Tully Marshall

31 films on Best Blurays2 in 4K12 in HD12 in SD5 with no official release

Tully Marshall (born William Phillips) was an American stage and screen character actor, his film career spanning the years 1914 to 1943.

Biography from TMDB

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By format

List

The Devil's Needle (1916)

Leading role · Director: Chester Withey

Best English-Friendly & Video:

Kino Lorber Blu-ray

Afraid to Talk (1932)

Leading role · Director: Edward L. Cahn

Video format: Only Unofficial Sources

Sources: moma.org (opens in a new tab)

Best Video:

Unofficial DVD

Video Notes:

Likely from TCM Streaming

Possibly restored in 2016, see MoMA

Fighting Caravans (1931)

Supporting role · Directors: David Burton & Otto Brower

Video format: DVD

Best Video:

Available on various US DVD, including The Film Detective and Mill Creek

3.1

Thunderbolt (1929)

Supporting role · Director: Josef von Sternberg

Best English-Friendly & Video:

Indicator Blu-ray

Video Notes:

Given that Indicator Blu-ray is encoded by FiM and Kino Lorber uses the same transfer judging from different screenshots, Indicator is most likely to be better encoded.

The Cat and the Canary (1927)

Supporting role · Director: Paul Leni

Best English-Friendly & Video:

Theatrical/Original A negative: MoC Blu-ray

European C/D negative but better picture quality: Kino Lorber 4K Blu-ray

Sources: slow.pics (opens in a new tab)

Video Notes:

From DVDBeaver: The MoC Blu-ray is scanned from the American A negative, as opposed to the European C or D negatives used by Photoplay and others (Kino Lorber 4K Blu-ray), so it is identical with the film US audiences saw in 1927

See caps for comparison

In addition, the Kino Lorber 4K Blu-ray has sepia tinting throughout while the MoC Blu-ray has yellow for normal scenes, blue for night scenes, and some even green tintings.

3.5

Smouldering Fires (1925)

Supporting role · Director: Clarence Brown

Best English-Friendly & Video:

AlphaVideo DVD

Video Notes:

Given the DVD is released the same year the film is restored, it's likely the same "digitally scanned in 4K from color-tinted 16mm prints derived from the original 35mm camera negative" by UCLA and The Packard Humanities Institute