ray
Edit history
1 edit
Every recommendation follows the same method — how these calls are made.