Early Summer (1951)
麦秋
Drama • 2h 15m
Overview
A 28-year-old single woman is pressured to marry.
Director: Yasujirō Ozu
Director: Yasujirō Ozu
Director: Yasujirō Ozu
Director: Yasujirō Ozu
Director: Yasujirō Ozu
Director: Yasujirō Ozu
Director: Yasujirō Ozu
Director: Yasujirō Ozu
Director: Yasujirō Ozu
Director: Yasujirō Ozu
Director: Yasujirō Ozu
Director: Bert Stern
Director: Bert Stern
Director: Takashi Miike
4K Remaster: Carlotta FR 4K Blu-ray
Original digital master: Tokyo Shock US Blu-ray
The original master is of poor quality, blurry with some damage and bad levels, which the 4K remaster improves upon, with better detail in compression. Unfortunately, the 4K master has significant issues with color posterization, making it look like poor quality digital video rather than 16mm film. Comparison between masters, Carlotta/Tokyo Shock clip
Original Japanese: Carlotta FR 4K Blu-ray
English dub: Tokyo Shock US Blu-ray
Well Go does not include the dub.
Director: Takashi Miike
4K Remaster: Carlotta FR 4K Blu-ray
Original digital master: Tokyo Shock US Blu-ray
The original master is of poor quality, blurry with some damage and bad levels, which the 4K remaster improves upon, with better detail in compression. Unfortunately, the 4K master has significant issues with color posterization, making it look like poor quality digital video rather than 16mm film. Comparison between masters, Carlotta/Tokyo Shock clip
Original Japanese: Carlotta FR 4K Blu-ray
English dub: Tokyo Shock US Blu-ray
Well Go does not include the dub.
Director: Delmer Daves
Criterion 4K Blu-ray see caps
All audio tracks originate from the same DVD-era master, no real audible differences between them, but Carlotta is least filtered out of all
Director: Delmer Daves
Criterion 4K Blu-ray see caps
All audio tracks originate from the same DVD-era master, no real audible differences between them, but Carlotta is least filtered out of all
Director: Alan J. Pakula
Director: Alan J. Pakula
Director: Edward Yang
France Carlotta 4K Blu-ray is FiM encoded and superior to Criterion 4K Blu-ray see caps but the Carlotta release is not English friendly
A user writes: 'the 5.0 mix does not closely resemble the matrixed stereo track included on all prior releases (save for a 2003 French DVD which had 5.1). There is significant dialogue emphasis in the 5.0 mix while the older stereo mix has ambient sounds and dialogue mixed at nearly the same loudness. Additionally, the 5.0 mix has minor limiting in select loud sequences and a strange distorted quality on occasion (one notable example is the sound of a plane taking off which plays during a static shot of clouds in the sky). The stereo mix included on the FRA UHD/BD is a downmix of the 5.0 track.'
Director: Edward Yang
France Carlotta 4K Blu-ray is FiM encoded and superior to Criterion 4K Blu-ray see caps but the Carlotta release is not English friendly
A user writes: 'the 5.0 mix does not closely resemble the matrixed stereo track included on all prior releases (save for a 2003 French DVD which had 5.1). There is significant dialogue emphasis in the 5.0 mix while the older stereo mix has ambient sounds and dialogue mixed at nearly the same loudness. Additionally, the 5.0 mix has minor limiting in select loud sequences and a strange distorted quality on occasion (one notable example is the sound of a plane taking off which plays during a static shot of clouds in the sky). The stereo mix included on the FRA UHD/BD is a downmix of the 5.0 track.'
Director: Max Ophüls
French version: Criterion Blu-ray (Carlotta has no English subtitles)
German version: Filmmuseum DVD
French version: 2020 Carlotta Blu-ray
German version: Filmmuseum DVD
Carlotta Films corrects the mistakes of Criterion due to the compression on dark scenes and gives the gorgeous transfer of the restoration a better encode/compression and more bitrate.
The German cut, titled Lola Montez, is considered by Ophüls scholars such as Jonathan Rosenbaum, Dan Sallitt and Tag Gallagher to be superior to the French cut. It has only been reissued on the Filmmuseum DVD.
Director: Max Ophüls
French version: Criterion Blu-ray (Carlotta has no English subtitles)
German version: Filmmuseum DVD
French version: 2020 Carlotta Blu-ray
German version: Filmmuseum DVD
Carlotta Films corrects the mistakes of Criterion due to the compression on dark scenes and gives the gorgeous transfer of the restoration a better encode/compression and more bitrate.
The German cut, titled Lola Montez, is considered by Ophüls scholars such as Jonathan Rosenbaum, Dan Sallitt and Tag Gallagher to be superior to the French cut. It has only been reissued on the Filmmuseum DVD.
Director: Chen Kaige
Director: Chen Kaige
Director: Béla Tarr
Curzon 4K Blu-ray August
Director: Béla Tarr
Curzon 4K Blu-ray August
More Drama on Blu-ray
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: James Foley
Director: James Foley
Director: Iain Softley
Director: Iain Softley
Director: Steven Shainberg
Director: Steven Shainberg
Director: Akira Kurosawa
Director: Akira Kurosawa
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Vertical Blu-ray
Director: Rob Reiner
Vertical Blu-ray
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