No Other Choice (2025)
어쩔수가없다
Comedy, Crime, Thriller • 2h 20m
Overview
After being laid off and humiliated by a ruthless job market, a veteran paper mill manager descends into violence in a desperate bid to reclaim his dignity.
Director: Park Chan-wook
Cast: Lee Byung-hun, Son Ye-jin, Park Hee-soon, Lee Sung-min, Yeom Hye-ran, Cha Seung-won, Oh Dal-su, Kim Woo-seung, Choi So-yul, Kim Hae-sook, Yoo Yeon-seok, Hwang Gyu-chan, Bae Ki-beom, Kim Jin-man, Jason Lane Cutler, Hiram Piskitel, Henny Savenije, Derek Chouinard, Christian Olsen, Sean Cho, Kim Jung-pal, Yoo In-hye, Cho Eun-joo, Lee Han-sol, Nam Jin-bok, Kim Sung-kang, Zhang Dong, Lee Suk-hyeong, Kim Hyeong-mook, Woo Jeong-won, Yoon Ga-i, Oh Kwang-rok, Lee Yong-nyeo, Im Tae-poong, Ahn Hyun-ho, Nam Dae-hyeop, Joo In-young, Jeong Soo-kyo, Ryu Ji-an, Son Sang-gyu, Yoo Yeon, Byun Jin-su, Kim Chae-yoon, Kwon Do-gyun, Bae Hyun-kyung, Lee Jin-kyul, Kwon Hyuk, Woo Choong-hyun
Director: Park Chan-wook
Stereo mix: Tartan DVD
5.1 mix: France The Jokers 4K Blu-ray
Atmos: Japan Amuse Soft Blu-ray
Comparison between different extras: https://dvdcompare.net/comparisons/film.php?fid=56142
Director: Park Chan-wook
Stereo mix: Tartan DVD
5.1 mix: France The Jokers 4K Blu-ray
Atmos: Japan Amuse Soft Blu-ray
Comparison between different extras: https://dvdcompare.net/comparisons/film.php?fid=56142
Director: Park Chan-wook
Director: Park Chan-wook
Director: Park Chan-wook
Neon 4K Blu-ray, Arrow 4K Blu-ray, Umbrella Blu-ray, and Korea Plain Archive Blu-ray all have differing extras
Director: Park Chan-wook
Neon 4K Blu-ray, Arrow 4K Blu-ray, Umbrella Blu-ray, and Korea Plain Archive Blu-ray all have differing extras
Director: Ivan Reitman
Plaion German 4K Blu-ray > US Kino Lorber see comparison and caps
Kino Lorber has an exceedingly poor encode, only slightly improved by the DV layer.
Original matrixed Dolby Stereo: Universal US Blu-ray
Dolby Atmos remix: Plaion DE 4K Blu-ray
Universal's BD uses the same transfer as the old LaserDisc and sounds a bit better than Plaion's, which has worse dynamics.
Plaion's Atmos remix is tastefully done and preserves the original mix's characteristics, the 5.1 track on Kino's release is overly aggressive and unbalanced.
Director: Ivan Reitman
Plaion German 4K Blu-ray > US Kino Lorber see comparison and caps
Kino Lorber has an exceedingly poor encode, only slightly improved by the DV layer.
Original matrixed Dolby Stereo: Universal US Blu-ray
Dolby Atmos remix: Plaion DE 4K Blu-ray
Universal's BD uses the same transfer as the old LaserDisc and sounds a bit better than Plaion's, which has worse dynamics.
Plaion's Atmos remix is tastefully done and preserves the original mix's characteristics, the 5.1 track on Kino's release is overly aggressive and unbalanced.
Director: William Wyler
Italy Plaion 4K Blu-ray > Paramount 4K Blu-ray (marginally)
Director: William Wyler
Italy Plaion 4K Blu-ray > Paramount 4K Blu-ray (marginally)
Director: Adrian Lyne
Italy Paramount/Plaion 4K Blu-ray, better compression than other 4K Blu-rays
Director: Adrian Lyne
Italy Paramount/Plaion 4K Blu-ray, better compression than other 4K Blu-rays
Director: Enzo G. Castellari
German Plaion 4K Blu-ray see caps but doesn't have EN subtitles
Director: Enzo G. Castellari
German Plaion 4K Blu-ray see caps but doesn't have EN subtitles
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
The master is heavily DNR'd.
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
The master is heavily DNR'd.
Director: Wong Kar-Wai
4K restoration: Koch Media DE 4K Blu-ray
Original digital master: Cannes 2006 Promo HD-DVD
4K remaster is cropped 2.35:1 from the original 2.55:1 presentation, and has significantly different color grading, as is the case with most WKW supervised restorations. Due to DNR the detail is sometimes lacklustre compared to the old master. CGI scenes appear to be rerendered. A sepia tinted scene was altered to be fully black and white.
Caps: Criterion US BD vs Cannes HD-DVD, HD-DVD vs KR BD vs DVDs vs US BD
Remixed 5.1: The Jokers FR 4K Blu-ray
Original 5.1: Cannes 2006 Promo HD-DVD
The remixed track has different front panning and little LFE use compared to the original.
HD-DVD is by far the best option for the original track, as DVDs and Korean BD suffer from noise gating, limiting and duplicated surrounds. Remixed tracks are all similar, but French disc has slightly better dynamics, particularly on the LFE channel.
The 2006 HD-DVD is a promotional release made in only 100 copies, handed out to VIPs at Cannes Film Festival. See this blog post for details. The same master can be found on KR BD, though it suffers from interlacing, blended frames and a gamma bug, as well as older DVD releases.
Director: Wong Kar-Wai
4K restoration: Koch Media DE 4K Blu-ray
Original digital master: Cannes 2006 Promo HD-DVD
4K remaster is cropped 2.35:1 from the original 2.55:1 presentation, and has significantly different color grading, as is the case with most WKW supervised restorations. Due to DNR the detail is sometimes lacklustre compared to the old master. CGI scenes appear to be rerendered. A sepia tinted scene was altered to be fully black and white.
Caps: Criterion US BD vs Cannes HD-DVD, HD-DVD vs KR BD vs DVDs vs US BD
Remixed 5.1: The Jokers FR 4K Blu-ray
Original 5.1: Cannes 2006 Promo HD-DVD
The remixed track has different front panning and little LFE use compared to the original.
HD-DVD is by far the best option for the original track, as DVDs and Korean BD suffer from noise gating, limiting and duplicated surrounds. Remixed tracks are all similar, but French disc has slightly better dynamics, particularly on the LFE channel.
The 2006 HD-DVD is a promotional release made in only 100 copies, handed out to VIPs at Cannes Film Festival. See this blog post for details. The same master can be found on KR BD, though it suffers from interlacing, blended frames and a gamma bug, as well as older DVD releases.
German release from Plaion has better grading and encode than the US Vinegar Syndrome releases.
Both UHDs come with Italian and English audio, as well as English subtitles.
German release from Plaion has better grading and encode than the US Vinegar Syndrome releases.
Both UHDs come with Italian and English audio, as well as English subtitles.
Director: Moritz Mohr
Italy Plaion has Dolby Vision, but the metadata is static: https://forum.blu-ray.com/showpost.php?p=22742198&postcount=92
Director: Moritz Mohr
Italy Plaion has Dolby Vision, but the metadata is static: https://forum.blu-ray.com/showpost.php?p=22742198&postcount=92
Director: David Lynch
Criterion 4K Blu-ray or Germany Plaion 4K Blu-ray - subtle difference in encoding to the Criterion in encoding, trading blows in different shots, with Plaion taking a slight edge with less highlight blocking
1993 MGM LaserDisc/2000 Region 1 MGM DVD
Criterion's 2.0 sounds muffled due to noise reduction and EQ.
Plaion's 2.0 lacks bass and has a very bright EQ, more resembling the 5.1 remix. Plaion’s 2.0 doesn't have any filtering unlike the Criterion, see https://forum.blu-ray.com/showpost.php?p=23831289&postcount=110
Director: David Lynch
Criterion 4K Blu-ray or Germany Plaion 4K Blu-ray - subtle difference in encoding to the Criterion in encoding, trading blows in different shots, with Plaion taking a slight edge with less highlight blocking
1993 MGM LaserDisc/2000 Region 1 MGM DVD
Criterion's 2.0 sounds muffled due to noise reduction and EQ.
Plaion's 2.0 lacks bass and has a very bright EQ, more resembling the 5.1 remix. Plaion’s 2.0 doesn't have any filtering unlike the Criterion, see https://forum.blu-ray.com/showpost.php?p=23831289&postcount=110
Director: Peter Weir
Director: Peter Weir
More Comedy on Blu-ray
Director: Domee Shi
Director: Domee Shi
Director: Will Gluck
Sony 4K Blu-ray see comparison
The 4K Blu-ray is low-passed, Sony Pictures Core Streaming is heavily DNR
Director: Will Gluck
Sony 4K Blu-ray see comparison
The 4K Blu-ray is low-passed, Sony Pictures Core Streaming is heavily DNR
Directors: Arturo Perez Jr. & Samantha Jayne
Directors: Arturo Perez Jr. & Samantha Jayne
Undercrank Blu-ray new 2K restoration
Undercrank Blu-ray new 2K restoration
Director: Billy Wilder
Criterion 4K Blu-ray > Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
Director: Billy Wilder
Criterion 4K Blu-ray > Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
Directors: Gene Kelly & Stanley Donen
Directors: Gene Kelly & Stanley Donen
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
The old 2 disc DVD has extras missing from 4K Blu-ray
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